Blistering black comedy co-written by Jill Sprecher (who also directed) and Karen Sprecher, "Clockwatchers" gives us a suffocating office setting so vivid and real I half-expected my own co-workers to show up in it. Toni Collette plays the new temporary in a nondescript building wherein office-incidentals are slowly disappearing from the supply cabinet. The ensemble acting is delightfully accurate, and the strife which ensues in this scenario is comically overwrought and horrifying. Sprecher's direction is focused and brave (no overtures to broadly comical sensibilities),and she nimbly stretches the film's satirical edge quite far without faltering. The movie is a genuine American original, and by the final third I couldn't wait to see it again from the start. ***1/2 from ****
Clockwatchers
1997
Action / Comedy / Drama
Clockwatchers
1997
Action / Comedy / Drama
Plot summary
Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her (mis)adventures with the other "corporate orphans", Margaret, Paula and Jane. Led by Margaret, they find subtle ways to lessen the ennui of corporate oppression. The tension escalates when the new permanent hire, Cleo, enters the picture.
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A masterpiece in a minor key
great actresses great indie
Quiet temp Iris Chapman (Toni Collette) starts work at a cold, soulless office. Margaret Burre (Parker Posey) guides her to sit with Paula (Lisa Kudrow) and Jane (Alanna Ubach) during lunch. The four temps have different outlooks and become fast office friends. When things start going missing, the suspicion falls on them.
This is a collection of three of the best actresses around. They bring out real humanity in their characters. They have their fun moments. There is a poignant sadness throughout and a great ending of defiance. It's a triumphant indie. I think everybody has one great story within themselves and this is probably Jill Sprecher's best. She and her sister use their experiences to infuse this with a sympathetic eye towards the women at the bottom of the corporate ladder. There is something true and appealing about these women and their lives.
The temps
Jill Sprecher, the enormous talent behind "Clockwatchers", needs to be seen more often. We saw this witty comedy in its original debut and it was a pleasure to watch it again on IFC. Ms. Sprecher and her sister Karen wrote a delicious movie that is on the one level a satire about the way "temps" are used in an office, and it's at the same time, a character study about these four souls at the center of the movie.
Each one of the young women in the film has a problem. They come together because they don't have a life on their own. Iris, Margaret, Paula and Jane, form a bond because they find safety in numbers. Iris is a clever girl whose shyness doesn't let her assert herself and is dragged along by the others that show stronger personalities. Margaret puts up a front, but deep down, she is just as vulnerable as the others. The most pathetic one is Paula, a woman who is pretending to be what she is not. Jane is waiting for the security of marriage to beat it out of being a temp.
When the sneaky Cleo is hired as a permanent employee, the problems in the office are magnified. As things begin disappearing from the office, all eyes point to the four temps. That is the beginning of the end of the clique, as they knew it. Iris is the one that stays the longer and she is the one that discovers the mystery of the missing things in the office, but alas, it's too late, because at that time she leaves the temp job.
Toni Collette, Parker Posey, Lisa Kudrow and Alana Ubach, are perfect as the four temps. Toni Collette has a better role where to shine as most of the story is seen through her eyes. Parker Posey is delightful as the free spirited Margaret. Lisa Kudrow also makes a good contribution with her pathetic Paula. Helen Firzgerald, who only has a few lines, cast a giant shadow as the creepy new employee that wants to make friends with Iris, only to be ignored.
The Sprecher sisters created a film that feels real a situation one has seen is prevalent in the office setting.