With the abundance of mainstream comedies and the enormously boastful raunchiness sure to hit in the forthcoming summer of 2013, it's only a fact that the Jay Gammill's directorial debut Free Samples will get shafted. Even on the far-reaching scope of video-on-demand, this one is sure to be either dismissed or criminally looked over. This is unfortunate seeing how it is easily one of the spriest independent comedies to be released on video-on-demand in some time.

Due to the increase in college attendance in recent years and the fact that numbers for graduates are increasing, it is not surprising to see many films made by young people staring young people about being young people. In a society like the one aforementioned, these kinds of films are essential. They provide the audience with qualities that are relatable and realistic to a generation that will always be marginally shortchanged and misunderstood. Films like Free Samples can't perfectly articulate post-adolescence but they can certainly help ease the pain.

The film stars Jess Weixler as Jillian, a law-school dropout who agrees to man an ice cream van that is supposed to remain stationary in a small town distributing free samples to passersby. Hungover, moody, and quick-witted, Jillian distributes the ice cream samples with large amounts of attitude and condescending wit that is equal parts rude and hilarious. In the middle of this, she begins to piece together last night as if it was a hazy detectives story. She recalls a hookup with Tex (Jesse Eisenberg),who shows up to try and help her remember, and tries to end a relationship that has simply run its course during this day, as well as dealing with every strange soul on the face of the earth.

Consistent readers will recognize this as further proof of my love for not only independent films but one-setting pictures. Writer Jim Beggarly's loose but interesting character study-focus combined with Gammill's studious, controlled direction (never too watery, never too dry) make this film stand on its own two feet nicely. Weixler, who was the supporting role last year in The Lie as a wife whose husband tells an unforgiving lie in order to evade responsibility and work, gives a gifted performance here. It's a performance that's morose enough to keep us apprehensive towards her character but just likable and funny enough to keep us watching in smiles.

Eisenberg doesn't have as big of a role as you may think, despite being top billing, and yet he isn't used for his name either. It doesn't appear as stunt casting, giving Eisenberg's name still isn't yet on the list of A-listers (although it should be). He's the kind of actor that no matter how mainstream he gets he will likely never adopt the actory presence stars get when they've clearly evolved from humble beginnings to landmark actors. I can see Eisenberg always remaining slightly to the left of the mainstream focus, which is where I like him the best.

Free Samples, if had maybe a few thousand dollars less in its budget, could've been a film more categorized as "mumblecore" rather than just another independent film. The watermark would've likely got it shoved around more in local, more reclusive circuits and more discussion within the collegian demographic. Nonetheless, it deserves success on its own merits for having quietly entertaining writing and smart, reserved direction. If you feel the need to gamble one night with your video-on-demand purchase, I couldn't see a better film to roll the dice on.

Starring: Jess Weixler, Jesse Eisenberg, and Jason Ritter. Directed by: James Gammill.

'FREE SAMPLES': Two Stars (Out of Five)

Pointless and annoying indie comedy film about a law student dropout who goes back home to Los Angeles to 'find herself' and runs her friend's ice cream truck for a day. The film was written by first time feature film writer Jim Beggarly and directed by first time feature film director Jay Gammill. It stars Jess Weixler and features cameos by Jesse Eisenberg, Jason Ritter, Matt Walsh, Whitney Able, Halley Feiffer and Tippi Hedren. The supporting cast is the film's one saving grace but I found Weixler's character (which is in every scene of the movie) to be highly annoying and depressing.

Weixler plays Jillian, a Stanford law-school dropout who moves back home to Los Angeles to figure out what she wants in life. The film takes place all in one 24-hour period and begins with Jillian getting wasted at a bar one evening (while hanging out with her friends). She's been on a six-month break from her boyfriend and meets a young man, she calls Tex (Eisenberg),who asks her out on a date (but forgets him when she's sober). The next morning she agrees to fill in for her friend Nancy (Feiffer) at her job, running an ice cream truck for the day, so Nancy can go to a family drug intervention for her brother. Jillian spends the day dealing with crazy customers and old friends as she argues with everyone and feels sorry for herself.

I like character driven movies (where nothing really eventful happens) but I have to care about the characters in some way. Jillian here is way too negative and antagonistic (to everyone she meets). While filling in for her friend she probably ruined her business and scared away all the customers! Why should I care what happens to her? In the end she of course comes to some kind of a revelation and seems like she might change but it isn't very convincing and seems tacked on. Her overwhelming cynicism makes the whole movie seem cynical but most of all it's just annoying. I couldn't stand the main character. Eisenberg, Ritter and a few others are likable in the film but their parts are way too brief and underdeveloped. Most of all the movie felt like a film for trolls (all about how trolls live and torment others). I don't want to see a movie like that.

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Jillian (Jess Weixler) has left Stanford law school and her boyfriend for a semester to try something new. Only she's no good at anything other than drinking. After a night of passout drinking, she has to give out free samples of ice cream from a food truck for a friend who is joining an intervention for her brother. She faces people with her acerbic wit and her pounding hangover.

I love Jess Weixler's sardonic personality. And it works great especially in the first half with Jason Ritter. They have a fun combative conversation. It's not so much with Jesse Eisenberg. She has more chemistry with Ritter.

The last half does stumble a little bit. Tippi Hedren is playing an interesting character but it's just too cliché. And when school friend Paula drops by, it hits that speed bump a little too hard. For that kind of coincidence, it could never maintain any believability.