A doc on Leon Vitali, an actor who worked w/Stanley Kubrick on Barry Lyndon but was so artistically taken w/his brilliance he decided to shelve his acting to become his right hand man. Coming on the heels of other docs on the legend like Room 237, Boxes & another revolving his driver (!) this is more of the same but for someone who is a completist on everything Kubrick, this one gets the job done.

Stanley Kubrick is one of the most renowned, sometimes controversial, and highly influential filmmakers of all time, having written, produced and directed some of the most famous films of all time. But he is also one of the most reclusive figures in filmmaking, a very rarely gave interviews, this documentary film examines his life and career, through the man who got closest to him. Basically, Leon Vitali was an up-and-coming English actor, having made successful appearances on stage and screen. He first Kubrick in 1974, when he was cast as "Lord Bullingdon" in Kubrick's period drama Barry Lyndon. Vitali was already an admirer of Kubrick's work, having seen his work, including Paths of Glory, Spartacus, Lolita, Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange. Kubrick and Vitali bonded during the shoot, Vitali was fascinated to find out about the process of editing, Kubrick agreed to let him stay on, without pay, to observe him. Five years later, Kubrick and Vitali stayed in contact, one of the last acting roles Vitali performed was Terror of Frankenstein (1977). Kubrick sent Vitali a copy of Stephen King's novel The Shining and asked him to join production on his next film project, to which Vitali eagerly agreed. Vitali is credited in The Shining (1980) as "personal assistant to director"; he selected 5-year-old Danny Lloyd, out of 5,000 children, to portray Danny Torrance in the film. It is by this time that Vitali surrendered his thriving career to become Kubrick's loyal right-hand man for the next two decades. During these nineteen years, Kubrick made the films Full Metal Jacket and Eyes Wide Shut, with a lot of shooting taking place in Great Britain. Kubrick had a reputation for being difficult to work with, he was a perfectionist and worked for months, if not years, on a project to get what he wanted. As his personal assistant, Vitali was responsible for overseeing dialogue coaching, casting, shipping, television, sales, video transfer, checking prints, trailer translation and much more. Vitali accepted that this was a stressful and exhausting job, but he was devoted to assisting the man he considered a genius. By 1996, Kubrick was becoming older and somewhat weaker, but Vitali was there to help him with his perfectionism during the making of his final film, Eyes Wide Shut. Kubrick even cast him in the role of Red Cloak, the masked master of ceremonies at the sexual ritual (masked orgy sex party). Kubrick died in 1999, aged 70, months before the release of Eyes Wide Shut, and before the shooting of A.I. Artificial Intelligence, for which he had been developing since the 1980s with Steven Spielberg. Vitali was naturally devastated, but he was left a cherished handwritten note ("Thank you for your great talent, energy and kindness"). Some time later, a posthumous exhibition dedicated to Kubrick's work was opened in Los Angeles, Vitali was cruelly denied an invite to the opening, but the self-described "filmworker" acted as a free tour guide anyway. This film offers a fresh angle on the late great Stanley Kubrick, with rich and varied elements including previously unseen photos, videos, letters, notebooks, and memos from Vitali's private collection. With contributions from those who knew and worked alongside Kubrick and Vitali, including Ryan O'Neal (played "Barry Lyndon"),Brian Capron (Vitali's friend),Danny Lloyd (aged 45),Matthew Modine ("Private Joker" in Full Metal Jacket),R. Lee Ermey ("Gunnery Sergeant Hartman" in Full Metal Jacket, posthumous interview),Stellan Skarsgård (worked with Vitali in film and on television),Marie Richardson ("Marion" in Eyes Wide Shut),Tim Vitali (Leon's brother),Chris Vitali (Leon's brother),Max Vitali (Leon's son),Vera Vitali (Leon's daughter),and Masha Vitali (Leon's daughter). I myself am a big fan of the works of Stanley Kubrick, in 2019 I visited the exhibition at The Design Museum in London dedicated to his work to commemorate the 25th anniversary of his death. This is an insightful film, it does make you realise how dedicated Kubrick was to his craft, and his PA with his croaky testimony is also an interesting character, a most worthwhile documentary. Good!

It's interesting to see in this documentary the egoless human quality of surrender that make greatness possible, through commitment, hope and trust in other people rather then oneself. Kubrick was only Kubrick because he managed to be surrounded by committed and truthful assistants, family members and friends that trusted not only in his talent and vision, but in his condition as a great human being. And not only Leon Vitali, not only his great handy-man Emilio D'alessandro (not featured in this documentary, even in name form),not only his wife Christiane, but everyone in the Kubrick circle became a filmworker because he knew how to make people work for him. Kubrick, I believe, being such an intelligent person, was not motivated to associate perfection to his name for aesthetic and self-centered reasons, but rather and above all, to express the maximum intellectual capacity of the human race though the medium of art. Working for Kubrick, one of the last real artists of our time, was being in service for art itself, not him, exclusively.