I have liked the Gaslight films for many years and was surprised and delighted recently to find both versions together on an American DVD ! Miracles will never cease, I thought!

I have read various comments from people trying to compare these two films. I will not fall into this trap - I liked each film as much as the other..true, Walbrook looks more evil as a villain than Charles BOyer, and the 1940 version is perhaps a little more picturesque with the sets ( carriages, children etc ) but both films were very well done. The picture quality of the 1944 version is obviously better than that of 1940, and I had read somewhere that they had actually tried to get the print of the 1940 version destroyed as to have only the 1944 version available. What a horrible thought that someone could actually have wanted to do that !

So, they are both great suspense films and the black and white only serves to enhance the already seedy atmosphere ! Well worth several viewings !!!

Although Ingrid Bergman and Charles Boyer got a lot of press for the movie GASLIGHT, the film was actually a remake of a British film made only a few years earlier. It seems that the big-wigs at the studio wanted to remake the film but pretend that it was an original Hollywood production so they bought up the prints and the remade film went on to be considered a "classic". However, recently the ORIGINAL version from 1940 has been discovered and has been shown on Turner Classic Movies.

Having seen both versions, I found them awfully similar--but I would have to say that I preferred the original. The wonderful Anton Walbrook was a wonderful and even more menacing husband and I just could see no reason why the movie should have been remade. It's really a shame, too, as I am sure that those associated with the original must have wished they'd gotten all the attention the 1944 version received.

My advice is see them both. However, if you only plan on seeing one, see this one--it's just a better film!

It is inevitable that this 1940 film and the 1944 "remake" with Charles Boyer and Ingrid Bergman are going to be compared, and people will have different opinions as to which is the better version.

To me, both 'Gaslight' films are great in their own way, and this reviewer ranks them equally, yet with one or two things in things that are done better in the other. Like the 1944 film (the only real drawback to that film was the uneven performance of Joseph Cotton),there is very little wrong here. The secondary characters could have been better fleshed out, and while Richard Adinsell's music score is suitably ominous Bonislau Kaper's score for the later version has more atmosphere, subtlety and tension.

However, while not as glossy as the later film 'Gaslight' (1940) regardless is incredibly well-made. It's shot beautifully and menacingly, is hauntingly lit and has sets that are picturesque yet give off a great amount of dread while over-stating it. It's intelligently and suspensefully directed by then-famous-and-well-regarded, now-almost-forgotten (undeservedly) Thorald Dickinson.

The script is thought-provoking and tense, everything feels relevant to what's going on and nothing seemed padded. Tighter-paced and more theatrical somewhat, the story never creaks and is leaden with tension and suspense with nothing obvious that came over as unnecessary or clumsy.

Performances are great here and hardly inferior to those in the later film, despite being less familiar. Anton Walbrook, while not as subtle as Charles Boyer, is terrifying and a huge part as to why the film is as atmospheric as it is. Diana Wynward demonstrates Bella's vulnerability incredibly movingly with no histrionics and she's hardly dull either (though the character has more range and depth to her in the 1944 version).

Frank Petingell looks more comfortable than Joseph Cotton, his performance is more even (though Cotton was hardly bad),the character is better written and he is more believable as a police officer (where Cotton's performance particularly fell down on). Robert Newton is a strong presence in an early role, and Cathleen Cordell is a hoot as Nancy.

All in all, despite being in the shadow of the 1944 'Gaslight' in popularity the earlier 1940 film doesn't deserve to be, because it is every bit as great. 9/10 Bethany Cox