Provided you really don't know or want to know the real tale of Scheherazade, then you'll no doubt enjoy this film. The actual book, "The Arabian Nights" (also known as "The Book of One Thousand and One Nights"),was supposedly written by Princess Scheherazade and consists of many short stories she supposedly invented each night in order to save her life from her crazy husband. In this movie there is no reference to this and apart from some of the names of characters from the book (such as Sinbad and Ali Baba),there isn't much similarity between them. Additionally, if you think too much and question the silliness of it all, you'll probably hate the film since it is purely an escapist style film--not too much unlike a movie serial condensed into 90 minutes. As for me, I enjoyed the silly escapism and learned to ignore all the mistakes in the film and the rather limp love affair between Maria Montez and Jon Hall . It was nearly non-stop action and fun--complete with perhaps a bit too much slapstick provided by the very large stomach of Billy Gilbert. However, I did enjoy the references to Sinbad and Ali Baba--especially because over and over, Ali (John Qualen) would grab every lamp he found and rubbed it furiously hoping for a genie. Also, it was nice to see Shemp Howard in one of his many appearances before going on to replace his brother, Curley, as a Stooge.
If you liked this silly adventure film, try watching Hall and Montez in COBRA WOMAN or Sabu in THE THIEF OF BAGHDAD--both of which are better than ARABIAN NIGHTS.
Arabian Nights
1942
Action / Adventure / Comedy / Romance
Arabian Nights
1942
Action / Adventure / Comedy / Romance
Keywords: escapedancerslaverypoisontechnicolor
Plot summary
Dancer Scheherazade was told by the stars that she will become wife of the caliph in Bagdad. She tells Kamar, brother of caliph Haroun. He planned a coup d'etat, which failed at first, but supported by the wazir he finally succeeds. Haroun is injured and gets help from Ahmad's actor troupe, where he is nursed by Scheherazade, who doesn't recognize him. When she hears that Kamar is looking for her she goes to him, but is sold with the complete troupe of actors to slavery. They're able to escape, but Haroun is still in danger. To save him, Scheherazade agrees to poison Kamar, but Haroun tries to establish his rulership first.
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Good old mindless fun
The studio got its money's worth
This film began a cycle for Universal Pictures of making all kinds of fantasy adventures set in the Moslem world. Quite frankly with there being a war on I'm surprised they splurged for color and for the lush sets that they did. But they got use out of them as for the next several years these sets got used and used again in many film. The studio got its money's worth.
Arabian Nights was the first screen teaming of Jon Hall and Maria Montez as she plays the enchanting Scheherazade and he Haroun Al-Raschid the legendary medieval Caliph of Bagdad. Hall is in a bind, he's the victim of a palace coup involving half brother Leif Erickson and the Wazir Edgar Barrier.
Hall seeks refuge in Billy Gilbert's troop of strolling Moslem players which include Montez and acrobat Sabu. Also among the troop are John Qualen as Aladdin who would like to find that magic lamp he lost years ago and Shemp Howard as Sinbad who spins tall tales for the crowd's amusement. As you can see quite a bit of comic relief.
It still a sumptuous looking film for the eye and the action keeps moving. Arabian Nights got four Oscar nominations for sound, music score, color cinematography and art&set design.
If your taste runs to fantasy of this kind Arabian Nights is your movie.
Pure WWII Escapism
With the U.S.A. having just entered WWII, the people were desperately searching for something to take their minds off of the horrors of war. "Arabian Nights" served that purpose. It was successful enough to spawn a number of similar films throughout the 1940s. Most were shot in the spectacular three-strip Technicolor process and had similar plots and casts..
Make no mistake about it, "Arabian Nights" is nothing more than a "B" adventure film dressed up in Technicolor with daring heroes, beautiful women and slap stick comedy. The film could have done with out the ridiculous prologue (and epilogue) where a comedic looking sheik or something reads the story to a bunch of giggling members of a harem.
The plot is simple. Caliph Haroun-Al Raschid (Jon Hall) has put down a revolt by his brother Kamar (Leif Ericson) and has him being tortured in the public square. Just as he is about to show his brother mercy, the brother's supporters attack and free him. Al-Raschid and his followers flee and he is wounded near a troupe of entertainers. He is found by Ali Ben Ali (Sabu) who protects his true identity. With Al-Raschid believed dead, Kamar assumes the throne.
Within the entertainment group is the beautiful dancer Sherazade (Maria Montez) whom Ahmad loves and with whom Al-Raschid also falls in love. Sherazade on the other hand seeks power by becoming the wife of the Caliph. Al-Raschid is forced to conceal his identity until he can overthrow his brother. That's basically it.
With Billy Gilbert (Ahmad),Shemp Howard (Sinbad) and John Qualen (Aladdin) around to provide the slapstick type humor, the story becomes a little more than a Three Stooges comedy.
The real villain of the piece is Edgar Barrier as Nadan the scheming "trusted" assistant to Kamar. He is ready to double cross anyone to achieve his goal of becoming Caliph himself. Turhan Bey plays a Captain of the guard who is equally treacherous. A thin Thomas Gomez stands out as the evil slave trader Hakim who tries to sell off the lovely Sherazade as a slave.
Sabu made a career out of this sort of role as the friend of the hero who manages to slip in and out of trouble in a likable manner. Hall, Montez and Bey would go on to make similar such sand and sandal adventure films in the future.