The Black Report is the second film in a series of eleven Japanese movies about the dark side of contemporary business and society in the sixties. This movie isn't only a tense thriller but especially a convincing courtroom drama. Based upon a story by renowned author Edogawa Ranpo, this film explores an investigation and trial related to the murder of a wealthy businessman.

The first part of the movie focuses on a detailed investigation. Numerous people would have had a motive to murder the wealthy businessman, including his secretary and secret girlfriend, his unfaithful wife, her ruthless lover and even his estranged son. The prosecutor and his assistants are very serious about this case despite immense pressure and workload. The interviews are done with care and precision since the prosecutor hopes to be promoted to work in Tokyo.

The second part of the movie shifts from a clever thriller to an emotional courtroom drama. The prosecutor believes that he has found the culprit who is charged with first degree murder. The protagonist has several key testimonies and pieces of evidence. However, the lawyer of the accused is equally clever and motivated. The antagonist creates a fake alibi for his client, intimidates witnesses and has impeccable rhetorical skills.

This movie is a testament of its time that criticizes criminal justice between the lines like Twelve Angry Men did in the United States of America only six years earlier. This film will make you feel very emotional as it leads to a thought-provoking conclusion. What impresses most however is how convincing, detailed and realistic the film is. It almost feels like a documentary as the story is particularly compelling and the actresses and actors become one with their diversified roles. Especially the prosecutor and the lawyer are two stunning lead charactes with very different means but the same goal. This duel between the protagonist and the antagonist is still exciting by today's standards.

While the predecessor in the series, the dynamic Black Test Car about corporate spies, has received some critical acclaim, this second entry in the series has often been overlooked just as the other nine movies. It's amazing that the first and the second entry in the series have recently been released by Arrow Media with some interesting bonus material and an informative booklet. In my opinion, this second entry in the franchise is even slightly better than the first film because the story is more realistic and the acting performances are second to none. If you like investigative thriller or courtroom dramas, you should definitely watch this overlooked gem that has stood the test of time.

Daiei Studios in Japan clearly felt they had a winner with a series of films loosely based around industrial espionage and intrigue after the success of Yasuzo Masumura's Black test Car (1963) and he was given this, the second, the following year. One can only speculate but it would seem that whilst the director pulled out all the stops for the unusual venture with the first film he was perhaps not as enthusiastic with the second. There is still plenty of style and interesting camera angles with decent dialogue well delivered by all concerned but there is only so much one can do with a thriller so lacking in action. Basically a police procedural and court room drama we are intrigued to find out how the body came to be strewn on the floor in the opening scene but there are a fair number of characters and a fair amount of changing stories, sufficient to make this a pretty confusing excercise.

This is the second Yasuzô Masumura movie I've watched this week, a director whose work that until now I'd never explored.

The next case of Akira Kido (Ken Utsui) will determine whether or not he has earned a promotion. In this film, unlike American movies, the case within court is all that matters.

With elements of noir, this movie shows the inside of a Japanese court room, where catching the murderer is only part of the tale. The rest is actually getting them convicted.

I love getting Arrow blu rays because I'm so often exposed to films that I would never otherwise watch. Japanese courtroom drama was not on my radar until I watched this.