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Between Heaven and Hell

1956

Drama / War

Plot summary


Uploaded by: FREEMAN

Top cast

Terry Moore Photo
Terry Moore as Jenny Gifford
Robert Wagner Photo
Robert Wagner as Pvt. Sam Francis Gifford
L.Q. Jones Photo
L.Q. Jones as Pvt. Kenny - Co. G
Buddy Ebsen Photo
Buddy Ebsen as Pvt. Willie Crawford
720p.BLU 1080p.BLU
860.94 MB
1280*544
English 2.0
NR
23.976 fps
1 hr 33 min
P/S 1 / 2
1.56 GB
1920*816
English 2.0
NR
23.976 fps
1 hr 33 min
P/S 2 / 1

Movie Reviews

Reviewed by bkoganbing8 / 10

Reevaluating One Self In War

The location of what's directly Between Heaven and Hell is the Pacific Theater during World War II. Robert Wagner, recently a sergeant, but busted down for striking an officer, gets himself transferred to a new outfit. He's now in a company in a forward position on a remote Pacific Island where the outcome is still in doubt. There's one crazy captain in charge played by Broderick Crawford. He's a bit combat happy to say the least.

Wagner was a spoiled rich kid who married the boss's daughter, Terry Moore, and he's pretty hard on the sharecroppers he manages. That all changes for Wagner during his service in the Pacific where his national guard outfit is now serving and he's with a lot of these same people and his life depends on them and they, him. He gets to reevaluate a whole lot of what he had believed before.

Between Heaven and Hell is a no compromising look at the Pacific War and the men who fought it. Wagner does well in the lead role, but acting honors go to Broderick Crawford as the captain who's bucking for a section 8. When he does get relieved, note the interesting suicide by sniper scenario he sets up for himself.

Also Buddy Ebsen plays a very similar role to the one he played in Attack which also came out in the same year. Ebsen plays one of the sharecroppers who Wagner previously looked down on. Ebsen was staging something of a comeback himself, he would soon be cast in Walt Disney's Davy Crockett and then in The Beverly Hillbillies. Some of those comic parts make us forget what a fine dramatic actor Ebsen could be. He just wasn't given the chance often enough.

For those who like their war pictures with a minimum of flag waving, Between Heaven and Hell is definitely for you.

Reviewed by ma-cortes7 / 10

Better than average WWII movie with dramatic elements, breathtaking battles and noisy action

It deals with a prejudiced and wealthy Southern owner: Robert Wagner who cultivates cotton, having a beautiful wife : Terry Moore, and a powerful father-in-law : Robert Keith. Shortly after, he becomes enlisted into WWIi in the Pacific campaign, there he finds how wrong his misconceptions are, as the has to command a suicide platoon with unexpected consequences . Along the way the starring attempts to help his war colleagues and to survive at whatever means .Then a psychotic commandant : Broderick Crawford, assigns him along with his squadron to a suicide mission behind enemy lines.

Decent WWII movie with worthy sentiments, thrills, battles and exceptional interpretations, especially for its enjoyable support cast. All of them make this rather simplistic tale a meaningful movie. Director knits the action together, providing spectacular battles, impressive fights and action enough. Stars Robert Wagner as the haughty Southern gentleman who is forced to buck his ideas when he is sent to a Pacific island , there the snob sergeant learns all about humility and humanity in the tough times that follow. The best roles go to Broderick Crawford as a stiff-upper-lip and psycho officer, he would subsequently play a similar role in the Spaghetti Western : Mutiny in Fort Sharp , furthermore, the great secondary Buddy Ebsen who is frankly magnificent. Other important secondaries appearing are as follows : Robert Keith, Brad Dexter, Harvey Lembeck, Mark Damon, Scathman Crothers , Frank Gorshin, Skip Homeier and L. Q. Jones, all of them would have notorious cinematic careers.

It contains a rousing and thrilling musical score by the classic composer Hugo Friedhofer. Colorful cinematography in Cinemascope and Technicolor by Leo Tover. The motion picture was well directed by Richard Fleischer, though it has a few gaps. Richard keeps his head down and attempts not let the worthy feelings saturate the proceedings entirely. He was a good craftsman who directed a lot of films concerning all kinds of genres with a special penchant for Action, Fim Noir, Adventure, thriller, such as : "Red Sonja, Ashanti, Conan the Destroyer, The Prince and the Pauper, Mandingo, Mr Majestick, The Don is dead, Soylent Green, The new centurions, See no evil, Rillington Place, The Boston strangler, Fantastic voyage, Barabbas, Compulsion, The Vikings, 20.000 leagues under the sea, The narrow margin, Armored clay pigeon, Follow me quietly and Trapped". Rating 7/10 above average.

Reviewed by JohnHowardReid6 / 10

Disappointing!

Copyright 1956 by 20th Century-Fox Film Corp. New York opening at Loew's State: 11 October 1956. U.S. release: October 1956. U.K. release: 4 February 1957. Australian release: 28 February 1957. Sydney opening at the Regent. 8,421 feet. 94 minutes.

SYNOPSIS: A somewhat prejudiced and standoffish Young Southerner finds true comradeship in the U.S. Army.

COMMENT: Fox's 64th CinemaScope feature is somewhat disappointing. The novel has undergone several important and basic changes for the screen which have considerably weakened its vitality, its originality and its moral theme. It was Gwaltney's contention that war, despite and because of its horror and brutality, could do some good on the individual level, namely it could awaken a social conscience and an awareness in a previously selfish person who lived only for himself (shades of "The Best Years of Our Lives").

But this all-important theme has been completely dropped from the film, whereas the war scenes themselves (which now have no reason for existence other than one-dimensional shoot-em-up heroics) have been retained. Aside from Crawford's powerful performance as the neurotic Grimes, the film has little to offer beyond the competently routine and mediocre conventional.

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