In my opinion, the movie builds up to something but unfortunately it never comes to fruition. I thought the ghost had some backstory to tell but in the end there were not. In my opinion the characters really done well and the acting really portrays the characters diverse personalities and makes the dynamic of the movie interesting. I admit is is not the scariest movie you can get but I do feel scared when watching it. Especially when you are a student and don't really know what to do when dealing with supernatural things. There's one message that I got which is to let your past mistakes go and don't leave on it. If you do you are not living your life. Overall I like the movie. The cinematography was expected out of South Korea and the direction and story progression is well paced.

Since signing up to a offer of free 30 days on Shudder,I've been trying my best to stick to viewing exclusives on the site. Checking Shudder UK's Twitter page, I was happy to find a new exclusive movie about to come hot off the press.

View on the film:

Going behind the camera for the first time after writing the script for Musudan (2016),writer/director Sun-Dong Yoo & cinematographer Taek Gyun Cha take a group of teens down to a Korean Horror cabin, entirely made of J-Horror dead wood.

Bringing the ghost to life in a prologue, Sun-Dong knocks down any chance of fear or mystery building, by drenching the flick in a terrible jump-scare score, where in moments when silence and a lingering camera could have created a decent scene, Sun-Dong slaps the dull boo-jump score on, and elbows the camera in for plodding hump-scare whip-pans.

Minded from the comic by Jak Jang, the adaptation by Sun-Dong borrows from the worst aspects of the Slasher genre, by making each of the teens in the cabin who cause the ghost to be awakened, be utterly interchangeable from each other,due to Sun-Dong finding no wood to build any distinct characters or personalities.

Bringing the J-Horror styled long black haired female ghost out of the woodwork, Sun-Dong tramples on any spooky potential the ghost has, by wrapping her in terrifyingly shoddy CGI, leading to mind-numbing, dull cabin fever.

Had they stuck to South Korean style movie making rather than incorporate Hollywood style B S