Ayar (Ariana Ron Pedrique) is a troubled woman interviewing for a cleaning job in a rich L. A. home. She lives in a remote motel while dealing with COVID and many other issues.

This seems to be a functional indie and then it takes a turn into surreal realism. While I appreciate the outside-the-box filmmaking, the real life may not be worth the dramatization. There has to be a more compelling story than this or it needs to be told in a better way. This is different but ultimately, it's not good enough.

Finally something unique, not perfect in any way and that's what makes it great! Seek it out if you can. The characters are all very real and human and the storytelling is a never been done before. And this film is not about covid in any way I have ever seen, it's about humanity and respect, family and love.

Artsy experimental film distracted from a potentially good story. Excessive flashbacks & confusingly tossing in brief bios of other people (not clear why). Plants suddenly growing on walls & ceilings, inside & outside - dumb. Poor flow to storyline. Excessive emphasis on making mistakes, and selfish behavior. Never got to know the characters or backgrounds. Ending - you decide.