It's a film of two halves as Maurizio Merli starts out as a no-nonsense cop with an itchy trigger finger and ends up as a bored cop with an itchy arse in this slightly different cop film from Stelvio Massi.
Someone has killed a teenage girl and dumped her in the Tiber. The first suspect, her boyfriend, has ended up being roasted in a car and all evidence points to the son of a local import company owner.
Maurizio beats up half of Rome and discovers it's the boy's father who is the real crook, smuggling diamonds into the country. He's also well connected and while Maurizio has a fine time gunning down henchman, he has a lot of trouble getting to the boss due to being bogged down with red tape.
Pissed off, beaten down, and hacked off, Maurizio only goes and shoots a cop by accident. We'll never know if he told anyeone about it or just left the guy lying in the street because the next thing you know Maurizio is taking up a post on a coastal town. Don't be so down-hearted Mo, here comes Olga Karlatos!
Maurizio starts himself a little romance, but one day at the docks he realises that a certain fish that the trawlers brought in is not indigenous to the Adriatic Sea, and this sets off another action packed escapade. I'm not kidding - that's how good a detective Maurizio is!
Ending one story in the middle of the film and switching to an entirely different place keeps the film interesting, even though the film is a bit front heavy on the action front. You won't hear me complaining about Maurizio gunning people down from a helicopter, mostly because I don't talk about these things out loud, but also because no one ever listens to me, ever.
Still, this is a strong film even for those people who are a bit picky about these things, and it's a wonderful tale about a man who falls out of love with his gun, only to learn to love it again - by using it to kill bad guys.
Plot summary
In Rome, a vagrant finds the body of a teen girl, her throat professional slashed. Police inspector Olmi uses his brutal and violent methods to follow a trail that leads him toward high government officials. When his methods leave an innocent bystander dead, the corrupt officials have an excuse to get Olmi transferred to a coastal town where the pace is slow and he has time for a romantic dalliance. Soon, Olmi discovers that fishing isn't the only local occupation, and out comes his gun and his ruthless tactics of investigation.
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Inspector J&B - Coast cop
Italy's Dirty Harry
I haven't seen very many movies in the poliziottesco genre, but "Un poliziotto scomodo" ("Convoy Busters" in English) manages to be entertaining enough. As in a number of movies, the main character - a cop - tries to do everything the right way, but ends up on everyone's bad side, meaning that he has to go to extreme measures. It obviously looks more questionable in the era of awareness of cops randomly shooting people. If you just take the movie at face value without interpreting it as any sort of advice, then it's a pretty enjoyable romp. We get some fine shots of the Italian countryside. No masterpiece but pretty fun.
Maverick Merli busts organised crime
Convoy Busters may not be the best Polizi movie ever to come out of Italy, but it's certainly an above average crime romp with a great cast and more action packed stunt sequences than you can shake a stick at! The film is set up a little differently to most of the Polizi movies that I've seen, as it's a movie of two halves and a lot of it takes place in settings unlike the thick urban atmosphere I've come to associate with this sort of movie; namely, a quiet seaside town and the rural countryside. Most of these films take influence from Dirty Harry, and Convoy Buster is no different as Maurizio Merli's maverick copper has a definite Clint Eastwood vibe about him; but the fact that it's a little different gives Convoy Busters a lot of credibility in my opinion. The story starts when the dead body of a young girl is found with her throat cut. Commissioner Olmi takes the case, but when his violent methods leave an innocent man dead; he gets transferred to a quiet coastal town. However, the fact that it's quiet doesn't mean there isn't any organised crime...
This is the first Polizi I've seen from director Stelvio Massi, and while it doesn't rival the likes of Umberto Lenzi and Enzo G. Castellari, I'm definitely interested in checking out more from him. Massi's handling is generally very good, and while the plot does have a few problems; certain sequences - the one in which the inspector shoots a few crooks from a helicopter in particular - are real standouts. There's plenty of action to keep the audience entertained throughout and it comes through in a steady stream. The stunts range from a very well done bar room brawl to a great sequence that sees Merli smash through a school window. The leading man puts in an excellent performance. He can look a little silly at times, but generally he fits the role very well and this was more than enough to keep this Eurocrime fan happy. It has to be said that Convoy Busters doesn't work from the most imaginative of scripts, but this isn't too important as Massi is more than equal to the task of making sure that what he has to work with is always entertaining as a film like this should be. Overall, Convoy Busters is well worth seeing and I certainly recommend it.