This film is a nice mixture of two great movies: the crime film SCARFACE (1932) and the fantasy HERE COMES MR. JORDAN. And it also is the only time that two of the best actors of the golden age of sound films worked in a film side by side in the same scenes of a movie.* I am referring to Mr. Paul Muni, who played Tony Carmonte in SCARFACE and Mr. Claude Rains, who played that beacon of heavenly fairness and decency Mr. Jordan in HERE COMES MR. JORDAN.

(*The two actors actually appeared in a film before this: JUAREZ in 1939. But Paul Muni played Benito Juarez, and shared no scene with Rains as Napoleon III of France - the two leaders never met.)

Muni's Eddie Kagle is a reprise of his Tony Carmonte, complete with Carmonte's deadly looking slit-like stare. But at the start of the film he is murdered by "Smiley" Williams (Hardie Albright - who is always smiling),and finds himself in the netherworld's lower regions. In some ways Eddie's discovery of Hell is among the best part of the film, as he sees the other inhabitants are all in a state of continuous agony and realization of their own sins. Eddie does not have sufficient time to suffer to become as zombie-like. A stranger comes to him, offering him an opportunity to get out of that place. Eddie is willing to hear the deal.

The stranger is Rains, naturally playing the Devil (and thus joining the ranks of Walter Huston, Adolphe Menjou, Ray Milland, Laird Cregar, Ray Walston, and Edward Arnold). Rains is a businesslike Devil, who complains to his henchman that the place is too cold (the henchman increases the heat). He has nothing currently going on, when he has noticed Muni. Muni's Eddie Kagle resembles a Judge Parker, an honest, upright man who is running for governor of his state. Rains realizes that if Kagle can replace Parker, then he can ruin the Judge's campaign for cleaning up the corruption in his state.

So Rains makes his offer to the eager Muni: if Kagle agrees to this switch, playing the role of Parker while the latter is in an enforced coma, and undoing Parker's campaign, Kagle will get a chance to even the score with good old "Smiler". Muni is definitely interested, but he wants a guarantee of no double-crossing. He knows his Devil as well as any other human, and he does not want old "Smiler" to get away.

This is the main problem that perplexes Rains in the movie. He is the author of all the mischief in the universe, but he is also unable to fully control how that mischief is working (an interesting variation on the Devil - compare Rains here with Milland as "Nick Beal" or Walter Huston (for the most part) as "Mr. Scratch"). The best moment illustrating this problem: Rains gets Muni worked up to deliver a violent tirade that would send Judge Parker's campaign into the toilet. But a bunch of gangsters, opposed to Parker, arrange for the "Judge" to be met with a barrage of garbage thrown at him on stage when he's about to speak, knocking him out. Rains is flabbergasted by this, and he can't prevent it: the gangsters are doing his work too. Kagel/Parker is not condemned in the papers but praised for his bravery against the gangsters.

Also, as the film progresses, Muni meets the Judge's girlfriend Barbara Foster (Anne Baxter). He falls for her, and she slowly "corrupts" him - he starts wondering if the Judge and Barbara don't have the better view of the world.

The film is a good fantasy, that resolves well - a kind of a twist, in fact, on the conclusion of CASABLANCA, with Muni and Rains walking off together, tied by the knot of their agreement. But who will win - we are never certain until the end.

The title of the film, by the way, is based on a line of dialog from a sermon that a minister (Erskine Sanford) is preparing and reads out loud.

Picture concerns about a gangster called Eddie Kagle (Paul Muni) who is based his way of living on what Omar Khayyan once said : ¨Live fully while you may and reckon not the cost¨ . He leaves the State Penitentiary where was imprisoned accused of murderous , Eddie makes a covenant with the devil (Claude Rains) and returns to earth for vengeance as an important judge . He becomes incarnated a kind judge and the problems emerge when is romanced with his girlfriend (Anne Baxter) , falling in love with her , but the good-heart mobster spoils the relationship .

It's a romantic movie with a supernatural love story . Enjoyable romance tale in which the protagonist trio is sensational . Bemusing fantasy with excellent interpretation by Paul Muni (Scarface) in a comic character while he usually played historical or dramatic roles . Claude Rains(Casablanca) as an ironic and obstinate Devil is magnificent although in ¨Here comes Mr. Jordan¨ he played an Angel . Anne Baxter is enticing and attractive . Fine production design at the Inferno's recreation . The motion picture is well directed by Archie Mayo (Bordertown , Petrified forest , Black legion) in his last film , he's a specialist on noir cinema and worked with almost all Warner Brothers biggest stars (Paul Muni , James Cagney, George Raft , Humphrey Bogart) though also directed some comedy , as this film and with Marx Brothers, ¨One night in Casablanca¨ which had more pace and spirit that some of their later works . Rating : Entertaining and well worth watching .

Paul Muni is a dead convict brought back to earth by the devil in "Angel on my Shoulder," a 1946 film also starring Claude Rains and Anne Baxter. Muni is Eddie, a convict fresh out of jail who is killed by his partner Smiley and goes straight to you know where. Let's just say it's hot. The devil, played by Claude Rains, needs help himself. A Judge Parker is keeping too many candidates out of hell, and he sees that Eddie is a ringer for the Judge. So he arranges for Eddie to get into the judge's body as he sleeps so that he can ruin the judge's reputation and Eddie can get revenge on Smiley. But even the best-laid plans of the Devil can go astray.

During and after World War II, films dealt with psychiatry, with angels, with death, and with people returning from the dead. All of this had to do with the emotional and adjustment problems that returning soldiers had and with the loss of loved ones in countless families. "Angel on My Shoulder" is along the same idea as "Here Comes Mr. Jordan" and "A Guy Named Joe," and a close brother of "Heaven Can Wait" and the later "The Bishop's Wife." This is an excellent example of the genre, with top acting by Paul Muni, Anne Baxter, and Claude Rains. Muni is great in a Bogart type of role - he gives a performance imbued with toughness and humor as a bad guy who begins to see the other side of evil. Anne Baxter is very good as his patient but suffering fiancée, endeavoring to understand the difference in the judge's personality. As the Devil, Claude Rains is inspired casting. He's elegant, charming and manipulative, and gets plenty nervous when he sees things aren't working out as he planned.

Wonderful film, and a good chance to see the fine actor Paul Muni in a lighter role than he usually played.