I do not understand why this movie is rated so low, and that so many people did not like it. But I guess you have to be in the right state of mind to see it. The premise is that after 20 years of marriage a lonely and depressed housewife, Margaret, and played by Cher, has had it, and rather than confront her hubby, decides to end her life. But before she can down the pills a hit-man, Tony, played by Palminteri, breaks in and ties her to a chair. I thought the dialogue between the two was witty, and the chemistry between Cher and Palminteri was great. They played off each other wonderfully. I also liked the parts with Tony's shrink. Absolutely hilarious. The low points were when O'Neal was around, but thankfully those were few, and when he was in a scene he did not do much more than stand there. Not a lot of dialogue out of him, which worked. There are a lot of movies made from plays, as this one is, and though some do not work out too well, this one worked, since we got more to see in a film than we would have from a play (visually). Not that it was needed. A few outside shots of how opulent Margaret lived, and that scene in the beginning with the Rolls, and that's all we needed. Check it out.

"Faithful" is a worth-watching film, somewhere between comedy and drama, but not tragicomedy. It stars Cher as a rich but rejected wife who wants to take her life on her 20th anniversary. But then a hitman hired by her husband gets into her house. He ties her to a chair and they start to talk - as it's an adaption of a play - and slowly Cher's wish to live on is growing. The dialogue is quite spirited and also funny, you shouldn't miss it. And it's pretty cool when the hitman is making phone-calls to his psychiatrist and vice versa, again and again. You have to enjoy this, it's almost 'tarantinoesque', but better, because there is no celebration of violence here. Nevertheless, in the end it gets kind of disturbing and boring. Now the movie finally suffers from the fact that basically only three actors are involved. Cher's acting is very good in the beginning, her facial acting is fabulous when portraying the desperate woman meeting her killer. But from the moment when her husband (Ryan O'Neal) returns, her character is much less convincing and her face of vivid emotion turns a face of a pale mask of make-up, which - forgive me - she may think makes her look one or two decades younger. Now my vote: 7 out of 10!

I have to admit, I enjoyed this movie tremendously when I watched it alone, and later when a group of friends watched it in my house I was embarrassed by how much they hated it. You have to be in the mood for it.

Cher must be commended, to carry off a movie when you spend exactly half of your screen time tied to a chair is pretty remarkable. The interplay between Tony and Margaret is much better when it is just the two of them, Ryan O'Neal doesn't bring much of anything to his part and the film declines somewhat when he enters the home.

The only real annoyance is the HORRIFIC injections of Mazurski as some kind of freak shrink that is supposed to be funny; it may well be the single unfunniest and most unnecessary character in the history of film. You could totally fast forward through every second Masurski is on the screen and it would only improve the film.

I think women will like this a lot better than men, but it's a good film and very underrated. For most of 1996 it was my favorite film.