As the granddaughter of a coal miner who was also a union organizer, and having been born and brought up in Appalachia, I was highly interested in the theme of this film. What a huge disappointment. Holly Hunter grunts and twangs like a deranged Daisy Mae, almost unintelligibly at times. Her accent is not at all mountain, but cartoonish. One could expect much more from an Academy Award winner.

Also, it might come as a huge shock to some, but people in Kentucky and West Virginia have had electricity, running water, and indoor facilities for at least 50 years now. Not only that, but--hold onto your seat, now--most women there don't go around dressed like a Dorothea Lange photograph (and didn't in 1973, either!); nor do the children all go barefoot; nor does everyone live in rusted-out shacks.

For a much more realistic picture of mine families, try "October Sky". The story is set earlier, in the 50's; but you can see that even then, people had more semblance of civilization that the dismal one-step-up-from-HeeHaw that "Harlan County War" portrays.

A strange irony that this film, supposedly sympathetic to the plight of families suffering because of corporate greed, was shot in British Columbia during the film crew strike. Shame on them. Shame on me, too, for wasting money and irreplaceable time on this letdown.

This is a powerful movie with superbly crafted characters. It's beautifully shot and captures the gritty realism of Appalachia, its hardships, its humanity, its humour. Holly Hunter has created an endearing character. But so are all the other principles. No stereotypes here but honest portraits of real working class people. This is one of the best labour movies I've ever seen.

Lowest-class working people go on strike for better conditions. Outside agitator helps foment discontent. Working class wife expands personally by taking part in the struggle. To a large extent this sounds like, and is, a 2000 remake of NORMA RAE, which is graced with a fine lead by Holly Hunter, and looks quite good considering it is set in Harlan County, KY, but filmed "on location in Toronto, Canada." Stellan Skarsgard as the labor organizer, and Ted Levine as Hunter's miner husband also deliver good performances, and entire cast is fine though most roles are smallish vs Hunter. Nice musical score.

This film takes off from the documentary HARLAN COUNTY USA and has plot resemblances to NORMA RAE. The slant is unabashedly left of center and the performances and details ring true (except the dogs don't look like mountain dogs to me). Hunter is given a fairly brief, mostly-in-the-dark seminude scene that I found a little gratuitous (possibly the first time those words have ever crossed my lips). I didn't catch the credit, this viewing, for the little guy (he's about as short as Hunter) who plays her father, but he looks exactly right as a used-up coal miner and might have been cast right off the street in my neighborhood.

Picture is set in the 1970s, with Nixon references and talk of wage scales that will sound unbelievable today. Sneak previewed on Showtime the night of 5/29/2000, this is a commendable fictionalization of the story told even more dramatically in HARLAN COUNTY USA, and easily the best premium cable original film I've seen in a long time. Martin Ritt would have made it even better but he wouldn't have been ashamed of this version. And which side are *you* on, buddy?