"Bloodhounds of Broadway", which is set in 1928 New York, is actually a film ahead of its own time (1989) in some aspects; with its interlocking stories of tough guys, beautiful dames, underworld figures, bars, gambling, all taking place in a dark megacity, it reminded me of an early "Sin City"! But the filmmakers have put a lot more care in getting the "look" of the film right than in engaging us in the stories and the characters, some of whom are even difficult to keep straight in the first half. The all-star cast is not used to its full potential, although Madonna looks great with a dark bob haircut and has a brief and PG-rated but still hot "strip" number. ** out of 4.

This film is "narrated" as a New York City reporter's memories of New Year's Eve 1928, called "The last big blowout of the Jazz Age," on Broadway. There are murders, crap games, and other assorted mayhem. It begins at Mindy's "infamous" restaurant. That's where, as you may (or may not) recall, Frank Sinatra and Marlon Brando contemplated the sales of cheesecake and strudel. Like Mr. Sinatra, these folks say "beautiful" in all four syllables. They get the lingo, but it never really seems like genuine Damon Runyon. And, the film has good trappings, but fails to catch anything resembling a good story.

**** Bloodhounds of Broadway (5/15/89) Howard Brookner ~ Matt Dillon, Jennifer Grey, Madonna, Randy Quaid

If you like the jargon and swagger of "Guys & Dolls," you should enjoy "Bloodhounds of Broadway," another collection of Damon Runyon stories pieces together to make an ensemble film, without quite as much music. This one unfolds much like a three-act play. The first act takes place during the day on December 31, 1928. The second rings in the New Year and the third shows our characters meeting their (mostly) happy endings the next morning. The fact that 1929 will not be universally kind to all of them adds a bittersweet note to the final frames. Madonna has a small role, and it's not her finest performance, but saddled with the clichéd "showgirl with a heart of gold" character, she does well, and her final moments with co-star Randy Quaid are charming. Quaid himself gives a marvelous performance, as does Julie Hagerty as a "society dame" who'd rather be a gun moll, and Rutger Hauer as a dying gangster in an effective and underplayed morality story.