HBO was beginning to choose projects other networks were afraid to touch. And the Band Played On is one of their all time top ten. The actors who participated in this film were only paid scale, and not a lot of money was used, but the message is the strongest. I viewed this on its premiere and couldn't sleep afterward. I view it more these days since I've had many friends die of "red tape" of AIDS.

According to this film based in Randy's book, what bothers me the most was the opportunities that existed by several people to catch this disease at various stages and it just wasn't done. Sure the government played its part, but so did commerce, so did vanity and so did the need for humans to be sexual beings.

Since the film I've read about the deaths of many as well as experienced deaths myself. One thing that stands out is "Patient Zero". The family of this gentleman has fought long and hard for that stigma to be erased. As the character says in the film: "If I got it, then someone gave it to me". I do understand terms that mark things as "the beginning" of the identified problem but with this film you will know there was a beginning BEFORE THAT beginning. Where it lies is still a mystery.

On the other hand if America could have shared information with other countries and paid closer attention we could have fought this is a world problem before it got to the point of where it did. But America was too busy allocating more money to military defense than to the medical defense.

America had discoverable AIDS cases as far back as the 1950's, but it didn't reach total epidemic status until the late 1970's early 1980's. This film brings that information out. It also brings out the information that this disease, although concentrated in the gay community, had no specific target, anyone could/would get it. The people in my life were not all homosexual who contracted the disease but a few were just receivers of blood transfusions. At the time they received the blood, the test was not developed for screening. Just like the film points out, they too (family, friends, associates) suffered.

There is so much to grab in this film, one or two viewings isn't enough. One or two pointed fingers is not the answer. It is equally as sad that almost 10 years later, I am writing this review and the band is still playing. It was my prayer that this would not be so.

American doctors from the under-funded Center for Disease Control scramble to figure out the origin of--and the causes behind--the alarming rate of homosexual male deaths in the early 1980s; as a fatal strain of pneumonia and hepatitis B cases begin appearing, as Reagan-era Washington apparently vetoes the mysterious disease as non-newsworthy, and as the gay community (shown as not one radically adept at helping their own cause) label the early cases as products of the Gay Cancer, the CDC battles with the Blood Industry in coming up with an inexpensive way of filtering out contaminated blood. Adaptation of Randy Shilts' frightening, groundbreaking book was seemingly an impossible undertaking, yet HBO Films and co-producer Aaron Spelling manage to lay all Shilts' information out adroitly and adeptly, with some of the character interaction awkwardly interjected but with most of the principal players doing very well with technical roles. Alan Alda positively revels in the opportunity to play sniveling medical scientist Dr. Robert Gallo, who felt usurped when French scientists initially gained prestige for isolating the virus; as Dr. Mary Guinan, Glenne Headly does some of the best work of her career (while interviewing a sexually promiscuous airline steward, one of the earliest men to fall prey to the disease, Headly is remarkably natural and charming); and Saul Rubinek as Dr. Curran, who initiates the investigation and helps sort out all the jargon, is in masterful form. Some of the high-profile cameos aren't shaped for much satisfaction--they stick out as artifices--such as Richard Gere's bit as a stricken choreographer (it is commendable that Gere is here, yet his movie star aura looms larger than his part). The film isn't compact--it isn't a quick-fix wallow or a time-filler--it is a serious, frustrating, angry movie with no easy answers. And that's as it should be.

This is a HBO movie about the first few years of the AIDS epidemic in America. Dr. Don Francis (Matthew Modine) is an immunologist with experience with WHO in Africa. He joins the CDC to investigate the new disease. The gay community in San Francisco led by Bill Kraus (Ian McKellen) is divided about the mysterious deaths and the fear of the new Reagan administration. Dr. Robert Gallo (Alan Alda) is the arrogant American virologist who discovers the first human retrovirus in competition with his French counterpart to lay claim and credit for the discovery.

This is a big vast complicated story. The beauty of this movie is its ability to maintain the narrative. It is a compelling watch despite the wide ranging story and the variety of characters. It is really a horror thriller at its core with AIDS as the bogeyman. The cast is deep and talented. When Gallo enters the picture, this movie transforms into a personality clash. There are many outstanding performances including Alan Alda, Saul Rubinek and the easily dismissed Matthew Modine. It would be a mistake to forget about Modine who must embody the frustration of the audience. This is a well made understandable movie of a complicated issue.