You've pretty much read it in my comments, I am a huge fan of M.S. and R.D. But honestly, I watched "Cape Fear" because I bought "The Simpsons" 5th season on DVD, and I had no idea that the Sideshow Bob episode where he tries to kill Bart was based on this movie. So, I knew I had to rent this movie if it was good enough to parody on "The Simpsons". And it was very disturbing to watch. Robert DeNiro is one of my favorite actors, and he completely freaked me out in this film. Especially the scene between him and Juliette Lewis. Even though in some ways this film is done a little over the top, it all adds together very well. I was very impressed with this film and would recommend it to Martin Scorsesse fans of course. Even though I wouldn't say this was his best work, it is one of his best thrillers though.

9/10

I noticed several reviews used the word 'classic' when talking about this 1991 movie. Well, I am glad they enjoyed it, though even if it's a very good film, I am loathe to call any film a classic if it's a remake...one of several, actually, of the 1962 film. In about 95% of the movies that have been remade, the first is better...if only because it has originality. If an original film is seriously flawed and the remake corrects this, then, perhaps it could be considered a classic. But the old Gregory Peck/Robert Mitchum version was an exceptional film...perhaps even a classic. So why did I watch this remake when I usually hate remakes? Well, like the original, Robert Mitchum is in this one (as is Gregory Peck) and I recently decided to try seeing all his films....and I am nearly there.

As I watched "Cape Fear" I noticed that the screenplay was not identical to the original...that's clearly a plus. In this case, the crazed ex-con, Max Cady (Robert De Niro),is angry because his defense attorney (Nick Nolte) apparently deliberately tanked the case that sent him to prison many years ago. As for Sam Bowden (Nolte),he was horrified by the rape that Cady committed and didn't feel terribly inclined to defend him as well as he might have...making him different than the lawyer in the original...who was simply an innocent man harassed by evil. Here, it's evil harassing a morally ambiguous man and the people (and dog) he loved. The film also is quite different from the original because it's a lot more violent and sexual....disturbingly so. In fact, I found the sexual violence too intense and it showed way too much for my taste. The attack on Illeana Douglas' character was more like rape porn than a drama...and I strongly recommend you think twice about seeing the film if you've been a victim of sexual assault.

Overall, a film that started off well enough but became so distastefully violent and gross that I finally just turned the movie off as I didn't find it entertaining...just cruel.

Not one of Martin Scorsese's best films by a long shot (though he has also done worse). This said, as said in my review for 'Hugo', even when Scorsese was not at his best the films in question were still better than the worst films of most. This is also coming from a director who when at his best, like with 'Goodfellas', 'Raging Bull' and 'Taxi Driver' for examples, gave some of the best films out there.

'Cape Fear' is a remake of the 1962 film with Gregory Peck and Robert Mitchum. While the remake may be slicker visually (the earlier film is still very well made instead, but Scorsese's film is gorgeously audacious) and be bigger and more expansive in its themes and character complexities, there is a vast personal preference for the more atmospheric, creepier and more eerie earlier film, one that didn't need excessive violence, gore or profanity to deliver the shocks, with an ending that was a masterclass in sexual tension and quivering fear and Mitchum unforgettably burning into the memory as how to haunt one's nightmares wile doing it in a much more subtle way.

This is in no way denouncing Scorsese's film though. It is not as good (often very good though with major problems, while the 1962 film to me is a near-masterpiece let down only by the female characters not being as interesting) and perhaps not necessary. However, compared to how a lot of remakes have fared, which has seen abominations like the remakes for 'Psycho' and 'The Wicker Man' that should never have been made in the first place, it isn't halfway bad and hardly an amateur project.

Where Scorsese does score over the 1962 film is in two things. One is the more expanded upon relationship between Cady and Danielle, which is genuinely disturbing and effectively makes the skin crawl as ought, it also further added to what was an already sadistic human monster (or shall we say psychopath?) like Cady. Even more so of an improvement is the portrayal of the Bowden family, instead of being humble and neatly black and white like it could have been (not knocking the 1962 film here) each member were portrayed as flawed characters with strengths and vulnerabilities, and much more of a family falling apart at the seams.

Visually, 'Cape Fear' looks fantastic, the use of cinematic techniques not only dazzling in technical beauty but also adding a lot to the horror-like atmosphere rather than distracting. That is not surprising considering that it is the work of the great Freddie Francis, achieving great success with the likes of Amicus and Hammer. The film cleverly utilises Bernard Hermann's wonderful score from the 1962 film, arranged and conducted by Elmer Bernstein, there was the worry as to whether it would sound melodramatic, exaggerated and anachronistic in this particular film when it worked so brilliantly in the 1962 film, but it actually succeeded in giving the film a real eeriness and dramatic thrust and tension.

A good deal of 'Cape Fear' is hugely entertaining. The first half in particular is rich in dreaded suspense and genuine entertainment. There are too scenes that chill the blood, like the scene between Cady and Lori and that between him and Kersek. Scorsese directs adeptly, often with a visual mastery, a knack of suspense and compelling character interaction.

Robert De Niro's performance has been praised for being terrifying but also criticised for being over the top to the point of being a cartoon, both valid opinions. To me, while there is a much bigger preference for the creepier but more understated Mitchum and there are times where De Niro does fall into overdone parody, it is a very powerful and often scary performance in a fascinating, chilling and larger than life role, apart from the unstoppable Terminator-like traits in place bordering on the cartoonish. Nick Nolte does a very good job, bringing intensity and empathy to a morally ambiguous character that is written as much more than a heroic sort of role.

Juliette Lewis' performance has also polarised viewers, again to me she was compelling in her rebellious attitude and sexual curiosity but also in the ability to think straight. Joe Don Baker is the standout in support and a casting highlight, a very strong performance. Having Peck and Mitchum (and Martin Balsam) in cameo roles the anti-thesis of their 1962 'Cape Fear' characters was a masterstroke.

However, was not crazy about Jessica Lange, a very good actress. She didn't have an easy character to play, one with not a lot to do and one who seems to be in permanent shock and terror, but Lange both overdoes it and phones it in to the point that the character is annoying. While absorbing most of the time, especially in the first and second acts, a few of the Cady character building scenes did drag and go on for too long, 20-25 minutes trimming may have made things better.

More problematic was that the thicker the story got the more excessive it got too. Especially suffering is the ridiculously unintentionally funny and illogical scene where Kersek's body is found and an ending that is ludicrously overblown and missing the suspense, sexual tension and quivering fear (plus that masterly improvisation touch with the egg) conveyed so unforgettably in the 1962 film. The violence did disturb a good deal, but at numerous times it didn't feel necessary, sometimes less-is-more and more atmosphere is better, and felt over-the-top, cartoony and more at place in a graphic cartoon or something.

All in all, inferior but still surprisingly well done despite being a long way from perfect. 7/10 Bethany Cox