I thoroughly enjoyed this rather gothic tale of a young woman's love affair with an obsessive connoisseur of beauty, who believes he's loved her before in a past life. The Venetian costume party is certainly a high point, visually, of the picture. The whole film is strangely reminiscent of Cocteau's Beauty and the Beast, primarily because of eerily smooth camera movement and the elaborate castle setting. How can any romantic not enjoy a murderous love story that ends in Madame Tussaud's wax museum?

Terence Young found a huge audience thanks to his James Bond movies ("Dr No" "From Russia with love" "Thunderball" ) ,which remain,along "Goldfinger" ,the best 007 ever made ,the only ones which will endure.One should add he tackled many genres : the historical drama ("Mayerling" ),sword and sandal ("Orazi e Curiazi")and thrillers the best of which is certainly "wait until dark" which features an excellent performance by Audrey Hepburn.

And then there's "corridor of mirrors" .It compares favorably with "Beauty and the Beast" (Cocteau) ,"POrtrait of Jennie" (Dieterlé),Peter Ibbetson (Hathaway) and "dead of night" (various directors).It's Young's first effort and his best movie by such a wide margin one cannot imagine which one of his later production could be number two.

It's impossible to summarize such a complex tale ,which borrows from fairy tales ("La Barbe-bleue") Wilde's "Portrait of Dorian Gray" Val Lewton's productions and the movies I mention above but brings it all back home.

A man is living in the past cause past is certain and future might be dangerous.He seduces a woman and asks for a rendezvous in Madame Tussaud's museum.Taking place in the present and in the past,in a home in the English country,in the famous museum ,in a sumptuous palace with a fascinating corridor of mirrors ,symbol of illusions and of a time which ,no matter what he tries, is passing by the hero,a time which is not on his side ,even if he goes back as far as the Italian Renaissance -with scenes of carnival which may have inspired Fellini for "Casanova" -this is the lost gem of the English cinema.

Corridor of Mirrors is directed by Terence Young and adapted to screenplay by Rudolph Cartier and Edna Romney from the novel written by Chris Massie. It stars Eric Portman, Edana Romney, Joan Maude, Barbara Mullen, Alan Wheatley, Hugh Sinclair and Bruce Belfrage. Music is by Georges Auric and cinematography by Andre Thomas.

A woman travels from Wales to Madame Tussauds in London for a rendezvous with her lover. The rest will be told in flashback…

Laughter had a strange effect on him…

Corridor of Mirrors is a hypnotic and nightmarish experience, not in that scared to death kind of way, but in a nightmare where nothing allows you to be comfortable, keeping you in a realm of purgatory, what is real – imagined – or otherwise? The crux of the story concerns a man, Paul Mangin (Portman),who lives in the past and is obsessed with Mifanwy Conway (Romney),who not only looks like the portrait of a lady that hangs in the Mangin palace, but on Mangin's insistence was his lover centuries in the past.

Would you care to continue the adventure?

What follows during the course of the story are subjects ranging from reincarnation, obsessive madness, fetish kinks, seduction, fantasist leanings and murder. To passionate romance, heartfelt regret and soul cleansing. The unusual story, unique maybe? Enjoys toying with audience expectations, even taking famous literary inspirations and fusing them into this Baroque world, with seasoning of the macabre for added spice. As the Mangin/Conway relationship develops, the tension becomes palpable, fear and trepidation vie for control over wistful yearnings. What will win out in the end?

What's behind the curtain?

The look, sound and feel on offer here is quite simply magnificent. This is Gothic noir nirvana. Young and Thomas shoot the film in what I think is an average of 99% shadows and low lights, it's the darkness in daylight effect as shards of light struggle to pierce the gloom through the Venetian blind slats. Candlelight, Scotch mist, moonbeams, canted angles and otherwise all play their atmospheric part, and then there is the backdrop and props…

The Mangin palace is vast in its opulence, complete with the titular corridor of mirrors. Behind each mirror is something that links Mangin's obsession with the past, it is eeriness personified. Mannequins, wax work figures and dolls feature prominently, the Tussauds connection is the Chamber of Horrors, naturally. Spooky harp, spooky housekeeper (again, naturally),and Auric's musical score is a blend of the sinister with poetic whimsy. And the crowning sequence is a Venetian costume ball, a decadent soirée that looks magnificent, but craftily it asks just what is beneath the costume facade of it all?

It's a little too bonkers and creaky in plot development at times, but it knows this and embraces the short comings to keep with the unstable off-kilter vibe. Unfortunately it's a difficult film to track down in good quality home format form, but if you can find a reliable source and you love Gothic noir or Baroque fantasies, then this is for you. 8/10