Douglas Sirk's excellent war drama is unfortunately not as well-known as his luridly coloured 50's melodramas "Written On The Wind, "All That Heaven Allows" etc. That's too bad, because it deserves to be, and is one of the best films of it's type. It tells a harrowing, yet hopeful story. The German Army is crumbling in 1944, when war weary John Gavin (suprisingly good) is granted furlough. Hope comes to him through falling in love with a charming girl, Lilo Pulver, whom he kisses by the emerging blossoms next to the river. They marry, and enjoy whatever happiness they can. They revel in it, as you you do, but a gloom hangs over the film. This is also represented by the colour scheme employed by Sirk. Instead of the bright 'Scope of WOTW or ATHA here we have slate greys and smoky blues. His use of mis en scene here is also kind of remarkable, with the grotesque German officer who Gavin visits having what seem to be hundreds of dead trophy animals adorning his walls. Memento's of the dead, perhaps? Remarque wrote the novel, and also appears in the film. Challenging, moving and heartbreaking, with an ending that shocks and angers, yet is also justified.
A Time to Love and a Time to Die
1958
Action / Drama / Romance / War
A Time to Love and a Time to Die
1958
Action / Drama / Romance / War
Keywords: war crimes
Plot summary
In 1944, a company of German soldiers on the Russian front are numbed by the horrors and hardships of war when Private Ernst Graeber's long-awaited furlough comes through. Back home in Germany, he finds his home bombed. While hopelessly searching for his parents, he meets lovely Elizabeth Kruse, daughter of a political prisoner; together they try to wrest sanity and survival from a world full of hatred.
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Superb Sirk
A little-known classic
I saw this fabulous tear-jerker purely by accident but I don't regret it one bit. In my opinion it's one of the best romantic war films ever made. This is mainly because the fabulous director Douglas Sirk doesn't allow it to become a soppy schmaltz. Also, the film is incredibly moving, especially in a scene at the beginning where a young man, unable to live with the guilt of having shot a woman, shoots himself. John Gavin is good as Ernst Graeber and his beloved is adequately played by Liselotte Pulver, but the most outstanding performance, I think, is by Charles Régnier as Joseph. If more war films were made like this then they would be much, much more watchable. The credit sequence at the beginning of the film is also very well done. Why don't more people know this masterpiece? Enjoy! (and don't forget the Kleenex) 10/10
ATime Machine....
Re: Shannon Box's ([email protected]) observation: "In short, this is an important film of significant value. Not because it is about history, but because it is about the redeeming quality of humanity, even if displayed in the setting of our onetime enemy." I would change the last of Shannon's statement to BECAUSE it is displayed in the setting of our onetime enemy. I saw this film shortly after it was released, in a theater on a USArmy post in Munich, Germany (McGraw Kaserne). At that time I was a student, especially of German history. This film provided an opportunity to be transported, for a few hours, into that closed society that our German friends had lived through but could not adequately convey to us. For those who enjoyed this film I would recommend reading "The Officer Factory" by Hans Helmut Kirst and Betrayed Skies (I have forgotten the author, but that is a first rate but largely unknown German pilot's story of his unwilling part in the air war). In short, this is a modern day All Quiet on the Western Front.