In watching Badge 373 I can't believe that Pete Hamill normally a trenchant observer of New York's social and political scene could write such a mediocre film. If you're an action junkie you'll like it and if you're not politically correct you'll love it.
Hamill really let his own views get the better of him here. The dirty little secret about the Independista movement in Puerto Rico is how little support it does command. If you were to take this film as gospel you would believe that the entire South Bronx was a hotbed of revolutionary activity.
In a film that was inspired by real life New York detective Eddie Eagan, the inspiration also for Gene Hackman's Popeye Doyle in The French Connection, Robert Duvall during a police raid chased a junkie suspect up to a roof where he fell in trying to apprehend him. Of course there were accusations that Duvall helped him along. It wasn't true, but the accusations were enough to force a suspension and departmental inquiry. Truth also be told Duvall hasn't got the kindest feeling toward the Latino community and they know it.
While he's on suspension and working as a bartender, Duvall's partner Louis Cosentino is killed and Duvall though he's suspended and carries no badge or gun decides to investigate on his own. Quite frankly there was no reason not to let the NYPD handle the shooting of one of their own. But Duvall misses the action and wants blood.
He gains access to information through bluff and bluster without the badge, but he sure has reason to regret not carrying some kind of piece before the film is over. He's lucky to survive and remedy what he should have done in the first place. John Wayne in McQ was smart enough to hire out to a friend's private investigation firm so he would have cover to carry a weapon, why didn't Duvall think of that?
And then the idiot compounds it all by involving poor Verna Bloom, a waitress he's been keeping company with in his pursuit of arch criminal Henry Darrow. Duvall gets her killed quite unnecessarily. Bloom and Darrow give the best performances in Badge 373.
I can't believe that Eddie Eagan himself gave some kind of official imprimatur by appearing in this. I suppose he might have owed Pete Hamill a favor.
Duvall was coming off his Academy Award nominated performance in The Godfather and Badge 373 was quite a comedown. It had potential to be better, but I think only action junkies will really like this film.
Badge 373
1973
Crime / Drama / Thriller
Plot summary
After a suspended New York City cop's ex-partner is murdered, he vows to clean up the streets.
Uploaded by: FREEMAN
Director
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Tech specs
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Lucky To Survive
Badge 373
NYC detective Eddie Ryan(Robert Duvall)loses his badge after an incident involving the arrest of a "spic" goes awry(he falls from a building to the street below while trying to flee). He's an obvious racist whose disregard for certain ethnic groups gives him an unsavory reputation. Nonetheless, Eddie's a damn good cop and when his former partner, Gigi, is found brutally murdered(his throat is sliced open),he isn't about to let those responsible get away with it. He learns that Gigi wasn't no saint, in fact he was on the take, but Eddie can not allow his murderers to go free. Without a badge and gun, Eddie pursues the truth which involves a shipment of stolen machine guns, Puerto Rican revolutionaries(led by idealist Ruben Garcia, played with passion and conviction by Felipe Luciano),and a corrupt businessman, Sweet Williams(Henry Darrow). Eddie's big mistake, however, is dragging his beloved red-headed waitress girlfriend, Maureen(the alway superb Verna Bloom)into his vigilante quest for justice. With a strong performance from Eddie Egan as Lt. Scanlon, the one Eddie turns to when he discovers evidence that might lead to arrests. BADGE 373 may not be as memorable and as effective as other action thrillers loosely linked to THE FRENCH CONNECTION, but Duvall is always watchable. The only real chase scene is rather a funny one as Puerto Rican hoods pursue Eddie who has commandeered a bus! BADGE 373 is very much a plot-driven cop movie with political themes regarding the desperate acts to make a statement about the mistreatment of a race of people who feel justified to use violence to have their voices heard. Eddie must prevent the machine guns from leaving the New York harbor for Puerto Rico, plus Sweet William, who deals with anyone(even offering Eddie a job at one point),feels a sense of pride in this business transaction since he has feelings similar to Garcia regarding the plight of his people. BADGE 373 seems to be a rather obscure 70's detective street drama, even though it has a lead role by Duvall, maybe because it is more story-oriented instead of action-dependent.
BITTER BIGOTED COP SEEKS REVENGE
"When a man's partner is killed...You're supposed to do something about it"...Sam Spade..."The Maltese Falcon"
Do Something Duvall Does.
It Takes the Defrocked Cop to the Underbelly of the Puerto Rican Community in New York City that is Rife with Talk of Revolution in the Homeland.
Robert Duvall, in His First Starring Role, is a Powerhouse of Politically Incorrect Racist Rants and Fearless Behavior as He Bulldozes through Crime Gangs and Crime Lords.
It's a Dour Movie that Strips Away any Pretension of Police Hero-Worship.
A Movie so Bleak and Uncomfortable that it was Pummeled even on its Release-Date as so Offensive, in 1973, that Few Found it anything but Deplorable.
Viewed Today, it is Curious bit of Moviedom that Marks its Territory with Brutal, Unlikeable Human-Beings.
Be it Cop or Thug.
That Makes the Movie a Cringe-Fest of Unfettered, Unpleasant , Post-Code "New Hollywood".
There is a Second-Act Chase Scene, Featuring a Public Transit Bus, Full of Terrified Passengers.
The Ex-Cop Exploits it for Personal Satisfaction with No Regard for the Innocent Lives.
He, seemingly, is so UN-Aware that He Giggles with Glee.
This Makes the Movie more of a Cartoon than a Gritty Neo-Noir.
There are Other Things that are Over-the-Top.
Like the Comic-Book Villain with a Huge In-Your-Face Mustache and Sunglasses.
This is a Guilty-Pleasure at Best.
Watching Duvall and All Taking the Zeitgeist of the Crime Film Renaissance and Going So Far as to be Ridiculous.