Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.

While not one of the top three Elvis films, those being 'King Creole', 'Flaming Star' and 'Jailhouse Rock', 'Kid Galahad' is one of his better overall films, certainly one of the best of those he made in the 60s. It's proof that his early films were actually pretty good, but unfortunately it was one of his last good ones when the formula started here wore increasingly thin and further suffered from looking less appealing and even the quality of the soundtracks and Elvis' acting wavering significantly.

'Kid Galahad' doesn't completely work. Apart from two very good songs, "I Got Lucky" and "Home Is Where The Heart Is", the songs are not particularly memorable and don't fit particularly well, sometimes feeling awkwardly shoe-horned. The boxing sequences do lack excitement and come over as somewhat clumsy, and some of the dialogue (very rarely a strong suit in Elvis' films) is pure toe-curling corn.

The locations however are colourful, and 'Kid Galahad' has a suitably gritty but never cheap visual style. The story is far from fluffy and actually has a good deal of meat, while there are a few good lines, two great songs and an energetic music score.

Phil Karlson's direction is solid, but it's the acting that elevates 'Kid Galahad'. Elvis is very relaxed and cool, while Charles Bronson and Gig Young stand out very strongly in supporting roles. It was interesting to see Ed Asner in his debut, and while Lola Albright and Joan Blackman don't have much to do they are charming and have good chemistry with Elvis.

Overall, pretty good and compares very favourably against Elvis' other 60s vehicles. 7/10 Bethany Cox

Comparisons to the 1937 version of "Kid Galahad" are pointless, the only similarity between the two films is the nickname of the title character. It probably suits Elvis Presley a bit better than Wayne Morris, the knight in shining armor who at the film's opening touts his reputation in song as 'King of the Whole Wide World'. The movie's trailer calls it a 'honey of a picture', and for his fans back in the day, maybe so.

Events in the story conspire to turn Presley's character Walter Gulick from an ex-GI mechanic into a successful local boxer, thereby earning him a paycheck and the heart of Rose Grogan (Joan Blackman),kid sis of Willy (Gig Young). Together they own the Grogan Gaelic Gardens, an upstate New York resort that can't turn a profit because Willy Grogan is a gambling lush in hock to local hoods.

You'd be hard pressed to call this a boxing movie though, Elvis takes turns as a punching bag in virtually every ring scene until he finds the magnetic wonder punch to knock his opponent out. The dramatic set up for Cream Valley's Labor Day extravaganza includes Grogan's encounter with the bad boys who hope to make a killing with bets on the fight. Kid Galahad comes through, but you knew that, this is the King's movie.

There are some interesting casting surprises here, highlighted by Charles Bronson's turn as Galahad's trainer, and a very early film appearance by the uncredited Ed Asner. Gig Young is generally competent as Grogan, while female leads Lola Albright and Joan Blackman don't have a lot to do except play off their respective boyfriends. Albright's Dolly Fletcher gets to fire off an effective one liner defending Elvis' character when she starts to lose patience for Grogan's marriage delays.

Every now and then you'll catch an art deco tease with vivid reds, yellow and blues interspersed with Presley's songs. All are fairly mellow tunes; the "I Got Lucky" number brought a chuckle as I imagined it being performed in a corn field instead of by the side of a lake. You know, the slow twist accompaniment seemed a bit, well, corny.

Hey, it's not a bad little flick and a better way to remember Elvis by than the bloated self destructive image he came to bear in the years before his death. A bit of escapist entertainment that in it's way echoes Dolly Fletcher's sentiment early in the film - "Thanks Galahad".

This was an Elvis movie with some drama, some comedy, some music. It was a little more than the formula movies and had some good fights. Mushy Callahan a boxing coach who coached all the big stars into the 60s for fight movies said of all the actors he coached " Elvis was best, quick hands, knew karate and judo...."Great so-stars and scenery. If its not Rocky or even Rocky 5 its an enjoyable escape. The few songs are pleasant including "I Got Lucky" and "A Whistling Tune" Reportedly Charles Bronson was not very friendly to Elvis. Joan Blackman also made "Blue Hawaii" with Elvis. If you want a diversion on a rainy Sunday this is a possibility.