If you have seen the trailer for this film then you'd probably be expecting some fun-filled story of coming-of-age that also answers some of those big questions about being young. Well, if these are your expectations, (like they were mine),then prepare to leave unsatisfied. This film isn't really about college life and becoming a new person, its more about accepting the person you already are. Which sounds like a big old stonking stereotype, right?! Well, truth be told, this film kind of is. The trailer might give the impression that you're going to see something hugely original and I don't want to mislead you, you won't, but since when is anything truly original these days? Yep, this film is full to the brim of stereotype. But that's okay because while the story is stereotype its direction and its cast are fresh and bring something to this film which makes you want to stay and pay attention.

The story centres around Don (Marshall Allman),a college freshman who comes from a strong Southern Baptist background and is disillusioned by his life and religion. To escape this former life of religious structure and a stifling parent he moves from Texas to a college (that's university to us English folk) in the Pacific Northwest where religion is mocked and his life undergoes a drastic 180 flip. Don decides that the best way of forgetting his affiliation to religion is to join those who mock it and protest its existence, which involves an hilarious scene where himself and the college "Pope" (random guy who dresses like the Pope every single day and is apparently one of the most popular guys at his college…Yep, seemed strange to me too) put a giant condom onto one of the towers of the local church and a banner which reads "Do not let these people reproduce". Tad excessive perhaps? Yep. Harsh? Yep. But of course, that's kind of their point. Which is an aspect of this film that confused me immensely – I constantly questioned why, a: Don could go from the assistant youth pastor in his local church to a willing participant of church defacement and, b: why the people of this college hated religion so much? If you're looking for an answer to this question like I was then you will be disappointed, because one is never really provided. I could only guess that it is borne from the generation in which we live that has built up an intolerance and disillusionment to religion and its politics and hypocrisy.

You're probably thinking at this point that the film is a huge middle finger to religion and religious faith but this is where our protagonists love interest and biggest "all-things-religious-and- morally-just" contender turns things up a gear and offers us a different perspective. This character's name is Penny (played by Claire Holt whom some may recognise from The Vampire Diaries) and she is a formidable presence in Don's life who constantly questions his motives and in turn makes him consider these motives and his own beliefs throughout the film. Though this character is necessary within the plot she sometimes comes off as high-and-mighty and frankly I find it hard to believe that a character like her could possibly exist in real life. At least not a 19 year old version embarking on the first (maybe second) year of their college life. I mean this character protests the social injustices of bottled water and its effects on the Indian economy, volunteers in foreign countries during Christmas break and has a freaking statue of Jesus in her college dorm room! Doesn't exactly scream realism now does it? But I digress… My point is that this character adds a depth to the film which stops it from becoming a one-sided debate against the relevance of religion in modern society and instead offers a perspective wherein we get too see the positive effects of religion (shitty politics aside) in modern society.

If you're interested in reading the rest of my thoughts on this film then you can visit my blog... (http://www.filmrambler.blogspot.co.uk/2013/07/blue-like-jazz.html)

Blue Like Jazz was extremely well-received at its World Premiere at Austin's Paramount Theater as part of the SXSW Film Festival. This is a powerful film about a young man's spiritual journey from an unthinking fundamentalism to trying to develop a better understanding of his own self. The story is loosely based on Don Miller's book about his own spiritual journey from an evangelical upbringing in Texas to the "Godless" Reed College in Portland, Oregon. It is a coming-of-age story about a man searching for his faith in the most unlikely place possible. This independent film is well-written and well-acted and keeps the viewers engaged. The story mixes quirky characters into a film that might otherwise feel heavy. The film's themes remind me of one of my favorite films, Saved!, which also deals with a character's spiritual struggle to find her own faith. This is the kind of provocative films that one wishes Hollywood would make, but which usually end up being produced by Independent films.

If you were looking for a clean movie, Steve Taylor's film Blue Like Jazz is anything but. Make no mistake, there's no alter call, no stunning realization, there's no exhortation, or trumpets blaring, there's no rapture, or angels and even the manger is empty. If you were expecting a piece of "Christian" art you won't get it here.

Based on Donald Miller's bestselling memoir/essays of the same name it tells the story of Don Miller, a born and bread Christian kid from Texas who finds himself at Reed College in Oregon. There he shed's his clean cut ways and discovers that we all have to rebel sometimes.

Like an Evangelical Rumspringa Blue Like Jazz is full of objectionable PG-13 content that might make a church lady faint. Swearing, drinking, sexuality and drug use are all accounted for in this film and director Taylor uses it not to offend but disarm. This is a story about the search in everyones life for authentic faith in a secular world. Make no mistake the content in this film is not clean, but it's also not gratuitous. For this film to really work you have to believe that these college aged kids are real. To whitewash it is to destroy the very message trying to be conveyed. This is a film about the meeting of the sacred and the secular, and that never feels clean.

The screenplay tends to lose focus and a good amount of suspense is wasted because you can see a lot of Character motivations from a mile a way. One or two more passes at the screenplay may have fixed some of the meandering plot points, but overall there are moments of sweet serendipity, moments that are honest and real, unfortunately it makes the weaker, and sloppier points of characterization and plot stick out like a sore thumb.

For instance there is a love story buried in this tale and lead actors Marshall Allman and Claire Holt have a sweet and natural chemistry, but the screenplay has a secret it sits on and forces Holt's Character Penny into the background, and shift focus to a character that is funny, but not as compelling. Another pass on the screenplay may have brought this relationship to a higher place.

All in all though for the not easily offended Blue Like Jazz is gutsy, sweet, and pretty funny. Warts and all it presents a fairly realistic and quirky look into the nature of belief, finding truth, and gaining purpose when the world around us looks plastic and manufactured. I liked this movie, warts and all.

It's a film about faith, it's a film about life, and it's a film about how we all have to wake up one morning and decide if what we believe is true. It should spark some really nice dinner conversation, about the nature of faith, and the nature of God. It's about the melding of the sacred and spiritual, but more importantly it's about coming to the realization that we're all dirty, broken, and have rebelled, and yet God doesn't give up on us.

Now where do I get that Coltrane album.