While watching Badhaai Ho I was remembering a dialogue - "Family is above everything" from the film 'Coco'. Badhai Ho is definitely a film that makes you love of your family sometimes more.

Nakul's (Ayushmaan Kuranna) family resembles a perfect happy Punjabi family until the tragedy happens when Nakul's mother (Neena Gupta) get pregnant on her late 50s. For sure Nakul, his brother and his his grandma everyone started blaming her and his husband (Gajraj Rao) for being careless. And this story spread like flame and they all started feeling exhausting on the society.

Now It's reflect a story that's really unique and anyone will want to know what's gonna happen next. The next situations are quite realistic and perfectly organised. Every scene is so funny and hilarious that makes you sit through the film. And the film has a kind of humor that can makes anyone laugh.

Amit Sharma comes with this amazing story and he is successful to reach India's heart, anyone can fall in love with his work. When talking about the acting Gajraj Rao did a great a job and everyone else in this film is amazing, Ayushman Khurrana getting to an unique place on Bollywood day by day. The screenplay written by Jyoti Kapoor and several others is great. The background score sometimes makes the film melodramatic but that's not a question at all because the drama never gets too much because of the beautiful cinematography(Best of 2018 after 'October) by Sanu Varghese.

Overall it's a 2nd amusement in 1 month by one and only Ayushmaan Khurrana that is completely watchable and anyone can say "Let's make this kind of films more"

It's a middle-class family. Father works for the government.... well, he collects tickets on the railroad. The older son works in the telecommunications industry and is romantically involved with a co-worker. The younger son is still in school. Grandma lives in the apartment and belittles the mother every chance she gets. And the mother is a housewife who is not feeling too well. She goes to the medical clinic and discovers she is expecting, at an age when they were looking forward to saving some money and retiring, they have to consider abortion.... and she's refusing.

It's not a new theme. There's a good movie version of the Broadway show NEVER TOO LATE and, indeed, the two movies share a lot of the same concerns and even the same jokes. That's hardly surprising, given that some aspects of human life haven't changed much in ten thousand years. Yet every place and age differs, so we are left with the question of whether this movie deals with anything new or in a new manner. Given current Indian governmental pushing towards smaller families, as well as the concurrence of 'the best people' (whoever they may be),yes it does.

If I said that Bollywood has played it right for most of the part in 2018 then you wouldn't disagree with me. There are at least a dozen examples in recent times where Bollywood has shed its usual formula of masala and cheesy romance and turned to narrative storytelling about social issues. All of which has reignited my faith in Bollywood, and thanks to director Amit Sharma, Badhaai Ho can be added to that list of films which helped in that feat. It is a perfect example of an entertaining family drama with one major conflict that is as novel as the storytelling itself.

The masterful Gajraj Rao and the queen of nuances Neena Gupta are the heads of a Delhiite family - the Kaushiks - who bear the embarrassment of being preggers at an the age when others prefer (or rather give in to the society-accepted job) to play with their grandchildren (which Surekha Sikri tries to do in the film as the paternal grandmother). How cultural stigmatization of being pregnant well over the age of fifty when you have two boys themselves active enough to bear child acts as a source of ridicule and contempt is shown in a visibly light but loud manner in Badhaai Ho. Gupta's character struggles from start to end, even receiving a "do you really want to?" from her own husband, which prepares you for the ulterior question of pro-choice that is in the mind of others who put tradition and cultural indifference on the top. Ayushmann Khurrana plays one of her sons - an adult working-class man - who finds himself in a situation that usually demands happiness but which instead has created some distance between him and her, especially from the eyes of his girlfriend (Sanya Malhotra) and her mother (Sheeba Chaddha). Badhaai Ho is not a celebration of a birth but instead a narration of how the world perceives a product of love when it shifts from the routine or expected.

The almost pedantic attention to details in Badhaai Ho appeals to my OCD and it also tells me that director Sharma does not believe in cinematic liberty. The entire film has been carved with honesty and by giving due reverence to reality. Why else would a character make a silly act of pointing out the missing apostrophe in the word "Kaushiks" that has been inscribed on the backside of their red Wagon R with a typeface that will make a designer quit his field? It may not be a big deal for the casual cinema-goer but it does show where the makers are coming from. This type of attention to tiny details - whether it is in the selection of the soundtrack or the usage of the score as a cue to the audience to rejoice in laughter - is what makes Badhaai Ho an even better family entertainer. However, what sets the film apart from other recent family comedies is that every character is idiosyncratic - from their family doctor who reminds you of that overweight physician your family used to consult in the 1990s to the kin characters who also remind you of people you know in real life. They all have their own flavorful characteristics which not only makes the film a fun to watch but also makes you wanting more from director Sharma. Despite his last one being the noisy thriller, Tevar (2015),with Arjun Kapoor and Sonakshi Sinha.

As I have noted above, Badhaai Ho has an excellent suggestive score (Abhishek Arora and Tanishk Bagchi) that acts as a cue for you to take note of the particular scene. And such cues come and go every five minutes. The titular song is catchy and funny, which although is too loud for me, reminds me that I am watching a Bollywood movie. Special appreciation to editor Dev Rao Jadhav who concocts a complex carving so that the viewing becomes interesting. I am amazed at the sound mixing as well, which made me sit back and marvel at the amount of efforts put in the film in the editing room. The anti-climactic narrative may put some of you off, but it is what makes Badhaai Ho enjoyable and different.

Sanya Malhotra is the only cast member who seemed out of place in the whole film. Others blend in like actual members of a Delhi housing colony, with a special visible connection between the actors who play the family. Malhotra is good-looking and adds brightness to the scene she is in, but her facial expressions make me want to direct her to a film school. Gupta and Rao are the highlight performances of the film, and maybe even the year. You cannot find anyone else to play the kind of a miser and innocent father that Rao plays in Badhaai Ho that you want to go and hug him if you ever meet him in person. Helping him put up a show is Gupta, who is phenomenal in her star character. (I even wonder what prevented casting directors from hiring her all these years when she was out looking for a job.) Together, their performances overshadow that of the rest of the cast, including Khurrana's, who I think has reached the typecast saturation. There is even this discussion that happens on Reddit where people claim that Khurrana plays the same character - ordinary young man from Delhi or UP - in all the films. I tend to agree, after watching Badhaai Ho and Andhadhun almost within two weeks.

If you thought Sharat Katariya was the only master household storyteller (who directed Sui Dhaaga this year) then think again. In Badhaai Ho, director Sharma crafts comedy out of thin air; out of routine familial conversations, which is so sweet to watch that it melts in your mouth like the caramel popcorn you prefer while watching such comedy dramas. There is no shortage of such palpable moments in this honest drama that you will complete watching it with a big smile on your face. But, when you go in to watch Badhaai Ho this week, don't go in to be outsmarted by a relevant story, but instead go in to get your mind blown with a crispy drama that will make you laugh and cry - in a way that Bollywood hasn't been able to in a lot of years. TN.