I watched this movie a while back, and while the details may be a bit fuzzy - the memory of this movie is a fond one. The events in the movie may not be entirely original, but the ending was satisfyingly unique enough for me.

The movie moves along at a somewhat slow pace, but it works well and I'm happy about it - rather than being an all out constant fright fest where the scares simply become yawns.

Asian horror has slowly become one of those things you either hate or love. A lot of people have also decided to love a few and hate the rest. This is unfortunate, I think. Simply because some elements are familiar, there is no reason to disqualify a movie because of it. Especially if the elements are mixed up enough to make an interesting final product.

This movie is one of those I feel anyone with an interest in Asian horror should watch.

This is a movie from Toilet Pictures. If the name of the production company is any indication how stinky a movie is, then this would be it. I think I'm not really a fan of horror movies, not that I'm chicken, but rather this year alone, I haven't been genuinely spooked by what's on offer so far, be it from the West, or from Asia. 9:56 is no different, great premise, but poor execution, relying on clichéd techniques (I think these are the only tools of the trade available?) to try and elicit some heart thumping moments.

Se-jin (Ko So-young) is a lonely career woman, who one day notices that some apartments in the block of flats opposite hers, undergo blackouts simultaneously at precisely 9:56pm everyday. No, she's no voyeur, but a series of unexplained deaths in the neighbourhood, including one which she encounters herself on a subway, start to draw her deeper and deeper into the mystery surrounding these deaths.

With horror movies, there's always a pseudo-logical explanation within the movie about how the spooks come about. That's just about the most interesting thing that happens in the film, the unravelling of the "Truth", although it won't take seasoned film lovers to guess the plot halfway through. Which of course makes it a very unsatisfying experience watching this movie.

There's a myriad of characters like the wheelchair bound girl, and the neighbours who take turns to care for her, as well as a schoolgirl, detective, a mentally challenged boy and a spooky train commuter. But following genre formula, these folks are there usually as fodder for deaths, or in this case, pointless red herring characters whose sole aim by the filmmakers is to mislead the audience, nevermind if they convolute, or add little to forward the plot.

And don't get me started on the techniques employed here. Quick cuts, sudden appearances, long hair ghouls (ahhhhhhh, so passe!) who can't move properly, copious amount of blood like it flows down a mountain for free, and the list goes on. But credit to the sound engineers for creating some ear piercing bone crunching sounds used each time the spooks move, though it seems like a one trick pony.

Don't waste time on this, even if you're a horror fan. It's a complete waste of a promising premise, and in the end, you feel like you've just be taken on a ride. A very long and painful one to endure. It's high time for some innovation in this genre, otherwise one film will easily look like another, with ugly long haired monsters moving funny but with the ability to make sudden appearances accompanied by loud sounds. Oh, and can someone oil those doors while they're at it as well.

Needless to say that given my fascination with horror movies and Asian cinema, then of course I sat down to watch the 2006 South Korean horror movie "Apeteu" (aka "APT.") as I had the opportunity to watch it in 2021.

Initially then the movie started out alright, but oddly enough then writers Byeong-ki Ahn, Pool Kang and Soyoung Lee quickly let the story spiral out of control and it turned to a somewhat befuddled mess of a storyline. Sure, towards the end, once the cause behind the supernatural events were made clear and brought into the light, then the movie was actually starting to get back on track, but by then it was just a little bit too late.

I wanted to like this movie, but it ultimately never managed to become more than a mediocre horror movie. And not one of the finest or more memorable moments in South Korean horror cinema. There are far better choices of horror movies from the South Korean cinema in comparison to "APT.".

Director Byeong-ki Ahn was settling on a somewhat safe formula to shape the movie by, and it made for only a generic result, that wasn't particularly scary.

Visually then there were some nice enough moments throughout the course of "APT.", though hardly anything noteworthy or memorable. Again, there are far better horror movies in the South Korean cinema.

The best thing about "APT." was the cast, because they definitely had managed to get together a good ensemble of actors and actresses for the movie. Most noteworthy was So-Young Ko (playing Se-Jin).

While I managed to sit through the entire movie, I can't claim to have been more than adequately entertained. As such, then my rating of "APT." lands on a mediocre five out of ten stars.