The film opens with some background. WWIII. A New World Order. All superpowers destroyed, but we somehow have a POTUS, which didn't make sense. And we have inter-galactic travel. Interstellar travel would have done fine. Jumping between galaxies is not very credible science fiction.

Seems the race of Shark-Ti has created a killer biological crossbreed for war. Pirates have stolen it and they want it back, or else WWIV. A group of mercenaries is hired to get it back for the US so they can turn it over to the Shark-Ti.

They spent a lot of money to design sets, but then have a door with hinges that don't seal on a space station. The film reminded me a bit of "Species." The film ends designed for a sequel. Vivica A. Fox was not credible. Good Luck.

Guide: F-word. Nudity (Serena Lorien)

In the future, a ragtag team of rough'n'tumble mighty macho military veterans are hired by the U. S. president Ellen Henriksen (nicely played by Vivica A. Fox) to retrieve an alien bioweapon (Devanny Pinn sporting funky make-up) from a top secret research station that's orbiting the earth in outer space.

Director/co-writer Brandon Slagle keeps the enjoyable story moving along at a quick pace, presents a neat array of colorful characters, maintains a generally seriously tone throughout, tosses in several nice nods to various classic 80's and 90's sci-fi/action/horror films, stages the exciting action with rip-roaring aplomb, and even tosses in some tasty gratuitous female nudity for trashy good measure. The solid acting from the capable cast keeps this movie humming: Daniel Baldwin as the straight-shooting Secretary of Defense Weathers, Stink Fisher as two-fisted team leader Adam "Boss" Ryker, Antoine Lanier as the laid-back Ray "Slaughterhouse" Stephenson, John T. Woods as jolly gambler Alfonso "Four-Eyes" Shift, Jason McNeil as spiky punk R'Reon "Degenerate" Jones, Mu-Shaka Benson as the untrustworthy Miller, and Brandyn T. Williams as the eager Noob. The CGI effects are pretty good considering the modest budget. A total blast.

Right, well already from the movie's poster presentation alone, I figured this was going to be one of those pseudo-low budget movies that will not be cheesy enough to be enjoyable, but also not bad enough to be laughable.

Sure, this was exactly that. And while writers Brandon Slagle and Robert Thompson did try to come up with something interesting, it just all crashed down when you realize that this is essentially just a cash-in on the 1995 movie "Species", with with minor tweaks, a lesser budget and not as big acting talents on the casting list.

Was this enjoyable? Well, no, not really. Unless, perhaps, if you turn out to be a huge sci-fi nerd. I am not, so I didn't really find much enjoyment in this movie, which felt like a strange mash-up on an 1990s action movie and "Species". A combination that might sound interesting in theory, but at the hands of director Brandon Slagle, not so much.

The movie brandish Vivica A. Fox and Daniel Baldwin on the cover. They are in the movie, certainly, but as mere supporting performers. So, don't get suckered in by these two performers being on the cast list.

The special effects in "Crossbreed" were atrocious, given the fact that this movie is made in 2019. The creature design was abysmal to look at, and it was so painstakingly just a woman with horribly bad make-up and special effects added to her body. It looked like they just plastered on some soggy cardboard at times.

I managed to endure the movie to the end. Why? Well, because I wanted to finish it, and a movie has to be really, really bad before I end up turning it off. "Crossbreed" is one of those sci-fi movies that you never heard about and happen to stumble upon by random, questionable luck. Then finding yourself wasting an hour and thirty minutes, give or take, of your life on watching it. I sat through it to the end, but can honestly say that I will never be venturing back to watch it once more.