I don't have much to say about "For Your Consideration," except that I liked it, in spite of the negative reviews it received, and I wanted to say that here in case other viewers, like me, put off viewing it because the reviews put us off.
"For Your Consideration" is a small, brief (86 minutes),sweet, funny movie. It's not as laugh-out-loud funny as "Best in Show" (few movies are) but I liked it better than "Mighty Wind," which I also liked.
Christopher Guest's usual crew is in its usual fine form. Catherine O'Hara is funny in a whole new way, with at least one scene that is quite poignant and unforgettable, at least to struggling artists. John Michael Higgins does a very funny William H. Macy-like character. Jane Lynch is dead-on as an "Entertainment Tonight" style tabloid "journalist."
I even liked the ventriloquist Nina Conti -- and I normally run from the room when a ventriloquist comes on.
For Your Consideration
2006
Action / Comedy
For Your Consideration
2006
Action / Comedy
Plot summary
Hollywood send-up. No-name actors are making a low-budget period drama called "Home for Purim," when an anonymous post on the Internet suggests that one performance is Oscar-worthy. Then, two more cast members get Oscar-related press: buzz in "Variety" and appearances on TV prompt the studio executives to insist on changes in the script in anticipation of a blockbuster. Jump ahead a few months to the days before Oscar nominees are announced: just the possibility of a nomination has changed the actors' lives. Agents, publicists, make-up artists, local celebrity reporters, and other bit players round out the backstage ensemble. Hooray for Hollywood!
Uploaded by: FREEMAN
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Top cast
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I Liked It, In Spite of the Negative Reviews It Received
A Sublime Comedy - Guest with a Twist
There is something both enchanting and disorienting about watching a Christopher Guest film that features conventional camera angles and a narrative structure. It is a brave, and ultimately, a rewarding choice for a director who has built his impeccable reputation on the strength of his mockumentaries.
Like its predecessors Waiting for Guffman, Best in Show, and A Mighty Wind, For Your Consideration is largely improvised, and reunites the same winning cast. Gone, however, are several of the conventions of Guest's previous films. For Your Consideration avoids the need to give every last character an extended 'interview' segment and instead weaves minor characters naturally into the fabric of the story. The narrative structure also prevents Guest from relying too heavily on cuts to b-roll sight gags that, while funny, are never more than gags. By challenging himself to tell this story in the absence of these and other mockumentary techniques, Guest is allowed to focus instead on scenes that show how his characters really respond to one another in the moment.
Half the fun of course is waiting for all the familiar faces to show up, and discovering what crazy character they have inhabited this time around. All the usual suspects are back in For Your Consideration, playing a colourful array of Hollywood types. Insecurities, foibles - and just a few quirks - are in full display.
Jennifer Coolidge is a brilliantly clueless producer, and Eugene Levy has a nice turn as a somewhat smarmy agent who has no faith whatsoever in his client (Harry Shearer's Victor Ann Miller). Guest himself is hilarious playing director Jay Berman, and one only wishes that we got to see more of his rehearsals with the actors, as these are some of the funniest scenes in the film. Mike McKean and Bob Balaban are a fun team as the cowriters of Home for Purim, the movie-within-the-movie. Making his first appearance in a Guest film, Ricky Gervais grabs perhaps the biggest laugh of all with a line that I won't spoil here. And while Fred Willard and Jane Lynch are dealt very broad characters, their send-up of Access Hollywood is laugh-out-loud funny, and provides the perfect vehicle for Willard's boorish shtick.
John Michael Higgins is in amazing form as Corey Taft, sporting surreal philosophies on actors and life that outdo even his colour-worshipping character from A Mighty Wind. And the doe-eyed and endlessly endearing Christopher Moynihan tosses off several absolute gems in response to the inanity going on around him. Much like his character in the film, he's likely to go unnoticed in favour of some flashier performances, but deserves accolades of his own. He and Parker Posey have a sweet, unrehearsed chemistry playing actors in puppy love.
While it is impossible to give due screen time to all of the troupe's mainstays, some deserved better. Jim Piddock is dealt a potentially juicier part than he's had in the past, as the irritable AD who is all too aware that he's surrounded by idiots. But his screen time is far too short to let it amount to much, and fans wanting to see him play against type are better advised to check out his brilliant performance in See This Movie. Meanwhile, Ed Begley Jr. is hideously miscast as the film's token flamboyant gay man. Furthermore, having such recognizable actors as Claire Forlani and particularly Sandra Oh show up for bit parts in For Your Consideration is more distracting than anything, and breaks the illusion of the self-contained world that worked so nicely in Guest's previous efforts.
Despite all of the comedic talent on display however, this is Catherine O'Hara's show, and she more than delivers in her role as fading screen star Marilyn Hack. Her insecurities, dreams, and vulnerabilities are handled with such poignancy and humour that O'Hara fully deserves whatever accolades may come her way in the months to come. She is luminous.
If For Your Consideration comes up a little short, it is in the story department. The outline devised by Guest and Levy suffers somewhat from a lack of focus. If, as Guest insists, this film is not intended as a satire of Hollywood but is rather the tragicomic tale of what happens to someone when they are told that they deserve an award, we should be spending less time on all the Hollywood in-jokes and parodies, and more time with the characters themselves.
We don't learn quite enough about our main characters those portrayed by Catherine O'Hara, Harry Shearer, and Parker Posey to really understand how monumental it is for them to be caught up in the Oscar hype. We see that, professionally, they desperately need the break. But we get no perspective on how this effects their personal lives, or changes the way that they relate to the people closest to them. Where are their families? Their friends? They don't seem to have any. And if that was the point in and of itself, it wasn't brought across clearly enough.
Whatever the film's shortcomings, it is the smaller details that are purely Guest which make this film a triumph and future classic: Guest's perfect intonation as he instructs one actor to deliver his line as though "Mommy is going
now?", Jennifer Coolidge jumping in at the absolute perfect moment with "But what about me!?" in the midst of a heated argument that has nothing to do with her, or the sight of Harry Shearer suddenly wearing Rachael Harris' hat to help him get into character. These are the small moments that give Guest's works the rare distinction of being films that get progressively funnier with each viewing.
My hope for the next Guest film is that it continues to stretch the troupe in the way that these last two films have done. Ideally, we'll see an improvised, narrative comedy with some heart, all the expected hilarity
and a little more plot structure. Until then, here it is, for your consideration
This just doesn't cut it as a Guest film
Christopher Guest has quite the resume and reputation for his quirky, awkward satirical mockumentaries, but "For Your Consideration" simply doesn't measure up with the rest.
It's hard not to judge "Consideration" by its predecessors such as "Best in Show" and "A Mighty Wind." With the same cast, the same satirical (though not full out mockumentary) style, it simply asks for that and it doesn't succeed the way those movies do.
The premise of "Consideration" is on the set of a movie (a ridiculous) movie and the overblown Oscar hype that the film gets. The film contains everyone from the actors to the producer in the cast, as well as a couple Hollywood-focused TV show hosts. The characters are still quirky and amusing in a subtle way, yet something is off. Their depth and the interest in what is happening to them is non-existent and it makes it harder to laugh at the them in the long run and considering characters tend to drive Guest's films, that makes it tough from the get-go.
The plot is simply not as intriguing as well. This perhaps lies in the fact that the focus is not on something obscure like dog shows or traveling folk musicians, but instead on basic Hollywood, which offers less genuine interest in subject alone. Compound that with the weak characters and you have a huge Guest disappointment.