When I saw that Stacy Peralta had another documentary at this year's Sundance, I put it at the top of my list. Both Riding Giants (surfing) and Dogtown and Z-Boys (skateboarding) were extraordinary peeks into unique and fascinating American cultures. Made in America shifts it's focus to another less romantic section of Southern California, and promised a more somber experience, taking a penetrating look at the gangs of South Central Los Angeles, one of the most deadly areas in the United States.

Like his other docs, this one takes a historical perspective. How did these gangs start? What cultural forces propagated their beginnings and fueled their growth? Who are these people? What are they really like, and why do they do what they do? I think Peralta's gift is that he manages to really connect with his subjects and gain their trust, which turns out to be absolutely critical in the South Central neighborhoods. He also manages to tell a story with interest and compassion, but primarily through the perspective of those that have lived and shaped the experience.

Financed by South Central native and Golden State Warriors star Baron Davis, as well as an anonymous interested party in Hollywood, Made in America tells a story about a part of America we have chosen to ignore, despite the small-scale war that rages there every day. Seeing this movie will make you think a little differently about gang warfare, change your perspective, maybe add a little empathy to your world view. And for a filmmaker, that's perhaps the highest form of the art.

Sundance Moment: I saw this movie at the last day of Sundance down in Salt Lake City, far away from the glitz and glamor and stars in Park City. I heard Stacy Peralta was sick and probably wouldn't make it. But he did come, and not just for the introduction, but stayed for the Q&A as well, and talked with passion about how make this movie had changed him, and how important it is that we realize that teenagers are killing each other, something that would absolutely not be tolerated by society in any suburban area of our country, but goes virtually unnoticed in South Central.

What's up with those Crips and Bloods? Can't they, like, just get along and, like, not kill each other? Why do they do that? Well, because they're the product of decades of segregation and isolation into under-developed, falling-apart communities that are treated as virtual No Man Lands within the very city of LA. How did this happen? Well, it some of it can be traced back all the way to World War I.....

Stacy Peralta's "Crips and Bloods: Made in America" starts out with some pretty stunning information. More people have died in gang battles between the blue and the red than in some third world events we in the first world label "genocide." Many of the citizens of the areas the Crips and Bloods inhabit have lived their entire lives without seeing the Pacific Ocean due to the invisible barriers that separate them from the world. These factoids are inserted in many compelling ways in a documentary that tries, with variable success, to really present the core of the issues of these gangs running around in South Central.

The idea is good, the execution is a little off. Despite the title of the movie, the genesis of the actual gangs is passed by in a quick and uninformative way while more focus is put onto the history of the area itself and its relations to civil rights. That's not too big of a deal, but over-stylized digital effects and a constantly moving camera attempt to make what is a real social issue into something more resembling a hip-hop or skater video. I think the attempt was largely to put more animation into what is otherwise a lot of still photography and talking heads, but sometimes it can get distracting and a lot of the meat of the documentary has to compete with this weird tendency in the editing to intercut with sped-up montages.

The more effective parts are the parts where you can hear the director interviewing. I think the best scene is when Peralta asks, "Well, what about morality?" and his interviewee basically says, "We have to put morals behind us just to survive." It's easy from an outside perspective to believe that the gang problem is an issue of a community of people being irresponsible and stupid, but it's harder to understand how the problem was developed from decades of negligence.

I think, for all the flash, that this movie has some good ideas and decent journalism, but needed a bit more research and a better plan of execution. Ultimately, it's a very glossy rough draft of a video essay, and some more information is needed. At least it has an optimistic conclusion with an idea of how things could be turned around, which is something most social documentaries evade and need more of.

--PolarisDiB

To understand how certain groups of individuals work on a very personal level, one must get into the field and experience it for themselves. However, there are some places that filmmakers would not go very often. These places are the fighting grounds between the Bloods and the Crips. But what's astounding enough is that director Stacy Peralta is able to get under the skin of these two gangs and dig up as much personal information as she can.

At beginning of this documentary, viewers will see the progression of how the Crips and the Bloods came to be today and how the mindset of the older generation changed in the ones who came after them. No stone is left unturned here. Even more surprising is how the people who lived through that time tell this story! The audience will not receive a second hand story...they will receive,..the truth because this comes from the people who experienced it.

And the most riveting thing that one will see is actual interviews with Crip and Blood members; current and retired. They tell it how it is and what people should expect if someone walks through their neighborhood and what is being done to correct this problem. I'm curious to even if the producers themselves felt uncomfortable doing this movie. I sure would,...to most, it's the ticket straight to death's door. Not many people are willing to go so easily. It takes a lot of courage. And the most ironic thing about this film is its title and that's because it's true.

All will be revealed in this very serious and yet careful documentary. Once people understand what goes on there, this situation should hopefully dissolve.