What if Jack the Ripper escaped and made it to the Wild West? Well, a knife-wielding killer has been slicing his way through the small desert town of Mescal. And while most of the victims have been prostitutes, the first was Travis Mescal, the only son of the town's richest family. The sheriff hasn't been able to solve matters, so the town's leaders bring in an investigator to get the job done.

Directed by Larry G. Spangler, who also produced and directed The Life and Times of the Happy Hooker, this is a rare horror Western.

It's got a great start and plenty of filler until the end. At least Jack Elam is in it as the sheriff. And Ruth Roman, who lights up The Baby. She's in this, too.

The hero detective - played by Jeff Cooper - has a 1970's haircut, which really makes no sense. Neither does this movie, which is unsure if it wants to be horror, proto-slasher, a Western or a giallo. It fails equally at each, providing ony boredom.

A KNIFE FOR THE LADIES is a weird mix of a prototype slasher movie and a stable western, shot on a low budget and starring the inimitable Jack Elam as the town sheriff. Elam's very good, one of the best reasons to watch the film, but the rest of it is a bit of a jumbled mess and surprisingly tame given the genre; it feels more like a television movie than anything else. Elam's sheriff and a rival investigate a series of mysterious slayings in a small western town, but the mystery aspects of the story are limited and this takes an age to go anywhere. The ending is mildly effective but the two separate genres never really gel and there are only a few stand-out moments, Elam's tangling with a younger model in a jail cell being one of them.

Now here's something you don't encounter every day... "A Knife for the Ladies" is a genre hybrid between western and horror. No wait, let me specify that even more, it's a western mixed with strong and typical giallo trademarks! Of course, you can't really be sure if this was intentional. Was director Larry G. Sprangler even aware that overseas, in contemporary Italy, the giallo existed or was it just a lucky but coincidental choice to provide this film's killer with black leather gloves and make him/her hunt down lurid women with a sharp knife? It also doesn't matter that much, as the combo works quite effectively! "A Knife for the Ladies" is a heavily flawed film, mostly suffering from a pacing that is far too slow and a very poor use of western decors and set-pieces, but the plot is still an engaging whodunit and the murders are reasonably grisly. The town of Mescal is plagued by vicious murders and, so far, the bodies of three women have been discovered with their throats slit. The town council decides to hire private detective Burns to find the culprit, since Sheriff Jarrod is too incompetent to solve anything except for wrongly parked horses. Burns runs into a few suspects, including a morbid undertaker and the nasty saloon-owner who secretly aspires to become sheriff, but meanwhile the murders continue. "A Knife for the Ladies" is a recommendable effort, especially if you're into obscure and experimental 70s horror, but you'll have to accept the snail-pace, the lack of directorial style and the poorly created western setting. On the bright side, crazy-eyed Jack Elam is always a pleasure to watch and the denouement is vile and twisted in good old-fashioned Giallo tradition (albeit somewhat predictable if you look at the poster images)