The very premise of this film was icky and turned me off completely. This isn't 100% surprising, as the director (Nagisa Ôshima) had a reputation for pushing the boundaries of taste and propriety. And, I really doubt he could have gotten away with making a film like this in the States. That's because the film shows a lecherous man raping a married older woman--and she LIKES it and becomes hopelessly devoted to him. And a bit later, when he suggests they murder her husband, she goes along with it and helps her lover strangle the poor guy! All this is very explicit (for a Japanese film this means lots of nudity but NEVER any crotch shots) and nasty.

Although you might think the two would live happily ever after, this is not the case. The dead man was shoved into an old well--but his ghost haunts his wife throughout the film and even visits their daughter. And, she eventually loses her mind and only wishes to dies--even three years later. And, while the lover isn't quite as guilt-stricken, he's also a mess and the pair never have much chance to enjoy their new sordid lives--which I guess is trying to say that crime and evil doesn't pay.

If you ignore the ickiness of the plot and how irresponsible it is, is it any good? Well, it's fair--neither great nor good. And, the viewer might wish to know that the rape myth is relatively common in Japanese films and anime--it's sure a different culture. I didn't particularly enjoy the experience.

In 1895, in a small village in Japan, the wife of the litter carrier Gisaburo (Takahiro Tamura),Seki (Kazuko Yoshiyuki),has an affair with a man twenty-six years younger, Toyiji (Tatsuya Fuji). Toyiji becomes jealous of Gisaburo and plots with Seki to kill him. They strangle Gisaburo and dump his body inside a well in the woods, and Seki tells the locals that Gisaburo moved to Tokyo to work. Three years later, the locals gossip about the fate of Gisaburo, and Seki is haunted by his ghost. The situation becomes unbearable to Seki and Toyiji when a police authority comes to the village to investigate the disappearance of Gisaburo.

"Ai no Borei" is a surreal and supernatural love story. The remorse and the guilty complex of Seki make her see the ghost of her murdered husband, spoiling the perfect plot of her lover. The cinematography is jeopardized by the quality of the VHS released in Brazil, but there are very beautiful scenes, inclusive "Ringu" and the American remake "The Ring" use the view of the well from inside in the same angle. The performances and direction are excellent making "Ai no Borei" a great movie. My vote is eight.

Title (Brazil): "O Império da Paixão" ("The Empire of Passion")

First I should note that "Ai no bôrei" ("Empire of Passion" in English) is the first Nagisa Oshima movie that I've ever seen. It struck me as part horror, part drama, as the woman has an affair and then decides to kill her husband, except that he haunts her. What I wondered was whether this was an issue of guilt or grief. Whichever it was, the result is one intense movie. In the interviews with the cast members, they described the movie as a sort of extension of Oshima's previous movie "In the Realm of the Senses". Having never seen it, I can't confirm that. What I can say is that "Empire of Passion" makes outstanding use of the setting - a small village in 1890s Japan - and the characters' sexuality (there's nothing gratuitous about the nudity).

All in all, I would now like very much to see "In the Realm of the Senses" and other movies by Oshima. In the meantime, I recommend this one.