"A Screaming Man" ("Un homme qui crie") was a frustrating film to watch. There was so much potential but the film failed to exploit this throughout. And, while I would recommend you see it, it's the sort of film that most folks simply wouldn't sit through and SHOULD have been better.

The movie is set in Chad. It appears to be sometime around the present day, though this is uncertain--as civil wars have been going on in the country off and on for decades and WHICH one this is isn't explained. This isn't really a problem--just go with it. The story centers around an older man nicknamed 'Champ', as he was a Central African swimming champion back in the 1960s. His job since has been to work as a pool attendant at a resort in his country. While to Westerners this might seem like a dull or unimportant job, it was everything to Champ--stability and a sense of importance. And when his boss began firing and rearranging things at the resort, Champ is panicked when they decide to have Champ's son take over the job alone (they'd both been working together) and move Champ to the job of gate keeper. What Champ does to cope with this is fascinating and makes for an interesting twist, but unfortunately though MOST of the film, Champ just keeps silent and broods. There is almost no visible emotion at all--just brooding and silence. And, after a while, the film gets VERY difficult to continue watching because of this. However, if you've invested this much time in the film, keep watching--the ending, though very sad, does tie everything together well. My overall verdict is that with more energy and life, this could have been an amazingly good film. Now, however, it's interesting to very patient folks only--which is sad, as we never get to see films about Chad and its people.

The Chadian film Un homme qui crie was shown in the U.S. with the translated title A Screaming Man (2010). The movie was written and directed by the Chadian filmmaker Mahamat-Saleh Haroun

Youssouf Djaoro portrays Adam Ousmane, who is called "Champion." When he was younger, he won the Central African swimming championship, and the name has stayed with him. His son, Abdel Ousmane (Diouc Koma) works with his father in a high-end hotel in the nation's capital. Both of them work at the hotel's swimming pool, where Adam is respected, and Abdel is adored by everyone because of his good looks and his easy-going manner.

This movie reminded me of a Greek tragedy. That's not because the father and son come into unwilling conflict, but because Adam has to make a choice between two terrible options. How can you do the right thing if either path you choose is the wrong path? When there are two compelling demands, and each precludes the other, what happens to the protagonist?

Adam is caught in just such a situation. There's a war going on, and the local political boss demands payment to the government. Adam, although not poor, doesn't have the money to make the payment. What are his options?

This movie is worth seeing on its own merits. That fact that it's from Chad makes it even more important to view it. If I counted correctly, less than a dozen films have been made in Chad. The superb Dryden Theatre at The Eastman Museum in Rochester is showing five of these movies as part of a Mahamat-Saleh Haroun retrospective. My compliments to the Dryden for giving us the opportunity to see these movies on the large screen. (Some of Haroun's films are available for the small screen, but some are not.) Seeing these movies on the large screen was truly a privilege. Un homme qui crie is a great film--see it if you can.

P.S. Even with the resources of the Eastman Museum, a print of Haroun's "Bye Bye Africa" couldn't be located. If you know someone who has a print of that movie, please notify the Dryden Theatre.

By far my favourite film I've seen so far this year, A Screaming Man is an extremely captivating and thought provoking film that doesn't have to try too hard to get its ideas across. I think it says a lot without having to say so much, and in that simplicity, the viewer can find a whole world of complexities lying under the characters and their tale. I don't know why but this film just really spoke to me on a lot of levels, as a employee, as a son, and as a man. I'm really glad to have decided to check it out as I had originally thought this film would be unrealisable to me and possibly boring, but it's quite the opposite, It's a film I'm going to be thinking about for quite some time and engaged me thoughtfully the entire way through.

Meet Adam, he's is fifty-five years old and has spent thirty of those as the pool manager at the nearby hotel in an unknown village in the country of Chad. Adam is content with his life as it keeps him considerably happy and even allows for his son to have a job as his assistant. But all of that changes when the hotel changes hands to new owners, unfortunately they do not see the worth in this long time employee and former swimming champion. Complacency gets the best of Adam when he is informed he no longer the pool assistant, and instead manning the front gate of the hotel. This shift to a job he does not like is further impacted by jealousy as he watches his son take over the position he never wished to give up. What is more is that Adam's village is become a more hostile place by the day, as warring rebels seem to draw closer to home. It is here that Adam makes a regretful choice with the leader of the resistance movement, leading to the heartbreak for himself and his family. Can Adam learn to accept his fate and make better the things he did to try and divert it, or will he be lost in the growing turmoil of war and suffering that will leave him A Screaming Man?

Wow, I did not expect this movie to be this way. I actually thought this film would be slightly jarring given the title, but no real screaming or profuse anger exists here; the screaming is done within the mind. And what a mind to try and unravel, Adam is easily one of the years best characters and performances. It's certainly a quiet performance, but it says so much without having to, I really enjoyed that about the character, he wasn't entrenched in some well said dramatic dialogue, instead it's felt and experienced along with the character. Youssouf Djaoro is ridiculously on point with the role, capturing all the confliction and anger of Adam in a single glance, I really felt for and rallied behind this person from the start; easily the best performance I've seen this year, just so perfectly done. The story itself is surprising and the emotions presented within feel really honest. The film also allows for brilliant moments of humour and introspection to go along with its more serious events, and the world around Adam is smartly realized. The pacing of the film is really solid, and the direction is flat out brilliant, the story wouldn't of worked without director Mahamat-Saleh Haroun eye for nuance and simplistic effectiveness. I found parts of the film quite intense though there is little action in the film, the title of the film is apt in that way, no one screams, but the strength of the story doesn't require them too, it is written all over their faces with brilliant ability. I only really take issue with the ambiguous ending which left me confused at the films final events, I suppose it's open to interpretation this way, but I think it wasn't really necessary; perhaps the director felt without it the film would seem cliché, but I found everything up to that point brutally original and eye opening. Overall I just really loved the story, and a better film could not be made from it, this is a very close call with cinematic perfection in my eyes and one that will most likely to remain at the top of my list come years end, quite happy to have been afforded the opportunity to travel the dusty roads and narrow alleys with this character. If I can track down a copy to buy, I most certainly will by it without hesitation.

So I truly do recommend this film as a great example of effective filmmaking. I didn't know what I was going to get with this one, but the results we're overwhelming in a good way. If you get a chance to see this film, do not pass it up, as far as dramatic films go for the year, this is among the best you'll find. Unfortunate that it's joint sponsorship will make it ineligible for consideration in the AMPAS foreign film category, perhaps a group such as the Hollywood foreign press (Golden Globes) who define the category as foreign Language will show it some love. Either way, A Screaming Man is an extremely well played meditation on what it is like to have your world flipped upside down in a heartbeat, and how one makes amends with the unpredictability of life. Highly Recommended.