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Courier

1986 [RUSSIAN]

Comedy / Drama / Romance

Plot summary


Uploaded by: FREEMAN

Top cast

720p.BLU 1080p.BLU
801.25 MB
1280*544
Russian 2.0
NR
23.976 fps
1 hr 28 min
P/S 0 / 1
1.61 GB
1920*816
Russian 5.1
NR
23.976 fps
1 hr 28 min
P/S 1 / 1

Movie Reviews

Reviewed by SoverniX8 / 10

A new look at the " Courier"

I looked at the well-known painting "Courier"quite differently. At the time of my "mid-teens", this film did not exactly not touch me, it was boring and even disgusted. I dare say, 10 years ago, I was already annoyed by one image of Ivan...

Today I saw a lot of new things, I got into the fate of the heroes. I just watched a movie that I should have SEEN a long time ago. It happens. Amazing feeling. And even Ivan appeared to me in a completely different person. I laughed a lot from the heart and also thought a lot about the eternal questions of our common life...

I recommend this film for viewing, especially to new generations, for whom many of the messages of this picture could become a successful bulwark in the arrangement of life priorities, which I personally, alas, could not cope with on my own at the time.

Reviewed by FilmCriticLalitRao10 / 10

Courier-A meaningful Russian film by Karen Shakhnazarov which would continue to charm audiences.

It is true that Russian film "Courier" is more than 25 years old but its emotional as well as intellectual impact continues to be astounding. Each time a viewer sees it, one is reminded of the struggles for freedom which people of the past had to undergo. It is somewhat autobiographical in nature as it depicts some events which took place in Mr.Karen Shakhnazarov's life. It was directed by him in 1987 but depicts what happened to him as a youngster two decades ago in 1967. Much of the film is based on the point of view of a non conformist, upper middle class youth whose views indirectly influence his girl friend too. We also get a chance to see a huge chasm in the form of generation gap. Karen Shakhnazarov maintains the balance as he gives an honest perspective of the difficulties faced by parents while raising their children.Courier has its share of comic scenes too but not they cannot be classified as slapstick comedy scenes. The best example of this film's artistic mischievousness is reflected in a scene wherein the film's protagonist, claiming some lines by the great Russian poet Pushkin as his own, confidently reads them to impress an influential person. It was in 1987 that film critic Lalit Rao watched "Courier" for the first time on India's national television network "Doordarshan".This film was part of a series of award winning foreign films which were shown rather late in night. A whole generation of cinéphiles in India were formed by watching such world cinema classics.

Reviewed by dminkin8 / 10

A conduit of change

Ivan, a boy living in the years of Perestroika and Glasnost, finds himself on the precipice between youth and adulthood. Unlike "little" Vera, the world of adults is not something he outright rejects. Evidence may be found in his calm, unflinching demeanor, his compassion for his family, and his seamless ease of integration in the company of adults, but nothing more clearly stands out than his advice to Bazin after Ivan gifts him his coat: "Wear it and wish for something great". In a shot, this one line exposes Ivan's imagination, creativity, and drive, qualities that are underdeveloped in many of his peers. He must rely on these exclusively as he transitions between childhood and adulthood.

These are not the only two worlds Ivan must navigate between. He fancies Katya, a professor's daughter, who possesses an education and lives a life of luxury and propriety. Ivan serves as the messenger, transporting ideas from Katya's world of the well-to-do to his own gritty reality and vice-versa. This deeper metaphor, present in the film's title, is impossible to miss. The clash between the worlds of the poor and the rich, of children and adults, proves too much to handle for Katya, who disenchanted, rebels against her parents at a social gathering and plays Ivan's coarse and raucous tune for the roomful of adults.

Unlike his father, Ivan is responsible. He cares for his mother and thinks of the future. This is manifested into the form of a young man in uniform staring with eyes full of nostalgia at the gathering of children at the end of the film as Ivan stares back pondering if he would be treated to the same fate and wondering what the future will hold. All of Russia would be similarly apprehensive of what would come of Perestroika and Glasnost. I believe Ivan is Karen Shakhnazarov's answer.

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