A decent Danny Kaye vehicle. The humor is delicate and the music is memorable. Kaye isn't as funny as Gary Cooper was in the original -- "Ball of Fire", also directed by Howard Hawks. I know that's hard to believe but the character of Professor Hobart Frisbee is supposed to be pawky, professionally precise, and socially clumsy. Kaye is his usual stuttering self, whereas Cooper WAS the character. And Virginia Mayo, delicious as she is, doesn't have the sassy talent of Barbara Stanwyk, who could throw away laugh lines and still get smiles. Mayo seems earnest as all get out.

Still, nice technicolor photography, almost lurid. And the musicians do their thing, which is pretty good, in fact. How could they not? Tommy Dorsey, Satchmo, Lionel Hampton, Charlie Barnet, Mel Powell, and a supporting role for Benny Goodman. I don't know if you have to realize what a musical technician Goodman was to appreciate the scene in which, as a fuddy-duddy musicologist, he is invited to take a crack at playing swing music. I think there's a recording of his playing Mozart's clarinet quintet too. Many of those once-household names, I imagine, have already disappeared from popular consciousness. A good thing they didn't hire Charlie Parker or somebody. It wouldn't have a prayer of striking a resonant chord.

Annoying intro bit with bookish Kaye and the dopey song opening is VERY similar to "Ball of Fire"--and with subpoenaed boyfriend--awfully soon for a remake. strong focus on black musical acts of the day--including Louis Armstrong and Lionel Hampton is that Mayo singing? If so, nice voice liked the music but it did make the film meander a lot--which is bad, as the original film was about the same length WITHOUT the music very multi ethnic

"Ball of Fire" is a fantastic classic film. In my review, I gave this one a 9--but nearly gave it a 10 because it was THAT good. The film is a very clever reworking of the Snow White story--set today and with gangsters!! It is an adorable film from start to finish. "A Song is Born" is a remake, and, like too many remakes during this era, it came out not all that long after the original. Now considering that the original was just about perfect and starred Gary Cooper and Barbara Stanwyck, what sane person thought this Danny Kaye remake was a good idea?! Sure, it's pleasant enough--but not nearly as good as the real thing.

Both films have plots that are just about identical. A gangster's moll (Virginia Mayo) is hiding out from the police because they are trying to make her testify against her scum-bag boyfriend (Steve Cochran). On a lark, she moves in with a group of professors. In the original, they were working on an encyclopedia--here they are music professors cataloging music. One of them, the youngest (Danny Kaye) eventually falls for this lady--which is a severe problem since her boyfriend is a nut! How does it all work out--see the film.

Because this film is less a comedy and more a musical, the film has guest appearances by some pretty amazing musical talent--such as Louis Armstrong, Lionel Hampton and Benny Goodman! It was also impressive because this was a very multiracial cast who interacted like old friends--something unheard of in 1948. The problem with this, however, is that because there is so much music, there is far less time with comedy--and the adorable old professors were far less adorable and lovable here. The only major plus of this ensemble cast of professors was Danny Kaye. While he was not nearly as good as Cooper, it was sure nice to see Kaye in a MUCH more understated and subtle role than usual. Overall, I'd give this one a 6 (which might be a bit generous--my wife thinks it only earns a 3). It is entertaining but is so unoriginal and unfunny that I say just watch the original and be done with it.

Howard Hawks remake of his 1941 comedy "Ball of Fire" was a vehicle for Danny Kaye, who was popular at the time. This film is based on a story by Billy Wilder and Thomas Monroe, which had also been the basis of the original film. The movie was shot in Technicolor, something that must have been one of the stipulations of its star, Danny Kaye.

By changing the original premise from learning about slang to learning about the new popular rhythms that had come out during the thirties and forties, the creators thought they were updating the basic idea, and they succeed, at times. The best thing in this film is the array of talent we see. Some of the giants in popular music of that time, are seen at their best in musical numbers that are clever and that reminds the viewer how classic compositions could relate to the new expressions.

The central story is just a pretext to present Danny Kaye, who is the nerdy professor Frisbee, and his co-star, Virginia Mayo, a night club singer, Honey Swanson. Professor Frisbee gets in hot water because unknown to him, Honey is involved with a gangster, Tony Crow, who doesn't want to let go of his beautiful girlfriend. Besides the two stars, Steve Cochran puts in an appearance as Tony.

Some of the best known popular musicians of that era are seen doing wonderful music together. Tommy Dorsey, Mel Powell, Buck and Bubbles, Charlie Barnett, Louis Armstrong, Lionel Hampton, and Benny Goodman, who plays one of the professors.

The film, while not as original as its model, is worth watching for the music alone. Music fans are in for a treat thanks to Mr. Hawks.