I had the chance in 2021 to sit down and watch the 2010 Chinese romantic comedy movie "Go Lala Go" (aka "Du Lala sheng zhi ji"). And of course I sat down to watch it, as it is a Chinese movie and one that I haven't already seen before.

As I hadn't even heard about this movie prior to sitting down to watch it, I had no idea what the movie was about, nor did I know who was on the cast list. So I didn't really have much of any expectations for "Go Lala Go". So on that account writers Yun Wang, Jinglei Xu and Meng Zhao had every chance to bedazzle and impress me with this 2010 movie.

And while "Go Lala Go" was watchable, it wasn't really an outstanding movie. It was, actually, just another run-of-the-mill romantic comedy movie. And director Jinglei Xu didn't manage to lift the movie out of the generic and stereotypical runt that romantic comedies tend to slump into. And that was also the case for the 2010 "Go Lala Go". It offered nothing that hadn't already been seen in other romantic comedies similar to this one.

Lead actress, writer and director Jinglei Xu is one that I wasn't familiar with, but she did a good enough acting performance in the movie, though it was weighed down by a mediocre and generic script. I was, however, very surprised to see Karen Mok in the movie, and she really spruced up an otherwise stale movie. Just a shame that she didn't have a larger role to play in the movie.

If you enjoy these generic romantic comedy type of movies, then I am sure that you will find some enjoyment in "Go Lala Go". But if you are looking for a romantic comedy that offers more than just your average run-of-the-mill romantic comedy, then this is hardly the best of choices.

While I managed to sit through the entire course of "Go Lala Go", this was not a movie experience that had me impressed. My rating of the 2010 romantic comedy settles on a very mediocre five out of ten stars.

I enjoy Xu Jinglei as an actress and think her move to behind the camera shows lots of promise. I wish I didn't have to report that her latest film is a disappointment. To be fair, it's a disappointment because it's not what I expected from her. Go Lala Go!, in which she stars and directs, has none of the depth or artistry of Letter From an Unknown Woman or My Father and I. Go Lala Go! is about promotion hungry corporate trash, and it's pure popcorn fluff, hyper-kinetic and full of fashionable costuming, hairstyles, and product placement.

But is it good popcorn fluff? I'm not sure but I'm inclined to say no. It did very well at the box office (in China, in case that's not clear) and there's probably a reason. First of all, it's solidly within the constraints of the Chinese Film Bureau's guidelines of what kinds of stories should be told and what kinds of messages are permitted. Specifically, with regards to rewarding foul play, there's none of that. Lala's rise up the corporate ladder is completely the result of good honest hard work. Yes, she sleeps with a high level big shot Director of Sales but it's for love, not strategy, and the film shows it as problematic. In fact, inter-office relationships are a major theme in the movie. A blind eye is sometimes turned but for the most part they are considered not a good or acceptable idea.

Another reason for its success may be that it puts on display all the name brands and fashionable accessories many millions of Chinese feel they are fairly close to partying with. Even though us educated capitalists are hip to that myth, there's a younger generation of Chinese that is probably tired of, or uninterested in films which wallow in a prideful past and they want to dream about a possible future instead. That's all fine and good, and maybe I shouldn't rush to judgement. Xu Jinglei has given the masses what they want. Good for her. She made some money, hopefully.

There's some cultural interest for non-Chinese in Go Lala Go!, but as a film it's thin and a little too chaotic. The chaotic part seem intentional. It's almost as if Xu discovered downloadable iMovie Transitions and went nuts. The direction is strong, consistent, and assured, but it's a style I don't fancy. There are some decent comedic bits, Xu possessing a courageous inclination for the self-deprecating, and some of the love geometry is OK, but it's all stirred in very quickly, giving the sense that it's not important. Scenes just sort of smash into one another. Karen Mok is fun and she still has great legs but the American-Taiwanese pop star Stanley Huang as Lala's love interest didn't do much for me. There's some nice scenery when they all vacation to the beaches of Thailand but not much to the story.

I still can't wait to see what Xu Jinglei does next.

This film is shot like a US TV show style. It blends HongKong culture into where the film is set, Beijing. It's based on the pursuit of materialism and has no sense of any real Chinese culture. The cast is unconvincing, the clothing design makes every single character in the film look like fashion model.

The storyline is linear and weak. The camera work is basic, and the film puts too much emphasis on colors and visuals. The characters lacks individual personality through-out the film.

And there's a constant feel that this is a piece of HongKong drama, and with plenty of US style of shooting copied over.

Overall, it feels artificial and tasteless.