Although on some level I understand its cultural appeal inside the world of horror, Eraserhead seems to favor visuals and its creepy nature and absolutely nothing deeper. I have a great respect for director David Lynch, and I praise his artistic creativity and boldness while making this film. That being said, I feel Eraserhead is largely quite a mess. I enjoy the look of the film, the black and white cinematography feeling like a nice touch, but the film is simply too forcibly odd and surreal to be any true fun to watch. It feels like you are watching a fever dream unfold, and on some level I understand how that can be an interesting point of view, but I feel its largely too dull and too random to be any fun, and too forced to feel believable. The acting is fine, all the actors commit to their bizarrely written roles and strange dialogue/situations. The script is a mess, never deciding if it wants to be a metaphor for something, or simply a strange gag which I never really got. In the end, Eraserhead is by far one of the most bizarre films i've ever seen, and although I didn't enjoy it, and may not remember it, I admire its willingness to try something new- even though it doesn't succeed. My Rating: 4/10
Eraserhead
1977
Action / Fantasy / Horror / Sci-Fi / Thriller
Eraserhead
1977
Action / Fantasy / Horror / Sci-Fi / Thriller
Plot summary
A film that defies conventional logic and storytelling, fueled by its dark nightmarish atmosphere and compellingly disturbing visuals. Henry Spencer is a hapless factory worker on his vacation when he finds out he's the father of a hideously deformed baby. He moves in with his unhappy malcontent girlfriend, and the new parents are nearly driven to insanity by the child crying endlessly day and night.
Uploaded by: OTTO
Director
Top cast
Tech specs
720p.BLU 1080p.BLUMovie Reviews
A Bizarre and Messy Vision
Not really my sort of thing
When I critique a film, I usually begin with a synopsis. That is where my problems start with David Lynch's Eraserhead: what with not having a conventional narrative, it doesn't lend itself to being easily synopsised.
So let me say that it appears to be about a strange man and matters and characters concerning his strange mutant offspring although any or all of it may be fantasy.
I must say initially that I suspect that the movie is very close to showing on screen exactly what David Lynch intended: I can't imagine these images or events being accidental or unintentional.
I must then go on to say that I don't like it very much. Not just because it doesn't tell a conventional narrative in a conventional way, although that's part of it. But more because what it shows doesn't please me. The images are unpleasant and unappealing. The main character doesn't invite me to identify with him. I don't understand what Lynch is trying to do, as a result of which I can't engage with the movie on any level except visual and, on that level, Lynch seems to have set out to ply me with a disturbing visual experience which I didn't enjoy.
So I have to say that while I admire Lynch's ability to capture something which is, at best odd and, at worst, twisted, it wasn't really my thing.
A very, very good debut from David Lych, though to me he did go on to even better things
Of a very divisive director, along with Mulholland Drive Eraserhead is one of his most polarising films, with people finding it wonderfully surreal, funny and unsettling and others will find it for their tastes confusing, too out there and weird. On first viewing the latter was the case with me(after being so amazed by the accessible emotional power that The Elephant Man and The Straight Story gave) but after further viewings(Lynch is one of those directors where each of his films should be seen more than once) now it's the former. While Eraserhead is not quite among Lynch's best films(Blue Velvet, The Elephant Man, Mulholland Drive and The Straight Story) it is still a very good, even great debut from him, albeit with some parts that are a bit too draggy and drawn out. Eraserhead looks splendid, it's beautifully shot and coupled with the film-noir-ish lighting it's a highly atmospheric-looking film. It's not a Lynch film without surreal imagery and Eraserhead is filled with that and in a way that even early in his career is very distinctive of Lynch. The score has an eerie tension and used in an understated way, not one of the best film scores out there but it suits the film well. The dialogue is spare, only about 21 minutes worth and while not exceptional it is a long way from poor, though maybe Eraserhead may have fared even better without it(big emphasis on maybe). Lynch's direction is for a debut very accomplished if not at his best, his direction in the likes of Blue Velvet and Mulholland Drive was pretty much masterly. The story is distinctively surreal and oddball but also very expertly unnerving, Blue Velvet and The Elephant Man feel more accessible but Eraserhead is essentially a mood piece and works amazingly as one. The theme of a man fearing fatherhood will resonate with a lot of viewers too. The mutant baby is incredibly creepy but there is room for some funny moments in a very low-key way especially the dinner-table scene. The acting is great, especially from lead actor Jack Nance, what was most effective about his acting was how personal it felt, in fact the whole film felt very personal. Overall, will divide viewers, it did bewilder me at first, Eraserhead proves to be a very, very good debut as well as a very, very good film where no matter how you feel about the film you cannot deny that a lot of effort had been put into making it. 9/10 Bethany Cox