Atom Egoyan, an Armenian born in Cairo in 1960 and living and working in Canada, is a unique voice among contemporary filmmakers. His films rarely follow a linear structure, electing instead to rely on flashbacks and flash forwards to alert the viewer to respond emotionally to the fragments of story provided - those fragments emphasizing his obsession with alienation and isolation, the by-products of a society homogenized by technology, bureaucracy, and mob rule. His films have collected a wide audience of viewers who prefer to be intellectually challenged rather than be 'entertained': 'Next of Kin', 'Speaking Parts', 'The Adjuster', 'The Sweet Hereafter', 'Felicia's Journey', 'Ararat', 'Where the Truth Lies', 'Chloe', and this little masterpiece, 'ADORATION'.

Young Simon (Devon Bostick) is enthralled with the Internet and creating videos to place on the Internet. His parents died in an automobile accident years ago and he has been raised by his uncle Tom (Scott Speedman),a angry young man who has never married and whose only other family member living is his father Nick (Thomas Hauff) for whom he has little affection. Simon tends to his ill grandfather, videotapes him telling stories about his daughter, Simon's mother Rachel (Rachel Blanchard),swearing that Simon's father Sami (Noam Jenkins) intentionally caused the fatal accident, not unlike a terrorist action. At school Simon takes French from teacher Sabine (Arsinée Khanjian) who encourages Simon's penchant for drama by encouraging a story Simon has created: he postulates that Sami placed explosives in Rachel's bag while pregnant Rachel flew to Israel with the intention of exploding the airplane killing 400 people. Simon takes his developing tale to the Internet chat rooms where the story then leaks out to the parents of the teenagers chatting. The 'news' results in Sabine being fired from her job. Sabine visits Simon and Tom's house disguised by an elegant burka, and encounters the angry Tom who had already had a previous encounter with Sabine over a towed car. The intensity of the make-believe story of Sami being a terrorist creates havoc in the town, between Tom and Simon, and with Simon's relationship to his grandfather. There is a surprise twist to the true background of Simon's parents, Sabine, Tom, and the grandfather and Simon's fictional 'play' opens doors of emotional reaction from Simon's internet chatroom experience and from all of the people involved in the story.

While this 'summary' of the plot is confusing to read, so is the progress of the tale Atom Egoyan has filmed. He intensifies the drama with moments of utter beauty and shared love as well as condemnations from the people who are adversely affected by Simon's concocted 'lie', a falsity perpetrated by his 'accomplice' Sabine. Keeping the action level low, accompanied by the hauntingly beautiful music for solo cello and solo violin by Mychael Danna, and enhanced by the tight cinematography of Paul Sarossy, only makes this little film that much more powerful to observe and digest. As with all of Egoyan's films, it is the afterburn that lingers in the mind of the viewer that drives the power of the work home.

Grady Harp

Simon (Devon Bostick) tells a story in his french class about his mother (Rachel Blanchard) and terrorism. His teacher Sabine (Arsinée Khanjian) talks him into developing the story as if it's a true story. He lives with his uncle Tom (Scott Speedman).

This is a very ambitious movie. But the problem is the story lacks tension. It's all make believe. Also the internet chats are just visually boring. It's very static. It grinds down the movie. It's slow to begin with. And it has an aura of manufactured writing. It's as if Simon's manufactured writing infest the whole movie. There are very interesting ideas being thrown about but it's doesn't add up to a compelling movie.

Adoration is a Canadian film directed by Atom Egoyan that features Rachel Blanchard, Scott Speedman and Devon Bostick. The movie explores the concept of cyberspace as a place for redemption in this drama about an adolescent boy named Simon,who reinvents his life on the Internet.Egoyan based the story partly on the 1986 Hindawi affair.

High school French teacher Sabine reads to her class as a translation exercise a French newspaper report of a terrorist who planted a bomb in the airline luggage of his pregnant girlfriend. If the bomb had detonated, it would have killed her, her unborn child, and many others, but it was discovered in time by Israeli security personnel. In the course of translating, Simon, who lives with his uncle Tom, imagines that the news item is his own family's story: that his Palestinian father Sami was the terrorist, the woman was his mother Rachel, an accomplished violinist, and he was her unborn child. Years ago, Sami crashed the family car, killing both himself and Rachel, making Simon an orphan. Influenced by his grandfather, who disliked Sami (the audience sees Simon filming him with his mobile phone when he talks to him),Simon has always feared that the crash was not an accident but intentional.

Sabine asks him to develop the story as a drama exercise, to read it to the class, and for dramatic effect to pretend that it really happened. He does so, and discussions evolve on the Internet about the story. Sabine is fired for making Simon lie.

Tom, who is a tow truck driver, tows Sabine's car away. Sabine follows him in a taxi, and by mobile phone she offers him a meal in a restaurant. Later she reveals to him that she had been married to Sami for 5 years, until Sami met Rachel.

It is a gimmicky, sad and beautifully acted mystery that keeps its secrets even when it loses its grasp of the logical.After a promising start, this ambitious but ultimately clunky and unwieldy movie dissolves into a pile of ideas in dire need of dramatization.But nevertheless,it is a complex and thought-provoking work that director Atom Egoyan works well as both mysterious and engaging movie.