The serial killer genre is the most overdone in modern cinema, but director Terrence Mallick took a real life story to make his powerful debut, 'Badlands'. He even toned it down, his interest being not in presenting a picture of pure (and wholly artificial) evil but rather in portraying a wholly human story. Murder is depicted here in all its banality - people shot (off-screen) through locked doors, by a young man acting for wholly normal motives but without the customary restraints on behaviour that we term morals. The result is a haunting, though occasionally pretentious, study of individuals drifting beyond the bounds of civilisation, their physical location (America's still-wild west) symbolically matching their mental isolation. Sissy Spacek is particularly good as the ordinary girl just along for the ride. A fine film, 'Badlands' is also genuinely disturbing, in a way that Hannibal Lector could only dream of.
Badlands
1973
Action / Crime / Drama
Badlands
1973
Action / Crime / Drama
Plot summary
It's the late 1950s. Mid-twenty-something Kit is a restless and unfocused young man with a James Dean vibe and swagger which he has heard mentioned about him more than once. Fifteen year old Holly has a somewhat cold relationship with her sign painter father, if only because she is the primary reminder of his wife, who died of pneumonia when Holly was a child. The two meet when Holly and her father move from Texas to the small town where Kit lives, Fort Dupree, South Dakota. They slowly fall in love, something about which she cannot tell her father because of their age difference and Kit coming from the wrong side of the tracks. When he tries to take Holly away with him, Kit, on an impulse, shoots her father dead. After letting the initial emotions of the situation settle down, Holly decides voluntarily to go with Kit, they trying to make it look like they committed suicide in a house fire. But they soon learn that their plan did not work, there being a bounty on their heads. As such, Kit continues his murderous ways in order to protect the life he wants to eke out with Holly. She, on the other hand, wants to support Kit, especially as he begins to feel more and more trapped, but she may only be able to endure what looks increasingly to be a battle they cannot win as a couple. Through it all, they openly and privately muse about their philosophies on their life considering their current circumstance.
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"Saw her standing on her front porch, just a-twirling her baton..."
Desperados Detached
In January, 1958, nineteen-year-old Charles Starkweather and fourteen-year-old Caril Ann Fugate went on a murder spree in Nebraska and Wyoming. Eleven innocent people died. Most, though not all, of the killings were random. Starkweather and Fugate's story "inspired" several films, including this one.
In "Badlands", the pair's names were changed to Kit Carruthers (Martin Sheen) and Holly Sargis (Sissy Spacek),and their ages were altered slightly. From what I have read, Starkweather and Fugate were emotionally detached and casual about the killings, especially Charles, once the initial murders had occurred. Both Sheen and Spacek do a good job of mimicking this nonchalant attitude. At various points throughout the film, Holly narrates the story in an emotionless, monotone voice. It's like she's reading a diary of what happened as we, the viewers, watch movie footage of the events.
The film's title is appropriate, given that the characters' inner lives must surely have been wastelands, and given that the film's plot takes place mostly outdoors, on the lonesome High Plains, with its brooding and "stark" landscape.
The film's color cinematography conveys a mood of desolation, especially in those scenes that contain little more than the horizon, expansive blue sky, treeless plains, and a couple of lonely desperados. At one point, the color morphs into sepia-tinted images of small town America, as the whole country, in fear, takes up arms against the fugitives, a photographic change that renders an almost documentary tone to the film.
From time to time, classical background music accompanies the senseless violence, a cinematic contrast so "stark" as to make the film surreal. And, of course, the sequence toward the end where Kit and Holly, with car radio on, dance in the headlights as Nat King Cole sings "A Blossom Fell", is truly mournful and haunting.
"Badlands" is incredibly understated and low-key, as detached as the characters portrayed. Director Terrence Malick conveys a simple, uninvolved story, packaged in a film that makes no effort to communicate either symbolism or thematic depth. Nor does the film render judgments about the characters or events. It's an approach that probably wouldn't work today. But it is effective, and through the years the film has gradually become more respected as an excellent character study of 1950's teen rebels without a cause.
Malick's debut, and a very impressive one
I am now highly appreciative of Terrence Malick's style, his films I agree are not for all, but even if I didn't like the director much(not the case here) I would make an effort to appreciate him/her.
Badlands is Terrence Malick's debut, and while not my personal favourite of his work(The Thin Red Line),it is a very impressive one. His direction is superb and very poetic as it consistently is, the story is compelling and very moody in its tone and the dialogue is beautifully and thoughtfully written. Effort once again is made to make the audience care for the characters, but it isn't a Malick film without astounding visuals and a haunting emotionally resonant score, Badlands has both.
The acting is top notch especially from Martin Sheen and Sissy Spacek and Warren Oates gives fine support too. All in all, a very impressive debut. 9/10 Bethany Cox