Mo McRae's directorial debut "A Lot of Nothing" tackles a sensitive and relevant topic - police killings of unarmed victims in the Black community. The film follows James and Vanessa, a wealthy Black couple, who perform their own twisted citizen's arrest after learning that their white neighbor and cop killed a kid. The film is audacious and creative in its cinematography and musical score. However, it falls short in its writing, as the characters are poorly developed and serve as mere soundboards for the film's proposed intelligence. The film's themes are not explored with meaningful depth, and the big reveal leaves the film's stance on race and social capital muddled. Despite its weaknesses, McRae shows promise in his direction and artistic capabilities.

A Lot Of Nothing begins with a shot. Vanessa watches the news. Her anger erupts while her husband, James, weary of the world's temperament, and perhaps with his wife's as well, seeks to deflect. But Vanessa wants - demands - that this time something has to be done. Will a Facebook post heavy with MLK quotes settle the matter? Or should an act of violence beget a violent reciprocation?

The first 17 minutes presents a single-shot, two-man performance about confronting, channeling, and ultimately grounding that rage. The remainder of the run time runs through a series of more complicated actions, most of which are heavy with cinematic posturing. However, the entire play hits with modern-day truths that are equally complex.

Written and directed by Mo McRae, A Lot of Nothing shows that James and Vanessa are not entirely wrong. Yet, neither are they completely right. James enjoys his position of power and can masterfully either feign ignorance or fume in silence. Vanessa is all righteous fury until her passions move too quickly and too far out in a place beyond where James' smooth-talking counseling can reach. Brian, the cop, hits all the right cliches, until he doesn't. The movie follows similarly.

Vanessa takes matters into her own hands and confronts Brian. Tensions, of course, escalate. As do actions. Maybe a little too quickly. Perhaps even unbelievably.

A Lot of Nothing is a hard drama with comedic-level misunderstandings about the racial divides and general mistrust that regrettably continue to exist. Mo McRae's movie starts the conversation, asks critical questions, but cannot seem to come up with a satisfying end note.