Emer Reynolds has produced a very successful director.

Olivia Coleman and Charlie Reid make a great duo team. Although it was Reid's first major project, he performed successfully in front of a great actress like Coleman. Ray Harman's compositions and Aibhe Keogan's scripts are very good. I love candid films that tell little stories like this. Everyone watches blockbuster movies now... Cinema has lost sincere films...

If there is a blu-ray edition, I will definitely buy it.

I hope movies like this continue to be made and the cinema doesn't give in to movies that make millions of dollars but don't have a soul.

Joyride

Overall this was a mixed bag of a movie. On the one hand it attempted to be profound with comments on parenting, childhood baggage, what it means to be a mother and sometimes blood is not thick than water, and then attempted humour in a farcical vane.

The script struggled and showed little emotional intelligence, connecting with another human being does not a parent make. You could see the actors struggling with the often stilted script, which fell apart in the denouement.

To believe the contrived happy ending was absurd and I certainly wasn't convinced. The acting was at best pedestrian and at it worst performative.

This is barely watchable so I'm giving it a 4 outta 10, with Olivia not all that glitters comes in the shape of an Oscar statuette.

A mediocre coming of age drama which shows the turmoil of unconventional family life through rural Ireland. Good acting from the leads, especially the scenes with Colman struggling to bond with her baby, but the story is told rather messily and the film is uneven, rushing initially and dragging in the final act. Some of the imagery is good, others is just plain weird and it's not particularly clear what story it wants to tell.