This is a genuinely interesting, well-researched and therefore informative documentary on the emergence, duration, and eventual decline of a very specific genre. Namely, the "poliziotteschi" that dominated the 1970s: those rough and raw Italian made cop and gangster films that only in more recent years have received something of a revival.

The Italians were always quick to capitalize on a fad, taking their cue from American cop films like "Dirty Harry" and "The French Connection" and gangster cinema such as "The Godfather" (which inspired American-made knock-offs as well). However, they really put their own distinctive flair on these stories, upping the ante in terms of the violence and sleaziness taking place on screen.

Writer / director Mike Malloy gives us a number of extremely enjoyable interviews with the actors - both Italian and American - and filmmakers who were prolific in this genre. Among them are Franco Nero, Enzo G. Castellari, Mario Caiano, John Saxon, John Steiner, Henry Silva, Fred "The Hammer" Williamson, Chris Mitchum, Leonard Mann, and Luc Merenda.

Divided into several sections, the film has enough animation and visual gimmicks to transcend being mostly a "talking head" sort of affair, and it's delivered with an obvious passion for the subject matter. Topics covered include the origin of Eurocrime, the men who made the movies, the way that women tended to be treated in them (they usually didn't fare too well, unfortunately),the way that real life Italian crime organizations always made their presence known, the political climate in which they were released, and the way that they hastened their demise by adding too much comedy.

It seems like an oversight that Fernando Di Leo would barely get a mention; even as a relative novice to poliziotteschi, this viewer knows that Di Leo was a big name in this genre. Actor Tomas Milian gets a prominent mention, but is not seen during the documentary; a separate interview with him is an extra on the DVD release.

All in all, if you're like me and know that you've done little more than scratch the surface when it comes to Eurocrime, Malloy's movie will make you aware of how much there is to discover.

Among the funniest tidbits of information: Umberto Lenzi being outed as one of the "screamiest" directors that some of the actors had ever worked with.

Eight out of 10.

I caught this at weekend at A Day Of Crime in Manchester. Through various communities and being a fan of Eurocrime movies i had very high expectations of this and they were exceeded.

The documentary catches the essence of what Eurocrime was all about, Tough Cops, Horrible Villains and everything in between, Car Chases, Cammora involvement it is all here.

All the great actors/directors who were present in the genre in it's heyday who are still alive give their input into why the movies were so special, what they were like to make, the death defining stunts, everything a fan of Eurocrime would want and more.

The greatest thing about this documentary though is that it does what all good documentaries do- it keeps you interested even if you have no interest in the subject matter- and it makes you laugh, it takes serious subject matter surrounding the genre and at points makes you cry with laughter due to the tales being told.

It is brilliantly paced and does not outstay it's welcome. I could have watched another hour or two of this.

For a first time director Mike Malloy really shows he has a talent for pacing, for asking the right questions, for garnering the best reactions from those interviewed who were involved in the whole Eurocrime scene.

I cannot recommend this highly enough if you are interested in Eurocrime. If you are not though you will become interested by the end and will be on the hunt for old VHS copies of these films before you know it.

You get a real sense of the players, stars, and styles of the movies with loads of interviews and clips. Sure it doesn't talk to everyone and glosses over some people, but for an overview it's very well done and gets a lot across. At times it has a low production value, but it's not too obtrusive. You'll want to track down a lot of movies after watching it!