This film: Starts off, Typical STEWART- The very beginning of this film is almost Hitchcock-ian.

Stewart is a released convict who has saved $25,000 over the 40 years of his imprisonment. A "Murderer," he is accompanied by a "Bank Robber" Strother Martin and "Rapist" - A teenage Kurt Russel.

The year is 1935 and on release from work prison in "Glory," a fictional town in Virginia: they are "accompanied" (By Double Barreled Shotgun) to the train leaving town by bible-spouting (And slime encrusted) George Kennedy (With Really Nasty Ugly Shark-like Teeth).

As they board the train, Kennedy spouts threatening innuendo- And as the train begins to roll, we know that the train is not going to the intended rendezvous, and the suspense embedded in the film during this point, before we know exactly what is going to happen is very Hitchcock-ified. And this is where I stop lest there be spoilers.

Directed and Produced by Victor McLaglen's son Andrew: And so the homage to Hitchcock may or may not be intended as James Stewart had starred in no less than 4 Hitchcock films and was one of Hitch's best leading men.

The screen is graced also by an Anne Baxter under caked on makeup, which is rather great... She almost-reprises her role as Eve (All About Eve) in her greed... Which is not apparent at first, but once she finds out that there is a large sum of money floating about... The greed of the Baxter character is poetically dealt with in a most humorous fashion, and is a refreshing comical "Handle" for the viewer in the middle of this film.

Even through there are spots where the pace of the film seems to lag, this did not harm my interest in seeing what was going to happen at the end.

Production wise, it is obvious that this is an early 70's almost TV-like movie: The only thing that gives away the fact that this was a theatrical release was the Wide Screen Aspect Ratio.

This is well worth seeing, especially if you watch Vertigo first. Wonderful Film.

After doing about four or five straight westerns, James Stewart obviously wanted a change of pace, so he starred in this Depression era film about a man just released from prison and ready to cash a check for $25,000.00. This is the equivalent of 40 years of working in the prison mines as convict labor and apparently never buying anything in the prison commissary. Which is the part I find hard to believe.

Now possibly had this story been set in 1925 in the boom times of the Roaring Twenties, Stewart might have had different ambitions. But he and friends Strother Martin and Kurt Russell just want to open up a general store in some small town and live quietly.

But this is the Thirties a decade of hard times and bank failures. Local banker David Huddleston can't afford to cash Stewart's check or the bank in which he's been dipping in the till will go belly up with his name on the failure. So he goes to whom he usually goes to bail him out of these situations; prison guard George Kennedy and henchmen Mike Kellin and Morgan Paull.

The story is far fetched but Andrew McLaglen put together a really good cast and the film definitely had some colorful characters. Anne Baxter plays the painted prostitute of the river who has a boat for assignations and a young girl played by Katherine Cannon for those who don't like the older model. Her life's ambition is to get into the Daughters of the American Revolution because as she puts she and her family have been serving our country by servicing our soldier's needs since 1776.

George Kennedy's part is also a gem. He's a Sunday school teacher as well as a prison guard and contract killer for hire. We haven't seen a religious hypocrite like him since Robert Mitchum as Reverend Harry Powell in Night of the Hunter. Then again that's no accident since Davis Grubb wrote the novels on which both films are based.

Robert Donner has a key role in the film as the train conductor with a conscience. I can't say more, but the man's conscience is what brings about a righting of all wrongs.

Best scene in the film is James Stewart getting the drop on Morgan Paull during the first confrontation. Paull is a would be country singer who does a little killing on the side, but only if they're atheists. And of course it's Kennedy and Kellin who point out the atheists to do in.

Kennedy is also carrying around one ton of homosexual repression. Note that in his scenes with Paull and with Kurt Russell as he declaims loud and long about how he doesn't like boys. He likes them too well when his religion tells him that's a big no-no.

I remember back in my working days at NYS Crime Victims Board I did a claim for a homicide victim who was a 67 year old letter carrier for U.S. Post Office. He was a man described by the police as someone who just worked all his adult life for the Post Office, never married and raised a family, never took a vacation, just worked and saved. He managed to accumulate over $350,000.00 in his life and the estate was going to go to our claimant who was his 88 year old mother. Sad when you think of it, but letter carriers are a bit better paid than convict labor even granting the differing values of the dollar in those eras. It's why I can't grasp how Stewart saved all that money.

Despite my inability to suspend disbelief Fools' Parade is a colorful film with some fine acting in it and a must for fans of James Stewart like myself.

FOOLS' PARADE is an unusual and only mildly successful comedy with surreal touches. These touches work while the main plot is only average, episodic at best and middling at worst. The tale is about some no-good criminals leaving prison and deciding to use a cheque to set up business, except various other corrupt officials and hoodlums also want to nab the loot. The thing that makes it all worthwhile is the cast; the leads are played by George Kennedy, a youthful Kurt Russell, and James Stewart sporting one heck of a false eye. There are other dependables, like Strother Martin, playing in support. They do their best throughout and are always worth a watch, but even they can't lift this above the level of distinctly average.