Good and gripping modern western imbued with a deep nostalgia for a vanished world , set in the ranchlands of Montana 1945 , dealing with an old-fashioned cowboy on horseback , an Anzio war veteran resistant to the modern times , called Frank Buck (James Caan) . He is a free-spirited man out of sync with the contemporary age . Buck reluctantly attempts to help and joins forces with a single woman , Ella Connors , (Jane Fonda , who holds an uncanny resemblance to her father Henry as well as her brother Peter and her personality dominates the film) pitting wits against the world progress , oil-rich proprietaries and a nasty land baron (Jason Robards as her previous incestuous cousin) in an attempt to hold their dream of pioneering spirit and freedom . Buck and Connors are supported by a local old timer called Dodger (Richard Fansworth) . Meanwhile , a powerful banker (George Grizzard) attempts to take all the oil rich lands surrounding the wealthy owners . An the end takes place and exciting and moving climax when the main conflicts developing throughout the movie come alive .
Romantic , compelling , elegiac and marvelously acted Western with an extreme feel by that time and period . Sorrowfull essay on civilized progress and exploitation of nature , including two main characters out of step with the modern world . The message of Dennis Clark's screenplay is often a little too heavily underlined buttressed by some rather obvious symbols . The film turns out to be rebellious as well as respectful with classic Western mythology , including ordinary set pieces : saloon fights , go riding , rodeo , close range , stampedes and final gun-play , adding some Fordian touches . Although the flick is more interested in the sensitive love story between Fonda and Caan than battles and western action . This ¨Comes a horseman¨ bears certain resemblance to ¨Lonely are the brave¨ by David Miller with Kirk Douglas , Walter Matthaw , Gena Rowlands ; both of them are misfit modern Westerns , share similar issues : ranchers' conflict , open range , confrontations and resistance to the modern ages . ¨Comes the horseman¨ results to be an elaborately designed Western with a slow-moving and persuasive treatment of Western familiar themes such as : brawls in a bar , cattle chase , war range , shootouts , and including a blazing conclusion brings this thrilling picture to a highly satisfactory final . Very good acting from a great cast . As Jane Fonda as the spinster banshee woman who fights off relentlessly cattle baron , she is mercilessly struggling to make it on her own to not have to sell out her lands . James Caan is really convincing as the cowboy who feels empathy and finally love for Fonda . Both of whom are really faced off a villain owner , masterfully played by Jason Robards as a cattle baron attempting to gobble up all Montana land , whose affair with her as a teenager has marked to her father . And special mention for Richard Farnsworth as a Walter Brennan-style old times who steals the show as the veteran who wants to die with boots on .
Pakula directs with aplomb and eloquent feeling for landscapes , making magnificent use of outdoors and adding a wonderful cinematography by Gordon Willis who gives a visually superb lighting . Furthermore , it displays a rousing and thrilling musical score by Michael Small . This intriguing picture was compellingly directed by Alan J. Pacula , though being slowly and deliberately realized . Pacula made a lot of nice films , such as : All the president's men , Sophie's choice , The Parallax view , Starting over , Presumed innocent , Pelican brief , The devil's own and this one : Comes a horseman .
Comes a Horseman
1978
Action / Drama / Romance / Western
Comes a Horseman
1978
Action / Drama / Romance / Western
Plot summary
Ella Connors is a single woman who gets pressured to sell her failing cattle farm to her corrupt ex-suitor, Jacob Ewing. She asks for help from her neighbor, Frank Athearn. As Ella and Frank fight back through stampedes, jealousy, betrayal, and sabotage, they eventually find love.
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Twilight and romantic modern western with fine interpretations , striking scenes and wonderful landscapes
The west is still wild
Although at times the pace of Comes A Horseman is maddeningly slow, the players acquit themselves well in this old western type plot from the 19th century updated to 1945 and the end of World War II.
Stars Jane Fonda and Jason Robards, Jr. have history together, were even married at one time. He's the local Ponderosa owner, she's barely getting by on the small spread her dad left her.
Robards is in a cash flow situation though for the life of me he should be prospering during World War II and army beef contracts. The demand will slacken some due to war's end. There's possible oil on the property that oilman George Grizzard would like to exploit. Possible oil on both properties. Also on neighbor James Caan's small spread. He joins forces with Fonda against Robards.
Jane might have gotten a few pointers from her dad who was never a western star as such, but Henry Fonda did a few classic westerns in his time. She comes across as a real western woman. Director Alan J. Pakula did some real good photography in those wide open spaces. That frontier square dance could have come from a John Ford western.
Richard Farnsworth established a career as a player with an Oscar nomination for Best Supporting Actor. That drawl at times is slow, but he's also unbelievably realistic as a veteran cowboy who has lost a step or two and realizes he can't quite the help to Fonda he'd like to be. That fall from his horse after those explosions is agonizingly real for a man getting on.
Slow paced, but well done, Comes A Horseman is a fine modern western if indeed a western of times of the last century can be classified as modern. You might want to watch this back to back with Giant, another modern western about cattlemen and how they adapt to the coming of oil.
the changing world forces your hand
Revisionist westerns were a prominent genre in the '70s, as Hollywood tried to break away from the John Wayne mold. The notable ones were "Little Big Man" and "McCabe and Mrs. Miller" (and for comic relief, there was of course "Blazing Saddles"). Since Jane Fonda was a major figure in the protest movement - and came out in support of the American Indian Movement - it's no surprise that she starred in one of the new kinds of westerns. Alan J. Pakula's "Comes a Horseman" follows a plot similar to "Shane", but in this case a woman is the central focus, and the story takes place in the 1940s.
Jason Robards plays a slimy rancher in cahoots with an oilman hoping to buy up all the land. Jane Fonda and James Caan play a pair of ranchers who team up to try and resist the encroachment. The war between the sides leads to some intense scenes.
The landscape plays as much a role in the movie as the actors do. Representing the wild country still holding up despite human development, it reflects the efforts of Fonda's and Caan's characters to resist the corporate titans. Another fine performance comes from Richard Farnsworth in an Academy Award-nominated turn as a ranch hand (the movie also features Mark Harmon of "NCIS" in an early role).
All in all, it's not a masterpiece, but I recommend it. Pakula also directed "Klute", "The Parallax View", "All the President's Men", "Sophie's Choice" and "The Devil's Own". He was killed in a car accident in 1998.