In life (I'm 68) there are only a few films that really 'cut into your soul and plant themselves'. Most of the ones that do this to me are real-life stories.Gandhi,Lawrence of Arabia, one of the early Titanic films (I was about 9 years old I think). Desert Flower,for all it's minor failings as a film (I stress minor) planted itself firmly in my heart and will not depart. It shames my manhood (in a good way). It demands of me a greater tolerance of others and a resistance to methodologies/traditions that limit the full potential of another human being.. It tells an incredible story of an incredible woman with an incredible spirit. . Unimaginably important viewing.

A young Somali girl is at the center of this film, based on a real story. Waris, a young shepherdess, lives with her nomad family tending to the herd, camping everywhere in an inhospitable landscape. The family is dominated by a matriarch, as we seldom see the father. Waris, who is a teenager as this tale begins, is horrified when she is sold to an older man with three wives. The only solution is to run away from that situation. The best thing is to find her grandmother in Mogadishu, a trek that will take her days across the arid countryside.

In flashbacks we get to know Waris best kept secret. She had the indignity of having been circumcised at the tender age of three by an older woman, who performs the ritual that mutilates women's vaginae, rendering her unable to feel, or have any pleasure during intercourse. In fact, the barbaric act kills a lot young girls who bleed to death by the way they are cut. Through ignorance this practice is done in a lot of countries. Waris is not the only one, but she had the courage to speak publicly about it and create an outrage as she presented her case in the United Nations.

Waris Dirie ended up in London as a teenager brought to work at the Somali embassy as a maid. When war broke in her native country, she had to fend for herself. Through a kind soul, who took pity on her, Waris was able to make something out of herself. A lucky break came in the way of a photographer that realized her potential and she rose to the ranks of super model because of her beauty and talent, which in a way, plays as a Cinderella story in comparison to the hard life she endured as a child.

Directed by Sherry Horman, the film has two narratives. Waris' life in Africa, and her meteoric ascent into becoming a fashion model. The best part of the film is the first one because it is more realistic, with a clear message about a fact that has been played in the press from time to time, but whose practice continue to maim young females throughout the world by men hating women and subjecting them to a barbaric procedure that kills a large number of young females, as was the case of two of Waris' sisters. The London part of the story is more artificial, when compared with the more real African narrative.

Soraya Omar-Scego, the young actress that plays Waris is quite compelling in her determination to leave behind family to look for a better life. Liya Kebede is the adult Waris. A ravishing beauty, no doubt, a successful model herself, she seems credible. Wonderful Sally Hawkins is seen as Marilyn, the English woman who befriended Waris and took her under her wing. Timothy Spall, Juliet Stevenson, Craig Parkinson, Meera Syal, are seen in supporting roles.

DESERT FLOWER is a very powerful film that introduces many viewers to the atrocities of Female Genital Mutilation, defined by the dictionary as 'FGM, also known as female genital cutting and female circumcision, is defined as all procedures that involve partial or total removal of the external female genitalia, or other injury to the female genital organs for non- medical reasons. FGM is typically carried out on girls from a few days old to puberty. It may take place in a hospital, but is usually performed, without anesthesia, by a traditional circumciser using a knife, razor, or scissors.' Though that is not the main driver of this story it certainly makes the life of Waris Dirie who wrote this autobiography recognized as someone who overcame insurmountable odds to become one the world's top models and a speaker for women's rights.

Liya Kebede stars as Waris Darie and is the perfect choice of an actress to fill this role: she is an International supermodel, actress and philanthropist, born and raised in Addis Ababa, Ethiopia. In 2003, she was the first woman of color to become the face of Estée Lauder cosmetics.

Waris Dirie (Liya Kebede) was born in Somalia and was subjected to FGM and fled across the desert to freedom form the heinous attitude toward women (Waris as a child is beautifully portrayed by Soraya Omar-Scego). She struggles though dreary jobs, eventually hooks up with Marilyn (Sally Hawkins0 who introduces her to the world of fashion via Terry Donaldson (Timothy Spall),learns how to dress and walk in heels and eventually becomes the great model we know us as today. She has love interests (Anthony Mackie) but her aim is to gain enough credibility and money to go before the WHO and speak against the mutilation that exists in many countries to this day.

Directed by Sherry Horman who adapted Dirie's autobiography for the screen with Smita Bhide, the visuals are spectacular and the manner in which the story is related is full of passion and compassion. The entire cast (including Juliet Stevenson, Meera Syal, and Craig Parkinson) is pitch perfect. But it is Liya Kebede who fills the screen not only with her beauty but also with a powerful performance of the main character. A very fine film with a heavy message.

Grady Harp