'Flic ou voyou' (English title is 'Cop or Hood') made in 1979 by Georges Lautner is first and foremost a Belmondo movie. The screenplay (adaptation of a novel, with dialogues written by Michel Audiard) is written with the goal to put the main hero into action with his physical qualities, charm, courage, humor and womanising success. In this kind of movies one of the dangers is that we, as spectators, begin to believe in the invincibility of the hero, so even when he is in desperate situations we do not worry too much because all chances are that everything will end well. Credibility and attention to detail are not necessarily the number one priority in such films. These traps are not completely avoided in 'Flic ou voyou' either, but in addition to the presence of Belmondo, who was in his heyday in those years, the film has many qualities that make it pass the watching pleasure exam more than honourably, more than 40 years after its launching on screens.
Jean-Paul Belmondo is in this film the commissioner Stanislas Borovitz from the 'police of the polices', i.e. The internal investigation service of the French police. The Parisian policeman - disguised as the criminal Antonio Cerutti - is investigating the death of a police inspector involved in a corruption case in which the two gangs of gangsters who control the underworld business in Nice are involved. The road to exposing corrupt cops is littered with numerous corpses, gun duels, car chases, kidnappings, but especially with humor and a few sentimental episodes, because our hero is both divorced and a great lover of romantic adventures. When his teenage daughter appears in the story, things get even more complicated.
The plot - as compelling as it is incredible - should not be taken too seriously. The whole story is built around the character or characters played by Belmondo and to put the famous actor and his heroes in value. What gives quality to this film compared to many other films of this kind (even among others that Belmondo as the protagonist) are the dialogues and situations of comic action imagined by Michel Audiard, smart editing, and especially the participation of a formidable team of supporting actors, who give every role, no matter how small, charm and personality. Connoisseurs and enthusiasts of French cinema will recognise many figures and put their name next to each and every one, and I almost feel that I am doing an injustice by not listing everyone, and only Michel Audiard and Marie Marie Laforet. Everyone plays with obvious pleasure and charm and they perfectly complement Belmondo, making watching 'Flic ou voyou' a recommended watching experience despite the years passed since its release.
Plot summary
When the local police inspector was found dead in a prostitute's house, police division commissioner Stan Borowitz is sent to investigate the situation. Posing as the prostitute's long-lost brother "Antonio Cerruti," he discovers a nest of police corruption. In fact, in this comedy thriller the whole town is corrupt. If they were closely examined, Stan's methods for pursuing this investigation might embarrass the police. For instance, he drives into a criminal's house in a fancy, expensive race car. In another incident, he callously blows up a casino owned by Musard , one of the town's crime bosses. On that occasion, he first forces Musard to remove his clothes, and the poor criminal watches his casino explode from across the square while standing naked in a phone booth. Meanwhile, Stan seduces the lovely Edmonde.
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Belmondo and friends
Belmondism
A policeman was killed in Nice, and Paris sends a secret agent to investigate the case. The detective is to stop the corruption among the policemen of Nice by methods that are far from being orthodox. He fights a lot with much gusto and punishes the criminals unmercifully. Belmondo plays this leading part with his inimitable charm, humour and drive. After this film a new concept - "belmondism" appeared in Russia, that is when actors do impossible things on the screen (in the film Belmondo, running, catches up with a truck going full speed). One of the best films with Belmondo.
Best Belmondo film!
In my mind it's the best JP Belmondo movie! It's done in his best acting era and also technically and artistically it is excellent Belmondo movie! Even Morricone did sound for this movie! As all Belmondo aficionados know, the script and plot has not to much of importance but here it is quite good! Also he does some stunts in this movie also! Only thing with this movie I don't like is that I haven't found it with Englis subs or translation. So I have seen it in my language long time ago (about 20yrs) and lately with different languages. I am Belmondo fan but I like this movie best also because his choice of car/cars in here. He is driving Lotus Super Seven which is superb sportster in the world! Anyway, go and see it!