A blind woman, Ingrid, lives life trapped in her apartment, afraid to go outside. Married when she could see, she worries that her disability has caused her husband to stop loving her. She starts to imagine her husband is cheating on her, and those thoughts grow into a longer, more convoluted narrative with two characters, a lonely, porn-addicted man and a mousey woman lacking in self-esteem. The boundaries between real life and Ingrid's imagination start to blur, and the film proceeds as a series of reveals of Ingrid's husbands actions as either real of part of Ingrid's narrative. As Ingrid starts to live more in her imaginary world and give up on the real world, her husband's invitation to a party forces a crisis. Ingrid must learn to live again, or slip completely into her inner world. A clever, involving screenplay that keeps you on your toes.

Vanguard stream of consciousness works, literary works and real life intertwined. The front is sleepy, the middle is confusing, but the back is surprising.

In Norway, the recluse housewife Ingrid (Ellen Dorrit Petersen) is an insecure woman, facing difficulties to locomote and to remember objects and animals after going blind and is afraid to go outside her apartment. Her insecureness becomes paranoia and extends to her marriage and Ingrid believes her husband Morten (Henrik Rafaelsen) is cheating on her. Reality and imagination are entwined in her mind and Ingrid thinks about Morten's friend Einar (Marius Kolbenstvedt),who is porn-addicted, and Elin (Vera Vitali),who is his love affair. But what is truth and what is daydream?

"Blind" is an overrated, boring, depressing and messy Norwegian drama by Eskil Vogt. The storyline of a woman going blind and how she is affected is promising and original; however, the screenplay is confused and entwined with over-the-top porn scenes. My vote is five.

Title (Brazil): "Blind"