BELEZAIRE THE CAJUN is a film with a major problem. It tries to tell about a rather obscure part of American history (and THAT kills a mass market box office hook to get 'em into the theaters),and it tries to tell the story in an accurate, realistic way that doesn't whitewash some of the darker aspects of America's past. John Sayle's film MATEWAN did the same thing, and has exactly the same problems... and like MATEWAN, BELEZAIRE THE CAJUN is a deep, intense, and INTELLIGENT film which demands an intelligent audience. There's a big difference between the two films tho; BELEZAIRE tells it's story with a large dose of HUMOR along with the serious realities.

In short... people either LOVE the film, or they HATE it. I'm on the LOVE side.

Unless you lived in Cajun country, it's probable that you never learned anything about thier history or culture in school. To those of us who didn't, the film is a painless and interesting introduction... for me, it opened a door for further exploration. Up to BELEZAIRE THE CAJUN, the only exposure I'd had to this culture was an insane Cajun drill sergeant at Lackland Air Force Base... and suffice it to say that HE wasn't a strong inducement to further exploration of the subject! Just the same tho, BELEZAIRE had the effect of giving me a bit of understanding of where old Sergeant Cormier was coming from culturally, and long after the fact I understood him just a bit better.

An awful lot of us don't realize that Cajuns were, and ARE, a discriminated against minority in America. Learning that alone is worth the time to see the film. Besides that lesson, we get a pretty good overview of Cajun life and culture in the period. We see a fiercely independent people who accepted thier isolation from the American society at large and did so proudly, building thier own society within the American one, deep in the Louisiana bayous.

As I said... this is a film that you either hate or love, but I'd recommend it strongly.

When I was a teenager in Baton Rouge, La. in 1986, I saw a large newspaper ad for this movie, Belizaire the Cajun, in my local paper, the Morning Advocate (now simply The Advocate). Among the critics that praised the movie in the ad was one David Foil who wrote his full-length reviews that appeared every Friday in the FUN section every week. I don't remember him having one of this in any FUN section but the fact that this got such a large ad in our paper obviously meant that this was a very important movie for Louisiana citizens based on the subject matter and the fact that the filmmaker, writer/director Glen Pitre, came from the state. Having now seen Belizaire the Cajun 21 years after its original release, I can now say what an awesome drama about the Cajuns and their struggles against the prejudice of certain white Americans who settled in The Pelican State, this is. Armand Assante plays the title character, who is a healer of various illnesses, with such a sense of humor and pride in his heritage that you're with him all the way with his attitudes on various peoples that upset him. Among them are Will Patton as the father of the children of Gail Youngs who has a history with Assante, and Stephen McHattie who is Patton's brother-in-law and seems to hate Assante and his people even more than Patton. Michael Schoeffling, best known as Molly Ringwald's crush Jake Ryan in Sixteen Candles, plays a cousin of Assante's who gets in trouble. And someone related to director Pitre named Loulan plays the sheriff. Plus there's a cameo by Robert Duvall, who helped get this film made, as a preacher. All of the performances I've just mentioned plus others are excellent as well as the Cajun music played by Michael Doucet and Beausoleil. Without giving anymore away, I'll just say the cliché, you'll laugh and cry and possibly think of how far we've come culturally a century or so since those times. And maybe hope to find someone to dance to the wonderful Cajun music that's presented here...

This is a fine film-- not necessarily a great one, but one with some great content. Armand Assante, who like the late character actor, J. Carrol Naish, is able to place himself seamlessly in almost any ethnic role, from a Cuban to a Greek, is Belizaire, the Cajun. Little knowledge will be gained about these marvelous people who were expelled in early 19th century British ethnic cleansing from L'Acadie, a region near present-day Quebec, to the Dominican Republic, scattered along the eastern seaboard of the US and then making their way back to Francophone Louisiana. The term 'Cajun,' comes from a local pronunciation of Acadian. The Cajuns fiercely separate themselves ethnically from the other descendants of the French immigrants, the Creoles both culturally and linguistically and doggedly maintain their cultural traditions into the present time. This film, which is not at all badly done, touches little of that and gives only a tiny taste of Cajun culture...but in the brief spot using the music of Michael Doucet and his band, Beausoleil-- what a taste! The plot, Belizaire is an entrepreneur and pleasant con-man who's in a love competition with Will Patton (in an early role),leads to complications in which Belizaire is willing to sacrifice his life to bring peace with his non-Cajun neighbors. In the end, Belizaire uses his quick wits and con-man skills to make the situation right. I would have liked to have seen much more of the Cajun way of life brought in. But, there were some fine local scenes and the costumes and settings looked great. The Cajuns are a fascinating group of people with wonderful music and traditions. We get only occasional glances of this rapidly disappearing way of life and this film adds another glimpse which should not be passed up, no matter how imperfect it is. This film is available on video and is certainly worth the price of rental. If it crops up on the late show, I would certainly check it out.