This indie was shown recently on cable. Alexandre Rockwell (any relation to Sam?) directs this strange account of a night in L.A. While the film is interesting there are a lot of things that make absolute no sense in the way the director, working with Brandon Cole in the screen play, presents the story and then proceeds to solve it in the next 90 minutes.

Mr. Rockwell has to be congratulated in employing these young talent. Given the choice between a studio film and and independent one, I will always choose the latter one. That said, there are a lot of unanswered questions in the film.

We have no inkling at the beginning of the film that Timmy is a sick boy, he is suddenly in the hospital where a donor has been matched and will undergo a kidney transplant. The donor is Slovo, a man who was hit by the boy's father, and it's an obnoxious man. The quest for the search of this man, who disappeared from the hospital, is at the core of the action. It gives the writers an excuse for bringing the assorted characters into the picture.

Another thing that doesn't make sense is how can anyone be arrested for attending a T&A club? Evidently it can only happen in the city of Angels! There is the rapper with the gorgeous girlfriend who can't carry a tune who come to help the boy and his father and in the process take us into the streets of a seedy section of town and end up in the rapper's mansion where everyone jumps in the pool.

There are a lot things that don't make sense, but we go along the ride because the director, at times, shows signs of brilliant film making, but ultimate, the movie leaves us questioning a lot of things as to why they happen.

The cast is wonderful. Daryl Mitchell and Rose Collins are perfect as the rapper and his girlfriend. Steve Buscemi and Peter Dinklage as the clowns, don't get a lot to do. Pruitt Taylor Vince, an actor's actor makes an incredible Owen, the man who will eventually save the boy. David Proval and Elizabeth Bracco are the estranged parents of the sick young boy, Timmy, who is portrayed with an uncanny maturity by Austin Wolff. Jennifer Beals and Sam Rockwell have only limited time in front of the camera.

While we wished "13 Moons" would have been better, it shows a great team of writers as well as an excellent director.

13 Moons is an ambitious, unusual film that works really well. It has beautiful imagery, great music and fantastic acting. And it manages to feel spontaneous and free in a way that big-budget studio films never quite do. In fact, it's exactly the kind of movie a big studio would never attempt. It features a huge, eclectic ensemble cast in a wild series of events that are, at first glance, pretty far-fetched. But the result is surprisingly smooth and genuine. First of all, the cast is fantastic. In addition to Steve Buscemi and Jennifer Beals, I recognized many of the actors from television and other (mostly independent) movies: David Proval from The Sopranos, Karyn Parsons from The Fresh Prince of Bel Air, Daryl Mitchell and Sam Rockwell from GalaxyQuest, and Peter Dinklage from Living in Oblivion. The plot doesn't exactly ramble, but there are definitely points where it's unclear where the story is moving. It's hard, with so many interesting characters, to maintain a perfect narrative balance. But the great thing about 13 Moons is that it is a little off-balance. It's basically a collection of strange little moments, but they all feel so sincere that it's easy to lose yourself in them. And in the end, everything and everyone comes together. In fact, it's one of the most satisfying movie endings I've seen in a long time. It's a shame 13 Moons wasn't released to the public the way it deserved to be. I hope more people can find a way to see this movie.

I knew every character in this movie as a real person. I knew the depressive clown and the hard-boiled midget and the drug addicted drag queen and even the self-doubting priests. While "13 Moons" was not set in New York City in the seventies, it might as well have been. Granted, I've been out of that crazy, all-night life for a long time, but I'm sure it hasn't gone away. People don't change, and the same kinds of tormented souls have to be there, pursuing their crazy odysseys, all night long. Perhaps you've missed them if you've been cocooned in the enclaves of the middle class, but if you're brave enough to go out and find them, you can.

I was totally engaged by "13 Moons." The ensemble acting was first-rate, so the characterizations were virtually perfect. The plot may be slightly less than believable, but if you tossed that particular batch of odd characters together under the right circumstances, something like it just MIGHT have happened.

Many reviewers refer to this film as "quirky." Well, LIFE is quirky, children -- and if you don't think Bananas and Binky and Lenny and Slovo and Mo and Lily and Suzi are real enough, you haven't been drinking in the right bars.

See "13 Moons." Believe in it. It's a close approximation of a world you may not have encountered, but which certainly is real.