Documentaries about Artist are Not that Common, and they Should be. Most Artist Linger in Semi-Obscurity even if They have Attained a Modicum of Money, Fame, or Admiration and Recognition. A Good Bit of the Time there are Splashes in the Public Eye, but Unless the Work is in a Sort of Popular Culture Saturation, it is Unlikely that Any given Artist, Outside the Bubble of a Particular Field, Comic Books, for Example, a Particular Artist Remains Relatively Unknown.

Documentaries can Flesh Out the Person Behind the Art, at Least a Little bit, and can Shed Some Insight and Light while giving a Platform for the Art to be Exposed in Heaps for Ninety Minutes or so. Aside, from a Coffee Table Book that Includes Pages and Pages of Artwork, a Docu-Film will most Likely be Seen by More People than Buy the Book.

So here is Ralph Steadman. Who, You Say? Exactly. Unless You were a Reader of Rolling Stone Magazine in the Seventies, or a Fan of Gonzo Journalist Hunter S. Thompson, Steadman has Remained in the Aforementioned Obscurity. But that's About the Extent of His Explosion of Exposure.

Not that it is Insignificant, much to the Contrary, He and the Good Doctor, Thompson, Defined Gonzo Journalism, and Tried to "Change the world!", a Phrase that Steadman Utters at Least Three Times in the Documentary and in the End, at Age 76, Seems Disappointed that Most of what He Tried to Change, Remains Unchanged.

The Fancy Film from Director Charlie Paul is Filled with enough Interesting Anecdotes and Surprisingly Rare and Old Archival Footage, a lot with Hunter. It also Includes Interviews with Other Folks who have Worked with Steadman and it is all Anchored with Johnny Depp, Long Time Friend and Fan. Terry Gilliam's Movie, "Fear and Loathing in Las Vegas" (1998) is Based on the Book by Thompson that Included Illustrations by Steadman and may be the Artist Link to Moderns with the Most Resonance.

Overall, a Must See Movie for Lovers of Art, the Sixties Counter Culture, Hunter S. Thompson, and to Get an Introduction to One of the Most Bizarre and Powerful Political Artists of Our Time. His Work and Some of His Unique Mystique and Technique, Much on Display Here, can be Admired and Studied.

Documentaries About Artist are Not that Common, and They Should be. Most Artist Linger in Semi-Obscurity Even if They have Attained a Modicum of Money, Fame, or Admiration and Recognition. A Good Bit of the Time there are Splashes in the Public Eye, but Unless the Work is in a Sort of Popular Culture Saturation, it is Unlikely that Any Given Artist, Outside the Bubble of a Particular Field, Comic Books, for Example, a Particular Artist Remains Relatively Unknown.

Documentaries Can Flesh Out the Person Behind the Art, at Least a Little Bit, and Can Shed Some Insight and Light While Giving a Platform for the Art to be Exposed in Heaps for Ninety Minutes or So. Aside, from a Coffee Table Book that Includes Pages and Pages of Artwork, a Docu-Film will Most Likely be Seen by More People than Buy the Book.

So Here is Ralph Steadman. Who, You Say? Exactly. Unless You were a Reader of Rolling Stone Magazine in the Seventies, or a Fan of Gonzo Journalist Hunter S. Thompson, Steadman has Remained in the Aforementioned Obscurity. Pink Floyd's Movie The Wall (1982) Featured His Artwork on the Poster and in the Film, via Animation. But that's About the Extent of His Explosion of Exposure.

Not that it is Insignificant, Much to the Contrary, He and the Good Doctor, Thompson, Defined Gonzo Journalism, and Tried to "Change the world!", a Phrase that Steadman Utters at Least Three Times in the Documentary and in the End, at Age 76, Seems Disappointed that Most of What He Tried to Change, Remains Unchanged.

The Fancy Film from Director Charlie Paul is Filled with Enough Interesting Anecdotes and Surprisingly Rare and Old Archival Footage, a lot with Hunter. It Also Includes Interviews with Other Folks who have Worked with Steadman and it is All Anchored with Johnny Depp, Long Time Friend and Fan. Terry Gilliams Movie, Fear and Loathing in Las Vegas (1998) is Based on the Book by Thompson that Included Illustrations by Steadman and May be the Artist Link to Moderns with the Most Resonance.

Overall, a Must See Movie for Lovers of Art, the Sixties Counter Culture, Hunter S. Thompson, and to Get an Introduction to One of the Most Bizarre and Powerful Political Artists of Our Time. His Work and Some of His Unique Mystique and Technique, Much on Display Here, can be Admired and Studied.

Review: I really enjoyed this documentary about the extremely talented artist, Ralph Steadman, who has a very unique style of painting/drawing. A lot of people have seen his work on the Withnail & I and Fear & Loathing in Las Vegas covers, but he hasn't really became an household name. After seeing his amazing work in this documentary, which shows Ralph Steadman being interviewed by Johnny Depp who was the main character in Fear & Loathing, you can't help thinking that he is extremely under rated which is probably due to his personal political views. This movie gives an in depth look about the thought process behind his work and the strange but wonderful relationship between Steadman and Hunter S. Thompson. I think that the director done a great job with this documentary, and for someone that had never heard of Steadman before, I will definitely look out for his previous and present work. Enjoyable!

Round-Up: The way that the director was able to use Ralph Steadman's work to put it into mini cartoons, was brilliant and to see Steadman create a painting from just flicking the paintbrush onto a blank piece of paper, really does show how talented the man really is. The different techniques that he uses to come of with some amazing paintings, was an eye opener, but it's a shame that no one has really heard of him. In the art and movie world, he does seem to be well known and respected but I really didn't have a clue about his work before I saw this documentary. Anyway, it's worth watch if your interested in this type of thing, but I'm sure that some people would find it boring if they were looking for entertainment.

Budget: N/A Worldwide Gross: $67,500 (Deserved more!)

I recommend this movie to people who are into documentaries about art and who have seen some of Ralph Steadman's terrific work. 6/10