I love Calvin & Hobbes as much as anyone. Unfortunately, this documentary is just a narcissistic exercise for the narrator, who wants you to watch him reading Calvin & Hobbes comics. And, in true Hipster fashion, his "favorite C&H comic" is one that "nobody else" talks about - only he can "realize" it's genius.

The only interesting parts are the interviews with other popular comic strip writers who respect Bill Watterson and give some insight on his work, which is truly only Berke Breathed. (And curiously absent is Gary Larsen and Garry Trudeau, his only real peers, besides Breathed.)

There was no discussion about any attempt to interview Watterson for the documentary or why he declined, and very little exploration into his life. He grew up outside of Cleveland - that's it; that's all you'll get from the film.

Much worse, there is no exploration, much less mention of, Watterson's misguided take on the internet given in interviews during its early days that is laughable in today's context, especially when you consider what people do with their old newspapers. It's as if the filmmaker knew very little about Watterson when he complains that newspapers weren't giving due respect to Watterson's work, when newspapers were Watterson's preferred method of publishing.

What you will see is half of the film showing the narrator/director with his douchey, fresh-out-of-the-make-up-chair haircut in close-up head- shots pouring over comics like he just discovered the Dead Sea Scrolls. This documentary could have been so much better. I only hope the interviewees will sacrifice their time again when somebody with talent makes a serious effort in documenting what could be a fascinating subject.

Dear Mr. Watterson uses dozens of interviews and on-site investigation to tell the story of cartoonist Bill Watterson, creator of Calvin & Hobbes. For a decade, the comic strip captured the hearts and minds of readers around the world. In the process, Watterson's personal vision for the medium raised the bar for artists everywhere, changing expectations and business practices along the way.

The first quarter of the film is a bit slow, but the quality and range of interviews the director lined up (thanks to financial support from two Kickstarter campaigns) more than makes up for the initial pacing. There is a mix of Watterson's peers and fans, although perhaps not enough of the latter to balance out his professional impact with the cultural one. There are a wealth of Calvin & Hobbes artifacts collected and discussed in this documentary, however, including many that trigger personal memories of growing up reading the strip on Sundays. The soundtrack by We Were Pirates is playful and appropriately reflective of the story of Watterson's work on Calvin & Hobbes.

Dear Mr. Watterson is an important film for anyone interested in the comic industry or creative control in the face of commercialism. It is difficult not to root for Watterson's appearance as the interviews mount.

A documentary film about the impact of the newspaper comic strip Calvin & Hobbes, created by Bill Watterson.

First and foremost, it is important to stress that Bill Watterson is not in this documentary and the film is really not about Watterson himself. Instead, this is about the impact and life of its own that the strip took on -- Calvin and Hobbes are larger than life characters that transcend Watterson.

The cornerstone of this documentary is the trip to the Cleveland suburb of Chagrin Falls. We see the scenery and the mascot being the Tigers is no coincidence. The old drawings and photos in the basement are fascinating, and any die-hard fan of Watterson would have to visit this town.

What is most great is the praise from Bill Amend and Stephen Pastis, who made what could be called the only two great post-Calvin comic strips, "Fox Trot" and "Pearls Before Swine".