Films where animals are given a persona and a human voice have long been a staple of children's entertainment, but I can't think of a single film made for adults where this is the case. With the exception of oddball French flick 'Baxter', of course! Any film with a premise as weird as this one is bound to become a must see for yours truly, but this is an idea which, when fused with black comedy, certainly has the potential to be great, and Jérôme Boivin's film comes close to fulfilling that promise. The film has a couple of points to make, and tries to fuse them with the perspective of a dog. The film follows Baxter - a bull terrier given to an old lady by her daughter. Baxter isn't fond of his owner, but she keeps him because she's lonely. However, it's not long before Baxter decides he's had enough and the old woman meets an untimely end. Baxter then moves on to the young couple across the street, where's he's happy for a while again, right up until their baby is born and he gets his nose pushed out. Baxter is searching for a human like him; and unfortunately, he soon finds one.

The film shows that no matter how evil a mind an animal has, there's always a human with a worse one. Baxter succeeds in showing life from the point of view of a supposedly obedient animal, and the most powerful things in this respect are the things that show the dog at it's most instinctive - things like mating with another dog and bending to his masters' will. The dog in this film may be a comical impression of the real life 'mans best friend', but somehow it doesn't feel so unbelievable that you can't buy into the film. The main reason why this film is so eerie owes to the voice artist behind the dog. Maxime Leroux's voice gives Baxter a distinctive air of evil and authority, which suits the dog well. The things that the dog says are always interesting and often insightful, which helps the film to create an absurd atmosphere as dogs aren't usually associated with intellectual intelligence. The conclusion to the film is undoubtedly shocking and completely surprising, and works really well. Overall, Baxter is too weird a film to ignore and for that reason if nothing else, it gets my full recommendation.

No one, human or otherwise will ever be as loyal and loving as a dog to his keeper. When you walk through the door after a day's work household members more than likely will greet you with a smile and civility if all is going well. If problems pre-exist then it can be a decidedly colder welcome. Not so with the worshipful family dog who lapses into a dance of euphoric hysteria upon your return. Whether away a few hours or a month the reaction never differentiates. Man's best friend is just that, unless of course your a thinking canine like Baxter.

An English pit bull terrier, Baxter is a pound dog that is first given to an old woman on the verge of dementia as a companion. It is a bad union since he craves discipline and leadership and finds it lacking in the senior whom he grows to dislike. Through tragic circumstance, (probably Baxter's fault) he is soon freed from this relationship and moves in with a young married couple. Their youth and energy seem a good fit for the happy Baxter until a "hairless monstrosity" (a baby)arrives and changes the dynamic. Baxter plots against it but is given away before any permanent harm is done. Now in the care of an adolescent boy who has a fascination with the cult of Nazism, Baxter feels he is on the right path. The boy is not affectionate to the dog but he has what Baxter desires, the ability to challenge and dominate him. If nothing else Baxter craves direction.

Baxter is no Benji. He is far more introspective than other dogs and a lot more self interested and predisposed to having the disposition of a cat whose independence he admires and hopes to have the chance to kill some day. He is not the ideal of trust and loyalty we expect from the domestic canine but his ruminations and view of the world are both grisly and darkly comic. He is both dangerous and lovable; after all he is a dog.

Co-writer and director Jerome Boiven moves Baxter along at a quick pace as the dog goes from owner to owner. Characters are well developed and their situations detailed in a way that allow the dog to more fully state his case and move within the various subplots with ease.

It may be disturbing and make some dog lovers growl but Baxter overall is a fresh, original and thought provoking work that deserves best of breed consideration.

There have been other killer dog movies, and there have been other talking animal movies, but none quite like Baxter. The film is told through the eyes of the titular bull terrier, but this isn't a woofer with the wise-cracking attitude of a Hollywood A-lister: Baxter is very much still canine in nature, responding to his base instincts with animal logic. This leads the dog to take drastic actions when unhappy.

In his search for the ideal owner, Baxter pushes an old lady down stairs, and attempts to drown an infant who has stolen his master's affection. This kind of behaviour would be deemed psychotic if Baxter were human, but it's made abundantly clear that the dog is... well, just a dog. No... the real horror of this deeply disturbing French horror is-surprise, surprise-a human: teenager Charles, who is obsessed with Hitler and Eva Braun, and who has even less empathy than his dog.

Director Jérôme Boivin handles his tale brilliantly, numerous characters' lives skillfully interwoven, with Charles and Baxter at the centre, driving the narrative to its chilling outcome. Performances are outstanding, particularly young François Driancourt as sociopath Charles, and the girl who plays the boy's love interest. While perhaps a little slow for many a modern-day horror fan, and possibly upsetting for animal lovers, Baxter should find favour with those who enjoy dark humour and challenging themes.

8.5/10, rounded up to 9 for IMDb.