Len is top dog at his surf club; he is the winner of everything and an alpha male with attitude. His 'mates' are al macho grand standing rugger bugger types who tick all the relevant cliché boxes and expect him to do likewise. He is also a top life saver and has a penchant for Budgie smugglers. His best mate is called 'Meat' in reference to him being overly endowed in the trouser department and is a simple soul who does what Len tells him.
Then new kid turns up and saves a life on his first day and then starts to steal Len's thunder. This is Phil – Jack Mathews of 'Neighbours' fame. Phil is also gay and on a drunken night out things come to a head – no pun intended. Len is jealous of and apparently both attracted and repelled by this new man. The problem is the old adage of 'in vino veritas' hangs true – but not everyone can accept their truths.
Now this is just excellent; Matt Levett as Len is exceptional as the troubled sports star and brings a menace to the screen that is tempered by the fear and loathing that make up his complex character. As Quentin Crisp said 'some roughs are pretty queer and some queers are pretty rough' this can certainly be applied to Len. The use of editing is brilliant and adds to the immediacy of the whole piece. There is a constant throb of homo eroticism that intermingles with the ordinariness of what is actually happening and juxtaposes all the emotions that the players are going through.
The cinematography is truly brilliant too and that is by Dean Francis who co-edited; so I hope to see more good stuff from him. Please don't get me wrong, this is a hard watch in places and is painfully visceral when it needs to be; but I really appreciate cinema that pushes the boundaries – can illicit emotion and leaves you feeling that you have seen something special – absolutely recommended.
Drown
2015
Action / Drama / Sport / Thriller
Drown
2015
Action / Drama / Sport / Thriller
Plot summary
In the cloistered world of competitive surf-lifesaving, an Australian hero is de-throned as the reigning champion by a younger, gay competitor. He embarks on a campaign of intimidation and bullying against the newcomer but is forced to confront his own repressed homoerotic desire. A booze-fueled night out brings jealousy, homophobic fear and unrequited lust to a tragic and shocking climax.
Uploaded by: FREEMAN
Director
Tech specs
720p.WEB 1080p.WEBMovie Reviews
Amazing and Original Gay drama from Australia
Brutal to watch
If you are into low self esteem, self loathing, masochism, homophobia, alcoholism, hideously mean spirited abusive overly self indulgent psychotic self destructive dudes - then this is your movie!
There is no story! You just follow some real fck'd up dudes around on the beach, bar hopping, getting laid, getting drunk and fighting. That's it! There is NO story!
From the very start you know Len and buddies have no life and should be on anti-psychotic medication! Each one wants to be the macho dude and they about kill each other to prove it.
A waste of time and if you watch the whole thing you will feel sick, stupid, and wish you had NOT watched it. Excuse me while I vomit!
Would have worked better as a short film
It will not come as a surprise to hear that "Drown" is a hard movie to watch at times. What you may not anticipate is that this is not entirely due to its themes of warring homophobia and homoeroticism in the ultra-Australian, ultra-masculine context of surf-lifesaving clubs. It's not even due to the sex or nudity, which, for an R18+ movie, is surprisingly tame. It is in fact due to the movie's distracting editing and over-reliance on slow motion and steady cam. Yes, that includes the obligatory night club scene where the character goes crazy on drugs and we see him dancing in slow motion with different music playing on the soundtrack than what everyone else is dancing to. You know, to show how alienated he is? If we hadn't gotten that already.
Some of the other touches work, such as flashbacks to childhood and adolescence, but these are spread on too thin. One gets the impression that "Drown" would have worked better as a short movie. It's the impressionist touches that work, but too much impressionism leaves little room for actual impressions.
You can also tell this movie was based on a play, which is confirmed in the end credits, and I'm not sure that's a good thing. When you see a play you have reached a tacit agreement with the theatre directors that, yes, you can suspend disbelief that the people on stage are wherever they're pretending to be. In a film, I'm not sure it works that way. We can see much farther past where the stage would end. In "Drown", we can even see cars and people. When a scene at the beach features multiple instances of assault, sexual degradation, forced nudity and near murder, you find yourself watching the cars in the background roll by, expecting one to stop and see what's going on. Not so in a play.