Eliezer Shkolnik and his son Urien are both Talmudic researchers and professors in Jerusalem. Eliezer is bitter as his son receives wide acclaim from the Jewish Studies community. He spent most of his life working on a revolutionary take on an European version of the Talmud only to be scooped by an accidental discovery one month before publishing his own work. He toiled in his work alone. His class has one student. His most noteworthy accomplishment is a footnote in an important textbook. The father and son relationship has traveled a long and problematic road. Eliezer covets the Israel Prize above all else and one day, he gets a calls from the Minister of Education congratulating him. It is big news and then Uriel is told by the Ministry that the call was a mistake and he is the real winner. The head of the committee Grossman is an old foe of Eliezer.
This movie takes a small world and shows how the people in it treat this world as life and death. The opening sequence with Eliezer and the security guard is very compelling. Eliezer is a quietly bitter old man and that scene sets it all up. The problem is that he's not that charismatic as a character. Urien's struggles are more compelling. It's an intriguing premise but I don't find Eliezer lovable enough.
Plot summary
The story of a great rivalry between a father and son, both eccentric professors in the Talmud department of Hebrew University in Jerusalem. The son has an addictive dependency on the embrace and accolades that the establishment provides, while his father is a stubborn purist with a fear and profound revulsion for what the establishment stands for, yet beneath his contempt lies a desperate thirst for some kind of recognition. The Israel Prize, Israel's most prestigious national award, is the jewel that brings these two to a final, bitter confrontation.
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bitter old men
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One thing that has become common in American popular culture - if you can call it culture - is to have all sorts of salacious family feuds. That makes it all the more satisfying to see Joseph Cedar's "Hearat Shulayim" ("Footnote" in English). The movie focuses on a father and son, both of whom are professors at the Talmudic Research department of the Hebrew University of Jerusalem. Despite the father's extensive studies, the Israel Prize committee refuses to recognize his work, while the son has garnered a lot of respect. One day, the father receives a call announcing that he's winning the prize. There's just one problem: the committee meant to call the son.
The movie makes sure to avoid tabloid-style situations. It takes a serious approach to the situation. Probably the most effective scene is when the son meets the Israel Prize committee in a cramped office and reminds them of the hypocrisy of their decision to deny his father the prize. Nonetheless, the tension between father and son remains. In the end, it's a really good movie. I haven't seen many Israeli movies, but now I would like to.
Good and enjoyable enough but ultimately still nothing special.
It's not like this is a bad movie but it's just one like dozens of others, that get made each year, mostly in Europa or as little art-house movies in America. When watching this movie I just couldn't help wondering what was supposed to be so special about it. In my opinion there is nothing special about it really but that of course does not make this a bad movie to watch as well.
It's simply an enjoyable and light little movie, that doesn't ever get too heavy handed, even though it could had easily gone that way. And I thank the movie for that but at the same time it's also giving too little in return.
The movie is taking a more comedy approach to its buildup but with as a problem that there isn't really any true comedy in this movie. It sort of reminded me of a Wes Anderson movie. They are supposed to be comical movies, without anything comical ever happening in it really. It's just not my favorite style of film-making but I know I'm probably a minority on this, so to most people, this won't be a complaint at all.
It's a movie with a good enough story, that ensures that the movie keeps going at all time. It's definitely not a boring movie to watch, despite of a slower type of approach at times.
I wasn't the biggest fan of its visual and technical approach though. I don't know, I guess I have just seen a bit too many movies like this already, so I'm sort of starting to get fed up with these type of movies looking all the same with its camera-handling and editing, that all should remind you of a more indie type of movie. I really did wish that this movie would bad done some more new and interesting stuff at times. That way I would had, no doubt, got more into the movie and would had found it more interesting and pleasant to watch all. It now instead is not a movie that I can wholeheartedly or enthusiastically recommend to you, since it just isn't ever doing anything special, with its story, characters or visuals.
Certainly not bad and still quite good for what it is but it's still a movie you could so easily do without.
7/10
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